Search - The Actual Problems of History and Theory of Art

1. C. BARANDONI. Researching Ancient Colours: (2020 Museum Studies); ... of Naples has adopted in its most recent history and post Ministry Reform (2015) a series of innovative strategies, whose purpose is focusing on conscious, inclusive, and responsible fruition of its collections. ...; Created on 13 November 2020
2. ТРОИЦКАЯ А.А. Визуальная риторика английского ренессансного портрета: (2020 Renaissance Art); ТРОИЦКАЯ АННА АЛЕКСЕЕВНА (Санкт-Петербургский государственный университет, Российская Федерация). Визуальная риторика английского ренессансного портрета: контексты и интерпретации ANNA TROITSKAYA (Saint ...; Created on 12 November 2020
3. O. CHIQUET. Thinking Ugliness in Italian Renaissance Art: (2020 Renaissance Art); ... (failure) distance from prevailing standards of beauty. In fact, artistic theory and practice both aim at articulating beauty and ugliness, two notions which ancient philosophy and aesthetics had opposed ...; Created on 12 November 2020
4. T. SIZONENKO. Inscribing Venice through Celestial Visions: (2020 Renaissance Art); ... scuola painting Procession in the Piazza San Marco (1496) for the Scuola Grande di San Giovanni Evangelista in Venice. Yet, the painting’s supposed accuracy in rendering the historical event is largely ...; Created on 12 November 2020
5. M. CASTELLUCCIA. Iranian Rock-Reliefs: (2020 Art of the Ancient World); ... on natural rocks or disposed to adorn royal buildings. These reliefs, widespread throughout the Iranian Plateau, are the main visual expression of the conception of kingship and power by ancient Iranian ...; Created on 12 November 2020
6. M. LEFANTZIS, A. CORSO, E. KORKA. Architecture and Sculpture of Ancient Tenea: (2020 Art of the Ancient World); ... mainly because of the kouros found in this city in the 1840s and brought to Munich, where it is kept. In the early years of this century, other two kouroi were found and are now exposed in the Museum ...; Created on 12 November 2020
7. F. ZISA. The Impact of the Ancient “Arrotino” Model on the “Crouching Boy” Type: (2020 Art of the Ancient World); ... has dedicated a large part to the searching for documents related to the hypothesis of the Michelangelo’s interest to the theme of the “Arrrotino”. Though the purpose of prof. Parronchi was (wrongly) to ...; Created on 12 November 2020
8. F. COLAS RANNOU. An Anatolian Perspective for Lycian art?: (2020 Art of the Ancient World); ... composed by sculpture, an important corpus can be dated from the 6th c. to the 4th century BC. Recent studies on Lycian art have clearly shown how an Anatolian background was ingeniously mixed with borrowings ...; Created on 12 November 2020
9. L. CAVALIER. The Nereid Monument at Xanthos: (2020 Art of the Ancient World); ... and criticize the monument reconstructions from the 19th century to the present day. Problems or inadequacies in the publication came into light and lead us to propose a new virtual reconstruction (still ...; Created on 12 November 2020
10. E.D. CASTRIZIO. Ancient Greek Bronze Statue of the “Porticello Philosopher”: (2020 Art of the Ancient World); ... proposed a statuary group, with an old man leaning on a stick. Ross Holloway speculated a portrait of Charondas of Catania, author of the political constitution at Rhegion. Angelo Maria Ardovino identifies ...; Created on 12 November 2020
11. Emblem of 2020 Conference: (Uncategorised); ... oil complements and accentuates this story composed of collage elements molded into a striking relief. Artistic experience finds itself on the border of a one-dimensional illusion of a three-dimensional ...; Created on 29 March 2020
12. Call for papers for the Conference of 2018: (News); ... of phenomena and vectors of development, select the important things and dispose of unnecessary ones. The broader the circle of knowledge, the farther the boundaries of the unknown are being pushed. What ...; Created on 26 March 2018
13. About the Conference of 2018: (Uncategorised); ... Current flow of information resembles an avalanche, and scholars need to crystallize knowledge, reveal the structure of phenomena and vectors of development, select the important things and dispose of ...; Created on 26 March 2018
14. Requirements for poster design: (Uncategorised); ... might be a great help. Fully imposed version of your presentation in PDF format are to be received by us before September 1, 2016. A poster presentation is a brief summary of your research or ...; Created on 03 March 2016
15. Interaction of Historic and Contemporary Architecture in Modernization of Museums: Strategies of the 20th–21st Centuries: (2015 Theory of Art); ... of the contemporaneity. The architecture of the new building or museum site represents a style contrastively juxtaposed to the historic premises. The synthesis of styles can make an architectural image ...; Created on 02 January 2016
16. Beginnings of Christian Norberg-Schulz’s Phenomenological Theory of Architecture: (2015 Theory of Art); ... and fatal crisis of the modernism. Christian Norberg-Schulz, one of world leading theoretician of his days (but today his theories seem to be mostly abandoned), proposes in his theories new basis for modern ...; Created on 02 January 2016
17. Poetics of the Title in Russian Painting. Stating the Problem: (2015 Theory of Art); ... of the work of art. We refer to such authors as French literary critic Gerard Genette and Russian writer Sigizmund Krzhizhanovsky, whose primary purposes were to define a title, categorize it and describe ...; Created on 02 January 2016
18. Post-Renaissance Art as a Dissipative System: (2015 Theory of Art); ... as a transition from chaos to order. The purpose of this new method is to study phenomena and processes as dynamic self-organizing systems. It is assumed that the laws of self-organization are universal, ...; Created on 02 January 2016
19. Patriarch Nikon’s Hierotopical Project “Russian Palestine” as an Image-Paradigm of Heavenly Jerusalem: (2015 Artistic Culture and Cult); ... culture in a historical context as incarnate activity of life-giving gifts of the Holy Spirit. The purpose of Christian art is to behold the Heavenly in the terrestrial and to bring the humanity revelation ...; Created on 02 January 2016
20. Ecclesiastical Architecture as Anthropological Theology: Church of the Kazan Icon of the Mother of God in Novodevichy Convent of Holy Resurrection, Saint Petersburg: (2015 Artistic Culture and Cult); ... being, the purpose and meaning of human life, and human place in the Universe. The Orthodox medieval art cannot be interpreted in the same way as modern European: it has a different nature — not aesthetic, ...; Created on 02 January 2016