Search - The Actual Problems of History and Theory of Art

1. Aesthetics of Part and Whole in Creative Process and Conservation Practice: (2015 Theory of Art); Tatiana Shlykova The Association of Art Critics, Russia The turn to philosophical categories of part and whole is one of the most characteristic features both of art history research and artistic ...; Created on 02 January 2016
2. New Discoveries in Archives about Gustav Klutsis’ Creative Work: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Anastasia Guseva Lomonosov Moscow State University, Russia Artist and teacher Gustav Gustavovich Klutsis was one of the founders of a genre of political posters. The name of Klutsis was unfairly ...; Created on 02 January 2016
3. КЛИМОВИЦКАЯ П.С. Артистическая слава: (2020 The Art of Space); ... (Saint Petersburg State University, Russian Federation). Creative Fame: How Artistic Recognition Is Created during Lifetime and after Death Артистическая слава конструируется через социальные институты. ...; Created on 13 November 2020
4. ХАИРОВА В.Ш. К творческому наследию русского зарубежья: (2020 Issues of World Architecture); ... в Лондоне (RIBA) VALENTINA KHAIROVA (independent researcher, Russian Federation). To the Creative Heritage of the Russian Abroad: The Works of G.K. Lukomsky in the Collection of the Royal Institute of ...; Created on 13 November 2020
5. H. YAKOU. A Georgian Artist and the Art History in Sakhalin: (2020 The 20th-Century and Contemporary Art); ... changed his creative style, which was basically that of the official Socialist Realism, and reverted to the modernist style he acquired from professors of Tbilisi Academy and other Georgian artists, such ...; Created on 13 November 2020
6. АББАСОВА Г.Э. «Вбить осиновый кол в умирающий романтизм старого Востока»: (2020 The 20th-Century and Contemporary Art); ... Dying Romanticism of the Old East”: On the Subject of Creative Assignments of Soviet Artists Travelling to Central Asia Based on Materials in the Periodic Press of the 1920s and 1930s Творческие, или ...; Created on 13 November 2020
7. ЕФИМОВА Е.А. Жак Андруэ-Дюсерсо в зеркале искусствоведческой критики: (2020 Renaissance Art); ЕФИМОВА ЕЛЕНА АНАТОЛЬЕВНА (Московский государственный университет имени М.В. Ломоносова, Российская Федерация). Жак Андруэ-Дюсерсо в зеркале искусствоведческой критики ELENA EFIMOVA (Lomonosov Moscow ...; Created on 12 November 2020
8. F. DUBARD DE GAILLARBOIS. Benedetto Varchi, Agnolo Bronzino.: (2020 Renaissance Art); ... will be at the center of this paper. We’ll show the different sides of Varchi and Bronzino creative friendship: beyond the initial homosexual complicity, art, poetry and spirituality deepened with time ...; Created on 12 November 2020
9. A. CORSO. When and Why Ancient Art Became Anonymous: (2020 Art of the Ancient World); ... arts must no longer respond to the ‘mimesis’ but to the ‘phantasia’, which is meant to be creative imagination which translates the transcendent beauty and truth into the earthly world (Philostratus, Apollonius ...; Created on 12 November 2020
10. Poster presentation 2015: (Uncategorised); ... Parallels Tatiana Shlykova. Aesthetics of Part and Whole in Creative Process and Conservation Practice Sergey Klimenko, Julia Klimenko, Dmitry Karelin. Scientific 3D-Reconstructions of the Architectural ...; Created on 11 February 2017
11. Requirements for poster design: (Uncategorised); ... creative project in a visually engaging way. It usually has the same chapters as your research paper: Introduction The purpose of your research Methods of your research Results ...; Created on 03 March 2016
12. Alexandra Salienko (Lomonosov State university): (Organizing Committee); ... Europa – Il Dizionario dei Pittori". Milano, 2003. Portrait of an artist in Soviet literature of the 1920–1970s // Phenomenon of creative personality in culture. Moscow, 2006 The ...; Created on 03 January 2016
13. Predisciplinarity — Pathway into Actual Eternity: (2015 Theory of Art); ... creative approach that connects art and science, while placing both within a wider integrity. “Predisciplinary work” takes place in an experiential sphere preliminary to the separation of theory and ...; Created on 02 January 2016
14. Revival of the Notion of “Fine” in View of the Prospects of Contemporary Architectural Formation: (2015 Theory of Art); ... wrote, “Any genuine creative work perceives itself not as a start or continuation but as a revival — it is how this one and only law may be laid down”. The revival of the notion of “fine” has become one ...; Created on 02 January 2016
15. Post-Renaissance Art as a Dissipative System: (2015 Theory of Art); ... in the so-called non-equilibrium systems unexpected qualitative leaps can lead to a more complex internal structure. This is true for the artist’s behaviour and for the structure of creative process. Works ...; Created on 02 January 2016
16. Patriarch Nikon’s Hierotopical Project “Russian Palestine” as an Image-Paradigm of Heavenly Jerusalem: (2015 Artistic Culture and Cult); Grigory Isaev Saint Tikhon’s Orthodox University, Russia The paper examines interaction of religion and art. Any culture is in fact a cult of certain spiritual powers: either light — creative, ...; Created on 02 January 2016
17. Reconstruction of I. V. Stalin Avenue in Leningrad in the 1950–1955s as a Phenomenon of the Renaissance Culture: (2015 Artistic Culture and Cult); ... was ceased, it remained a monument to the creative surge comparable in importance with the projects of the Renaissance. The report will be accompanied with a presentation of pictures from St. Petersburg ...; Created on 02 January 2016
18. The problem of Exhibiting Contemporary Sculpture in the Space of a Cult Complex. On the Example of the Exhibition Project «БЛАГОВЕСТNOW»: (2015 Artistic Culture and Cult); ... Tikhonov on the Novodevichy cemetery in Moscow and to Alexander Abdulov in Khanty-Mansiysk). Coexistance of these two facetes of his creative personality seems paradoxical, but it is perfectly natural ...; Created on 02 January 2016
19. The Human Image in the Graphic Heritage of Association “Makovetz”: (2015 Artistic Culture and Cult); ... should unveil ideas, embodied in nature, according to the other — art should express ideas, which can be materialized in no other way than by human creative activity. Whereas artists who shared the first ...; Created on 02 January 2016
20. Italian Renaissance as a Model of a New Culture, Nation and Society (on the Example of England of the Second Half of the 19th Century): (2015 Artistic Culture and Cult); ... of the state (authority), culture and religion, as culture again was able to influence politics through creative personalities, whilst art and an artist were endowed with spiritual and social functions. ...; Created on 02 January 2016