SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

  • Русский (РФ)
  • English (UK)
  • 2022
    • News
    • Program
    • Emblem
    • How to apply
    • Guestbook
  • About
    • Organizing Committee
    • Participants
    • Sponsors
    • Archive
      • 2020
        • About
        • Program
        • Αbstracts of communications
        • Online streaming
        • Emblem
      • 2018
        • About
        • Partner Museum
        • Emblem
        • Program
        • Αbstracts of communications
      • 2016
        • About
        • Programme
      • 2015
        • About
        • Programme
      • 2014
        • About
        • Programme
    • Gallery
    • Previous Emblems
    • Newsletters
  • Publications
    • Archive
      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
    • Ethic code
    • For Authors
      • Guidelines
      • Publication process
      • License agreement
    • Editors
    • Theses
      • Theses 2020
      • Theses 2015
  • Contacts
  • Account

Total: 46 results found.

Search for:
Search Only:
1. The Iconography of Securitas in Chartres Cathedral
(2015 Artistic Culture and Cult)
Evgeny Danilov P. G. Demidov Yaroslavl State University, Russia The thirteenth-century Chartres cathedral is a masterpiece of Gothic architecture. It is known primarily for its towers, stained-glass ...
Created on 02 January 2016
2. The Iconography of the Last Supper in the Light of Christian Ontology and Anthropology
(2015 Artistic Culture and Cult)
Sofia Yusim Saint Petersburg Academy of Arts, Russia The article examines major milestones of formation of iconography of The Last Supper (from early Christian catacombs to the 20th century) ...
Created on 02 January 2016
3. Portrait of Sarah Eleonora Fairmore by Ivan Vishnyakov: To the Question of Iconography
(2015 Russian Art ca. 1700–1900)
Iuliia Chezhina Saint Petersburg State University, Russia The 18th century in Russian art may be called the epoch of portrait-painting. This very genre marked by strong interest in personality ...
Created on 02 January 2016
4. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context
(2015 Old Russian Art)
Irina Kulakova Lomonosov Moscow State University, Russia The paper examines one of the revered in Orthodoxy types of icons of the Virgin — the Virgin of Passion. The theme of the Arma Christi ...
Created on 02 January 2016
5. The Western European Sources and the Meaning of the Iconography “Christ the Great Hierarch with the Crucifix”: On the Problem of the Multiple Images of Christ
(2015 Old Russian Art)
... of a rare iconography “Christ the Great Hierarch with the Crucifix”, which emerged in the middle of the 17th century. Iconographical analysis confirmed the argument that the Western European iconographic ...
Created on 02 January 2016
6. The Old Testament Iconography of the South Door of the Nativity of the Virgin Cathedral in Suzdal and Literary Tradition of the Pre-Mongol Rus’
(2015 Old Russian Art)
... iconography of particular scenes generally following Byzantine models is rather unconventional, as many details do not conform to orthodox Biblical narrative and have no parallels in Christian art of that ...
Created on 02 January 2016
7. The Problem of the Iconography of the Virgin’s Images with the Inscription “Н ПЕРΙВΛЕПТОС”
(2015 Eastern Christian Art)
... an epithet, but it applies to the artworks very different in iconography. Obviously, it is necessary to clarify the definition “Peribleptos” and to eliminate the contradictions connected with it. It ...
Created on 02 January 2016
8. Mosaics of the Church of the Holy Apostles in Thessaloniki: Problems of Iconography and Style
(2015 Eastern Christian Art)
Maria Iakovleva Russian State University for the Humanities, Russia This report focuses on the mosaic decoration in the church of the Holy Apostles (Thessaloniki), founded by Patriarch Niphon ...
Created on 02 January 2016
9. The Iconography of the “Gesture of Blessing” in the Hellenistic, Roman and Byzantine Periods in the Near East
(2015 Eastern Christian Art)
... Roman and Christian emperors are often depicted with the raised right hand well into the Middle Ages. The place of this gesture in Christian iconography is well-­documented; it became a predominant gesture ...
Created on 02 January 2016
10. ЛИДОВА Н.Р. Световой ореол в иконографии Будды
(2020 Oriental Art)
... of Sciences, Russian Federation). The Aureole of Light in the Iconography of Buddha Представление о сиянии, которое при определенных условиях способно исходить от головы (или всего тела) великого человека ...
Created on 13 November 2020
11. ГРИБКОВА А.И. Парные сцены «Рождество Христово» и «Успение Богоматери»
(2020 Old Russian Art)
... the Virgin” in the Wall-Painting of the Savvino-Storozhevsky Monastery Cathedral 1649–1650: The Role in the Programme and Features of Iconography В состав существующей росписи Рождественского собора ...
Created on 12 November 2020
12. НАЗАРОВА О.А., ГАЙНУЛЛИНА Р.Р. О смысле и назначении картины Париса Бордоне
(2020 Renaissance Art)
НАЗАРОВА ОЛЬГА АЛЕКСЕЕВНА, ГАЙНУЛЛИНА РЕГИНА РАВИЛЬЕВНА (Национальный исследовательский университет «Высшая школа экономики», Российская Федерация). О смысле и назначении картины Париса Бордоне «Явление ...
Created on 12 November 2020
13. КОЛПАШНИКОВА Д.Д. Богородичные образы в творчестве Сассетты
(2020 Renaissance Art)
... (State Museum-Reserve “Tsaritsyno”, Russian Federation). “Madonnas” in the Art of Sassetta: Some Specific Features of Iconography Стефано ди Джованни да Кортона (Cассетта), будучи представителем сиенской ...
Created on 12 November 2020
14. СЫЧЕВА Ю.А. Два маасских листа с ветхозаветными композициями
(2020 Medieval Art Studies: Academic Issues)
... в рейнско-маасском регионе. средневековая миниатюра, христианская иконография, типологический принцип, модель и копия, романское искусство medieval book illumination, Christian iconography, typology, ...
Created on 12 November 2020
15. ОВЧАРОВА О.В. Святые бессребреники в программах средневизантийских храмов
(2020 Eastern Christian Art)
ОВЧАРОВА ОЛЬГА ВЛАДИМИРОВНА (Государственный институт искусствознания Министерства культуры РФ, Российская Федерация). Святые бессребреники в программах средневизантийских храмов с погребениями OLGA ...
Created on 12 November 2020
16. ЛИДОВА М. Муранский диптих
(2020 Eastern Christian Art)
ЛИДОВА МАРИЯ (Московский государственный университет имени М. В. Ломоносова, Российская Федерация). Муранский диптих, или сказ о том, как первые византинисты оклад искали MARIA LIDOVA (Lomonosov Moscow ...
Created on 12 November 2020
17. ВИНОГРАДОВ А.Ю. Циклы храмовых росписей VII–IX веков
(2020 Eastern Christian Art)
ВИНОГРАДОВ АНДРЕЙ ЮРЬЕВИЧ (Национальный исследовательский университет «Высшая школа экономики», Российская Федерация). Циклы храмовых росписей VII–IX веков по данным агиографии ANDREY VINOGRADOV (The ...
Created on 12 November 2020
18. N. GAVRILOVIĆ VITAS. A Journey to the Antiquity through Contemporary Eyes
(2020 Art of the Ancient World)
... influences of different provenience and origin in archaeological and epigraphical material, particularly in art works and rich iconography from votive and funerary monuments. In a complex try of collecting, ...
Created on 12 November 2020
19. T. MAVROGIANNIS. The Great Frieze of Parthenon and the Organization of the Athenian Society
(2020 Art of the Ancient World)
... we will stress to explain the most profound structure on the Athenian society, by reevaluating the iconography of the Great Frieze of Parthenon.     Парфенон, Афины в эпоху Перикла, рельефы большого ...
Created on 12 November 2020
20. F. COLAS RANNOU. An Anatolian Perspective for Lycian art?
(2020 Art of the Ancient World)
... further on methodology, theory or concepts which can be used, and on historiography. In that context, stylistic studies, iconography and iconology are closely related. During the 19th century AD, Lycian ...
Created on 12 November 2020
  • Start
  • Prev
  • 1
  • 2
  • 3
  • Next
  • End
 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

Newsletters

Actual Problems of Theory and History of Art.
Saint Petersburg State University © 2020.

A