Search - The Actual Problems of History and Theory of Art

1. “The Fatal Portrait”. Mythologization of “Gioconda” in the Middle of the 19th Century: (2015 Renaissance Art); Vera Zakharova European University at Saint Petersburg, Russia The work is dedicated to the early stage in the mythologization of Leonardo da Vinci’s “Gioconda” associated with Théophile Gautier, ...; Created on 02 January 2016
2. The “Myth” of Enea Silvio Piccolomini and the Art of Siena: (2015 Renaissance Art); Daria Kolpashnikova Lomonosov Moscow State University, Russia Activity of Enea Silvio Piccolomini was aimed at glorifying his hometown, the memory of his family and his own acts. He had a curious ...; Created on 02 January 2016
3. СПИРИДОНОВА В.А. Образ Ленина: (2020 The 20th-Century and Contemporary Art); СПИРИДОНОВА ВАСИЛИНА АНДРЕЕВНА (Санкт-Петербургский государственный академический институт живописи, скульптуры и архитектуры имени И.Е. Репина, Российская Федерация). Образ Ленина: традиции «пересмешничества» ...; Created on 13 November 2020
4. БРУК Е.Г. Гравюры Бернара Пикара: (2020 Western Art of the Modern Times); ... of the History of Religion, Russian Federation). Bernard Picart’s Engravings and a New Attitude towards Ancient Greek and Roman Mythology in the Early 18th Century Начало XVIII столетия может быть определено ...; Created on 12 November 2020
5. O. CHIQUET. Thinking Ugliness in Italian Renaissance Art: (2020 Renaissance Art); ... about the “counter-Renaissance” (Hiram Haydn, 1950; Eugenio Battisti, 1962) and its “anti-classicism” (John Shearman, 1967; Antonio Pinelli, 1993), I wish to debunk this golden myth and suggest a sub specie ...; Created on 12 November 2020
6. A. LICORDARI, A. PELLEGRINO. Scenes of Daily Life in the Mosaics of Ancient Ostia: (2020 Art of the Ancient World); ... with black and white pieces allowed to realize decorative programs of various kinds. In the environments of vast surfaces mainly mythological themes, fantasy, with plenty of animals, gods and sea monsters, ...; Created on 12 November 2020
7. F. ZISA. The Impact of the Ancient “Arrotino” Model on the “Crouching Boy” Type: (2020 Art of the Ancient World); ... the barbarian slave who whets the knife for the sacrifice of the satyr Marsya, according to a myth represented in Classical art since the beginning of IV B.C. In 1751, Pandolfo Titi, the author of a ...; Created on 12 November 2020
8. КУЛИШОВА О. В. Дельфийский омфал в литературных описаниях: (2020 Art of the Ancient World); КУЛИШОВА ОКСАНА ВИКТОРОВНА (Санкт-Петербургский государственный университет, Российская Федерация). Дельфийский омфал в литературных описаниях и изобразительном искусстве античного мира: история изучения ...; Created on 12 November 2020
9. F. COLAS RANNOU. An Anatolian Perspective for Lycian art?: (2020 Art of the Ancient World); ... famous Lycian monuments, the so-called “Harpy Tomb” and “Nereid Monument”, are relevant. They express a way of studying Lycian art which promoted a “classical” approach, by proposing Greek mythological ...; Created on 12 November 2020
10. Poster presentation 2014: (Uncategorised); ... — Images of “Mankind’s Childhood” in the Works of a St. Petersburg Artist Igor Churilov Elina G. Nikolaeva. The Truth of the Myth. Vladimir Ovchinnikov’s Paintings of the 1970s–2000s Liudmila M. Kirilova. ...; Created on 11 February 2017
11. Nadezhda Nalimova (Lomonosov State university): (Organizing Committee); ... and Theory of Art, Lomonosov State university. Three years later she completed her PhD “Mythological battle” in Greek architectural reliefs in the 6th– beginning of the 7thcentury”. From 1999 to 2005 ...; Created on 03 January 2016
12. Anatoly Rykov (St. Petersburg State university): (Organizing Committee); ... in a dream. David Hockney’s American mythology and American art of the 1960s // Art criticism 2/06, Moscow, 2006 Styles’ bonding. David Hockney in 1962–1963: early postmodernism // University ...; Created on 03 January 2016
13. Ivan Tuchkov (Lomonosov State university): (Organizing Committee); ... “Labours of Hercules” at Villa Farnese a Caprarola // Myth in the Renaissance culture. Moscow, 2003 Villa Abamelek in Rome // pinacothèque. Moscow, 2003. Paris ...; Created on 03 January 2016
14. The Phantom Pain. On the Reception of Renaissance Art in the Modernist Epoch: (2015 Theory of Art); ... ideological and methodological strategies. The Renaissance was phantom pain of Modernism caused by the lost and impossible alternative to the capitalist reality. The main avant-garde myths, categories ...; Created on 02 January 2016
15. The Theory of Composition of Alexey Parshkov As Poetics of the Universal: Its Origins and Parallels: (2015 Artistic Culture and Cult); ... universal law and is associated with archaic mythical and poetical mentality. Manifestations of this structure could be discovered in different cultures, religions, in art of different periods and in different ...; Created on 02 January 2016
16. Trailer as a Border Cinematic Form: Apophatics, Narrative and Enigmatic Image: (2015 Artistic Culture and Cult); ... of meanings for cinema is hypermyth. Though this is a recent phenomenon in culture, it is the result of centuries of transformation of a traditional myth reflected in various art forms. The report traces ...; Created on 02 January 2016
17. Representation of Traditional Cultures in the Painting of the First Half of the 20th Century on the Example of Grigory Ivanovich Choros-Gurkin and Albert Namatjira: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Anna Mikutova Novosibirsk State University, Russia Grigory Ivanovich Choros-Gurkin was the first representative of the indigenous population of the Altai Mountains, who received an art education ...; Created on 02 January 2016
18. Assimilation of the Art Nouveau Heritage in the Modern Book Culture: (2015 World Art of the 20th Century and Contemporary Art); ... approaches to illustration of fiction. In this case the matter concerns the illustration of a myth, an epic and a fairy tale — as a rule, illustrators visualize the chronotopes of Celtic and Scandinavian ...; Created on 02 January 2016
19. Cindy Sherman’s “History Portraits / Old Masters” and the Classical Art: (2015 World Art of the 20th Century and Contemporary Art); ... studies from the point of modern feministic criticism and the theory of art. The research focuses on the problem of myth arising in American art of the 1980–1990s and associated with the reception of Roland ...; Created on 02 January 2016
20. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov: (2015 Western Art ca. 1600–1900); ... On the thematic level this type is distinguished by a focus on the historical material proper as opposed to the mythological and religious one and by the preference for themes from postclassical history ...; Created on 02 January 2016