... greater attention in part because of their significance as symbols of how female artists were offered more opportunities at Sèvres during periods of royal and imperial rule. In contrast, the so-called ...
ЯКУ ХИСАШИ (Университет Хоккайдо, Япония). Грузинский художник и история искусств на Сахалине
HISASHI YAKOU (Hokkaido University, Japan). A Georgian Artist and the Art History in Sakhalin
After the ...
... most important art history branches at least since 1971 when Linda Nochlin asked the famous question: ‘Why Have There Been No Great Women Artists?’
This provocative question concealed a complex reality. ...
... Lo Gatto : Transnational Art and History Studies during the Dictatorship in Italy and the USSR in 1920–1940s.
В 1934–1943 гг. в серии «Итальянский гений за рубежом» в итальянском государственном издательстве ...
... Thinking Ugliness in Italian Renaissance Art: From Disharmony to Beautiful Ugliness
Italian Renaissance art has long been exclusively seen as the quest for beauty and harmony. Drawing from seminal research ...
... history of the sacellum, trying at the same time to identify the patron of the art commission.
Despite the fact that the sacellum was realized in modern age, it is very difficult to obtain sure results, ...
(2020 Искусство Средних веков: академические вопросы искусствознания)
... HEIREMANS (The National Research University Higher School of Economics, Russian Federation). Representation of Proverbs in Flemish Marginal Art of the 13th–15th Centuries
In my current research, I attempt ...
МАВРОЯННИС ТЕОДОРОС (Кипрский университет, Кипр). Композиция большого фриза Парфенона и организация афинского общества в эпоху демократии Перикла
THEODOROS MAVROGIANNIS (University of Cyprus, Cyprus). ...
... (Clermont Auvergne University, France). An Anatolian Perspective for Lycian art? A Reflection on Historiography of Studies on Lycian Art (19th – 21st Centuries)
Ancient Lycia was located in Southern ...
КОРСО АНТОНИО (Университет Падуи, Италия). Когда и почему античное искусство стало анонимным
ANTONIO CORSO (University of Padua, Italy). When and Why Ancient Art Became Anonymous
Ancient Greek art ...
... In the early 20th century, for an artist such as Pablo Picasso, to look at the bodies of archaic and classical Greek art meant several things. First, Picasso ventured to reinvent Western art, departing ...
... the game of Parisian art projects.
The subject of our interest is the period of the Old masters interpretation in Liagatchev’s art of the 1990s (the trend of the time), which coincided with his turning ...
Златкова Юлия Иванова
Институт Балканских исследований; Центр Фракологии, Болгарская академия наук, Болгария
The paper examines the art of Classical Antiquity and Christian art from philosophical ...
Розенталь-Эгинботтом Рената
Иерусалимский университет гебраистики, Израильское управление по делам древностей, Израиль; Гёттингенский университет, Германия
Dionysian imagery was a frequent ...
... world played a key role at the heart of literature and culture during this period – it was fundamental to the ways in which societies and elites defined and celebrated themselves. However, recalling it ...
Basile Baudez
Paris Sorbonne University, France
Founded in Paris the year 1671, the Académie royale d’architecture served both as a council on architectural matters for the king and as a school ...
... they grasped the real reasons behind his unobvious selection of this very subject for the occasion. In this paper I would like to address these issues and show that while Reynolds’s art cannot be described ...
Пану Эрини
Иерусалимский университет гебраистики, Израиль
The Egyptian god Horus was known from the second millenium BC as ‘the child with the finger in his mouth’. Hieroglyphics show that the ...
... Hannoverian Britain provides further opportunities of appreciating how classical art inspired European collectors, such as in his Charles Townley’s Library (1782, Burnley, Townley Hall Art Gallery and ...
Floor Anna Koeleman
Radboud University, Nijmegen, the Netherlands
Paintings of art galleries not only represent works of art, but also provide us with a visual understanding of the context ...