(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... is an easel painting necessary in the USSR?”.
In the 1920s the art market was in a difficult situation, collecting was complicated and collector’s destiny vague. How did the Soviet art change in the ...
ЛАВРОВ ДМИТРИЙ ЕВГЕНЬЕВИЧ (Санкт-Петербургский государственный университет, Российская Федерация). Станковизм русской лаковой миниатюры в фокусе искусствоведческой мысли советского периода
DMITRIY LAVROV ...
... история науки, история советского искусства, русское искусство ХХ века
soviet unofficial art, research field, modernism, second avant-garde, history of science, Soviet art history, Russian art of the ...
... preserve their memories of home, taking into consideration the Soviet art policies as well.
Givi Mantkava, Shikotan, landscape painting, nivkh, socialist realism, modern art, migration
Гиви Манткава, ...
СУВОРОВА АННА АЛЕКСАНДРОВНА (Пермский государственный национальный исследовательский университет, Российская Федерация). Наивное искусство эпохи «застоя» и постсоветского периода: между конформностью и ...
... художника-монументалиста
ALEKSANDRA ANTONOVA (Saint Petersburg State University, Russian Federation). Monumental and Decorative Works of 1960–80s. Formal and Actual Freedom of the Soviet Artist
Деятельность ...
... of Art Critics, Russian Federation). Andrey Rublev and Soviet Artists of The 1960s. A Note on a Concept of “Moscow School of Painting”
1960-е годы в СССР были временем особого интереса к русской иконе. ...
... Dying Romanticism of the Old East”: On the Subject of Creative Assignments of Soviet Artists Travelling to Central Asia Based on Materials in the Periodic Press of the 1920s and 1930s
Творческие, или ...
... ХХ века, японская авангардная графика, Онти Косиро, А.С. Коломиец
Soviet art criticism, Soviet japanology, 20th century Japanese woodblock prints, Japanese avant-garde graphics, Onchi Koshiro, Alla Kolomiets ...
ИЛЬИНА ТАТЬЯНА ВАЛЕРИАНОВНА (Санкт-Петербургский государственный университет, Российская Федерация). Место русского искусства XVIII века в советском искусствознании
TATIANA IL’INA (Saint Petersburg State ...
... studios (along with V. Turchin and S. Khachaturov).
Alexandra Salienko actively takes part in international conferences.
Her publications are mostly dedicated to Soviet art and literature ...
Anatolii Rykov
Saint Petersburg State University, Russia
The conception of the Renaissance in Russian and Western art studies was to the large extent creation of Modernist discourse. From ...
Vladimir Koshaev
Moscow State Stroganov Academy of Industrial and Applied Arts, Russia
Art as spiritual purity comes from a paradise garden — a secret desire of a creator to achieve a revelation, ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... Russia and Germany a new wave of artistic interaction begins. In 1988 in Moscow the first international auction of paintings by artists of the Russian avant-garde and modern Soviet artists was held. The ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Ekaterina Voronina
State Institute of Art Studies; The State Tretyakov Gallery, Russia
The painting of the Soviet artist S. Adlivankin (1897–1966) is scantily investigated. He studied in the ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... in room 415 (now room 318). According to the original plan the exposition was to include the art of contemporary Western European masters, received in exchange for paintings and sculptures of Soviet artists. ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... turned into a discussion and then into polemic about more complicated problems connected with the path of development of the Soviet art and the AKhRR’s place in formulating the contemporary style of painting. ...
... artistic phenomena have so far been almost absolutely ignored by specialists in Russian art. In recent years dioramas in Soviet art have eventually been comprehensively studied by A. A. Druzhinin. However, ...
Mikhail Evsevyev
Saint Petersburg State University, Russia
Boris Vipper wrote an article “Silvester Schedrin in Italy” in 1946 which was published in the “Soviet Art History” only in 1975. ...
... raises the question of the lower boundary of the Renaissance, and challenges the conventional idea for the Soviet art criticism about realism as a creative method of the Italian Renaissance masters.
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