Art of the Renaissance

• Micheli, Maria Elisa
  Antique Carved Gems: Items for Interaction between Ancient and Modern Art
• Makho, Olga G.
  An Object in the Italian Renaissance Art. Artifact and Art-Object
• Nazarova, Olga A.
  Italian Polyptychs from Late Duecento to Early Quattrocento Changing Contexts: From Cult Objects to the Museum Exhibits
• Smagol, Oxana S.
  The 15th Century Palace Architecture of Ferrara in the Context of the Venetian Architectural Tradition:The Oriental Aspect
• Kolpashnikova, Daria D.
  Towards the Attribution of Two Landscapes from the Pinacoteca Nazionale (Siena): Sassetta as a Landscape Painter
• Dunina, Maria V.
  “The Assumption of the Virgin” by Pietro Perugino, from the Altar for Santissima Annunziata in Florence: The Method of the Workshop and the Reputation of the Artist
• Lopukhova, Marina A.
  Una storia di figure piccole, condotte con tanta arte e diligenza: “The Story of Orpheus” by Jacopo del Sellaio and Some Drawings from Filippino Lippi’s Workshop in the Uffizi Collection
• Perini Folesani, Giovanna
  Dominicus Who? Solving the Riddle Posed by a Splendid “Venetian” Portrait Dated 1512, at the State Hermitage Museum
• Zabrodina, Elena A.
  The Interweaving between Verbal and Visual Text in the Works of the Brothers van Eyck and Rogier van der Weyden: Identifying the Viewer’s Position
• Kovbasiuk, Stefaniia A.
  Passover in the Netherlandish Painting from the Second Half of the 15th–16th Centuries: From Jewish Feast to the Last Supper
• Istomina, Nadezhda A.
  On the Question of Functioning and Existence of Portrait Drawings by Hans Holbein the Younger
• Baydova, Anna
  The Sculpted Recumbent Effigy of Marie Gaudin at the Church of Saint Denis in Amboise: History and Artistic Context