Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity

• Jerzy Malinowski, Irina Gavrash
  Inspiration with Antiquity in Polish Art around 1900s
• Polina Trusova
  Monuments of Antique Architecture in Maurice Denis’ Landscapes at the Turn of the Century: in the Context of Discussion about Classical Tradition of French Art
• Natalia Bartosh
  Athena’s Image in Fine Art and Literature of Art Nouveau
• Lavrov D.
  Antique Influences on Palekh Lacquered Miniatures
• Anna Alexeeva
  Guillaum Apollinaire’s “Orphism”. Ancient Myth and Pure Painting of F. Kupka, R. Delaunay and F. Picabia
• Olga Mentiukova (Ivanova)
  Philosophy of Alexander Bykhovskii’s Creative Work: Art and Poetry (1888–1978)
• Anatolii Rykov
  Antiquity; Avant-garde; Totalitarianism; Toward a Metamorphology of Modern Art
• Vera Zakharova
  “The Renaissance Antiquity” in Works of Erwin Panofsky
• Ida Shik
  Androgyne Myth Reception in Surrealist Photography
• Nataliya Shchetinina
  Appropriation of Images of Antiquity in the Work of Jeff Koons
• Vadim Bass
  “Russian Palladio”: Palladianism as a Mechanism of Adoption of the Classical Heritage in the 20th Century Russian Architecture
• Yury Volchok
  Knowledge of Ancient Culture and Architectural Criticism in the 1960s: Arche in the Modern Architecture
• Liubov’ Slavova
  The Tradition of Classicism and Sculpture of Leningrad — Saint Petersburg: The Sculpture Collection of the State Russian Museum
• Olga Kalugina
  Antique Images in Contemporary Russian Easel Sculpture: Problem of Interpretation
• Anna Florkovskaia
  Images of Antiquity in Moscow Inofficial Art of the Second Half of the 1970s–1980s
• Natalia Shalina
  Defining Museums of Contemporary Art: the Phenomenon of Their Popularity in Recent Decades