SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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  • 2022
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      • 2020
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      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Eastern Christian Art

  • Tarhanova, Svetlana V.
    The Problem of Transforming Pagan Temples into Christian Churches. The Case of North-Palestinian Architecture of Late Antique Period
  • Freze, Anna A.
    Monastic Architecture and Tradition of the Stylities in Byzantium and Ancient Rus' in the 9th -Early 13th Centuries
  • Jolshin, Denis D.
    On the Design and the Position of the Staircase to the Gallery of the Desyatinnaya Church in Kiev
  • Zakharova, Anna V.
    Principles of Grouping the Images of Saints in Byzantine Monumental Painting before and after Iconoclasm
  • Skobtsova, Daria A.
    Artistic Features of the South Chapel Frescoes in the Church of Our Saviour of St. Euphrosyne’s Convent in Polotsk
  • Mal’tseva, Svetlana V.
    Triconchs in Serbian Architecture of the Moravian Period: Survey of the Basic Problems
  • Shapovalova, Aleksandra N.
    Rediscovering Frescoes of Archangel Michael Church in Skovorodsky Monastery of Novgorod the Great: Archival Documents and Field Research
  • Ershov, Petr G.
    Assumption Cathedral of the Assumption Monastery in Staritsa: On the Problem of Dating
  • Skobkareva, Darya S.
    Regarding the History of Studying the Pskovian Architecture of the 16th Century
  • Buzykina, Iuliia N.
    Icon of the Transfiguration from Solovki Monastery: a Newly Discovered Masterpiece of the Novgorodian Icon Painting of the 16th Century

 
 
 

Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

Newsletters

Actual Problems of Theory and History of Art.
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