Classical Antiquity and the World around Hellas
- Ekaterina N. Vorontsova. The Ara Pacis Reliefs, and Their Artistic Composition
- Elizaveta P. Grigorieva. A Comparative Analysis of the Reliefs from Trajan’s and Marcus Aurelius’s Triumphal Columns in Rome
- Aleksandra E. Medennikova. Decorative Ensemble of San Marco Villa in Stabiae
- Petr A. Samoilov. Forum Traiani
Russian Art of the 18th Century. Russian View of Classical Tradition
Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
- Anna K. Gur’ianova. Ancient Canon on Coins of the Early Modern Period
- Ol’ga Iu. Perevedentseva. Antique Images in the European Cabinets of Curiosities in 1590–1660
- Dar’ia D. Kolpashnikova.Theatricality of the “Jesuit Baroque” and Its Manifestations on the Example of the Ceiling Paintings of the Roman Churches
Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
- Belinda Grace Gardner. Trajectories of Passion. The Lasting Impact of Classical Allegories of Love on Representations of Emotional Longing
- Mariia S. Oleinik. Portrait in Marianne von Werefkin’s Art
- Kristina V. Mikhal’chi. Depiction of Movement in the Air in Soviet Painting of 1920s – 1930s.
- Il’ia M. Lapin. Academic Architectural Design in the Second Free State Art Studios (SGHM)
- Andrei A. Bliok. The Leningrad School of Tapestry, 1970s–1990s. Interpretation of the Classics
- Polina K. Manova. Classicist Tradition in the Sculpture of Igor Krestovsky
- Elena K. Staniukovich. Contemporary Life against the Background of Antiquity: the “Greek Cycle” by the Painter Andrei Bliok
- Elizaveta V. Baryshnikova. Motifs of Antiquity in the Works of Art-Group “Alypius” in the 1970s–2010s
- Elena N. Kuz’mina. Influence of the Ideas of Ancient Democracy upon the Creativity of a Moscow Painter Andrei Pashkevich (1945–2011)
- Elena B. Churilova. Images of Classical Antiquity — Images of “Mankind’s Childhood” in the Works of a St. Petersburg Artist Igor Churilov
- Elina G. Nikolaeva. The Truth of the Myth. Vladimir Ovchinnikov’s Paintings of the 1970s–2000s
- Liudmila M. Kirilova. Classical Antiquity in the Art of Vyacheslav Mikhailov
- Elena V. Tarakanova. Return to Arcadia. Painting of Konstantin Troitsky
- Mariia A. Ivanova. Interpretation of the Theme of Catharsis as an Example of the Modern Way of Reading Frida in Art Photography
- Ekaterina Iu. Staniukovich-Denisova (St. Petersburg State University, Russia) Abstract Classicism of Oleg Liagatchev-Helgi and Digital Art of 1990s
- Mikhail V. Ovchinnikov. Parallax of Antiquity. The “Orgies” by Dmitry Gutov