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Список цитируемой литературы |
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Вельфлин Г. Классическое искусство. Введение в итальянское Возрождение. ‒ М.: Айрис-пресс, 2004. ‒ 368 с.
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Гращенков В.Н. Портрет в итальянской живописи Раннего Возрождения. ‒ М.: Искусство, 1996. ‒ 423 с.
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Данилова И.Е. Портрет в итальянской живописи Кватроченто // Данилова И.Е. Искусство Средних веков и Возрождения. Работы разных лет. ‒ М.: Советский художник, 1984. ‒ С. 204‒213.
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Данилова И.Е. Судьба картины в европейской живописи. ‒ СПб.: Искусство-СПб, 2005. ‒ 294 с.
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Дворжак М. История итальянского искусства в эпоху Возрождения: курс лекций: В 2 т./пер. с нем. ‒ М: Искусство, 1978. ‒ Т. 1. ‒ 175 с.
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Панофски Э. Idea: К истории понятия в теориях искусства от античности до классицизма/пер. с нем. ‒ СПб.: Андрей Наследников, 2002. ‒ 237 с.
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Baxandall M. Painting and Experience in Fift eenth-Century Italy: A Primer in the Social History of Pictorial Style. ‒ Oxford: Clarendon Press, 1972. ‒ 183 p.
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Berger J. Ways of Seeing. ‒ London: Penguin Books, 1972. ‒ 165 p.
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Burckhardt J. Il Ritratto nella Pittura Italiana del Rinascimento // Burckhardt J. La pittura italiana del Rinascimento / a cura di M. Ghelardi, S. Müller. ‒ Venezia: Marsilio, 2001. ‒ P. 284‒424.
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Burke P. Th e presentation of the self in the Renaissance portrait // Burke P. Th e historical anthropology of early modern Italy: essays on perception and communication. ‒ Cambridge; New York: Cambridge University Press, 1987. ‒ P. 150‒167.
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Campbell L. Renaissance Portraits: European Portrait-painting in the 14th, 15th, and 16th Centuries. ‒ New Haven; London: Yale University Press, 1990. ‒ 290 p.
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Campbell L. Th e Making of Portrait // Campbell L., Falomir M., Fletcher J., Syson L. Renaissance Faces: Van Eyck to Titian:
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Castelnuovo E. Il signifi cato del ritratto pittorico nella societa // Storia d’ Italia. ‒ Torino: Einaudi, 1973. ‒ Vol. 5: Imdocumenti. ‒ T. 2. ‒ P. 1033‒1094.
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Cieri Via C. L’immagine del ritratto. Considerazioni sull’origine del genre e sulla sua evoluzione dal Quattrocento al Cinquecento // Il Ritratto e la memoria. Materiali 1 / a cura di A. Gentili. ‒ Roma: Bulzoni Editore, 1989. ‒ P. 45‒92.
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Freedman L. Th e Concept of Portraiture in Art Th eory of the Cinquecento // Zeitschrift für Ästhetik und Allgemeine
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Freedman L. Th e Counter-Portrait: Th e Quest for the Ideal in Italian Renaissance Portraiture // Il Ritratto e la
memoria. Materiali 3 / a cura di A. Gentili. ‒ Roma: Bulzoni Editore, 1993. ‒ P. 63‒81.
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Kelly-Gadol J. Did Women Have a Renaissance? // Becoming Visible: Women in European History / ed. by R. Bridenthal, C. Koonz. ‒ Boston: Houghton Miffl in, 1977. ‒ P. 137‒164.
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Pollock G. Vision and Diff erence: Femininity, Feminism and Histories of Art. ‒ London; New York: Routledge, 1988. ‒ 239 p.
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Pope-Hennessy J. Th e Portrait in the Renaissance. Th e A.W. Mellon Lectures in the Fine Arts, 1963. ‒ Princeton: Princeton University Press, 1989. ‒ 348 p. ‒ (Bollingen Series, 35).
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Rogers M. Sonnets on Female Portraits from Renaissance North Italy // Word and Image. ‒ 1986. ‒ Vol. 2. ‒ No. 4. ‒ P. 291‒305.
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Rogers M. Th e Decorum of Women’s Beauty: Trissino, Firenzuola, Luigini and the Representation of Women in 16th-Century Painting // Renaissance Studies. ‒ 1988. ‒ Vol. 2. ‒ No. 1. ‒ P. 47‒74.
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Rosenberg C.M. Virtue, Piety and Aff ection: Some Portraits by Domenico Ghirlandaio // Il Ritratto e la memoria.mMateriali 2 / a cura di A. Gentili. ‒ Roma: Bulzoni Editore, 1993. ‒ P. 173‒196.
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Simons P. Alert and Erect: Masculinity in Some Italian Renaissance Portraits of Fathers and Sons // Gender Rhetorics. Postures of Dominance and Submission in History / ed. by R.C. Trexler. ‒ Binghamton; New York: Cemers, 1994. ‒ P. 163‒186.
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Simons P. Homosociality and Erotics in Italian Renaissance Portraiture // Portraiture: Facing the Subject / ed. by J. Woodall. ‒ Manchester; New York: Manchester University Press, 1997. ‒ P. 29‒51.
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Simons P. Portraiture, Portrayal and Idealization: Ambiguous Individualism in Representation of Renaissance Women // Language and Images of Renaissance Italy / ed. by A. Brown. ‒ Oxford: Clarendon Press, 1995. ‒ P. 263‒311.
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Simons P. Women in Frames: the Gaze, the Eye, the Profi le in Renaissance Portraiture // History Workshop: a Journal of Socialist and Feminist Historians. ‒1988. ‒ Iss. 25. ‒ P. 4‒30.
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Steele B.D. In the Flower of Th eir Youth: «Portraits» of Venetian Beauties ca. 1500 // Sixteenth Century Journal. 1997. Vol. 28. No. 2. P. 481‒502.
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Tinagli P. Women in Italian Renaissance Art. Gender. Representation. Identity. ‒ Manchester; New York:mManchester University Press, 1997. ‒ 206 p.
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Weppelmann S. Some Th oughts on Likeness in Italian Early Renaissance Portraits // Th e Renaissance Portrait: from Donatello to Bellini: Exhibition catalogue (Bode-Museum, Berlin, 2011; Th e Metropolitan Museum of Art, New York, 2011‒2012) / ed. by K. Christiansen, S. Weppelmann. ‒ New York: Th e Metropolitan Museum of Art, 2011. ‒ P. 64‒76.
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Zöllner F. Leonardo`s Portrait of Mona Lisa del Giocondo // Gazette des Beaux-Arts. ‒ 1993. ‒ Vol. 121. ‒ P. 115‒138.
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