Joanna Woch
Polish Institute of World Art Studies, Poland
People fascinated with Siberia in the 19th century were mainly researchers, collectors, travellers, artists and adventurers, as well ...
... see the reaction of visitors at these pictures by a painter not known to them. It was surprise, a wish to gaze at the paintings for a long time and to learn something about this master. Unfortunately, ...
Laura De Zuani
University of Padua, Italy
This essay presents the painter Bartolomeo Montagna (1452–1523), founder of the Renaissance vicentine school of painting. He was born in Orzinuovi ...
... oeuvre of the Painter of Athens 1472.
This vase-painter was “discovered” by J. D. Beazley. He noticed that some of the figures resemble the works of the Marsyas Painter. S. A. Hoyt observed that the ...
... of porcelain.
My paper offers insight into the considerable artistic work of women as painters, sculptors, retouchers, transfer printers, and burnishers. I address how their work was integral to the ...
... VORONINA (Moscow Museum of Modern Art, Russian Federation). Adolf von Hildebrand, Vladimir Favorsky and the Easel Painters’ Society: Revaluating the Tactile
Художники Общества станковистов (1925–1932) ...
... painters. Once returned to Caucasia, they suffered under the Soviet regime, which oppressed and forced the artists to abandon their non-official ways of expression. This paper focuses on Mantkava and other ...
... коллекциях
MAKSIM KOSTYRIA (Scientific Research Museum of the Russian Academy of Arts, Russian Federation). “The Prince of Landscape Painters” in Russia: New Data on the Works of B.C. Koekkoek in Imperial ...
... France). Benedetto Varchi, Agnolo Bronzino. Ut pictura poësis sub specie mortis
This paper will deal with the long friendship, collaboration and dialogue between the mannerist painter Agnolo Bronzino ...
... to date these paintings at the beginning of the 16th century because they are stylistic close to the manner of Cristoforo Scacco, a painter well known in Southern Latium at the very same time.
The decoration ...
... Repin Painting Institute of Painting, Sculpture and Architecture; since 1994 is a member of Saint-Petersburg Union of Artists. He is known as a painter, sculptor, graphic artist, a creator of installations, ...
... Staniukovich. Contemporary Life against the Background of Antiquity: the “Greek Cycle” by the Painter Andrei Bliok
Elizaveta V. Baryshnikova. Motifs of Antiquity in the Works of Art-Group “Alypius” in ...
... the development of the painter’s career from its origins to the present.
Maximov is also a teacher, professor, who has won numerous awards, such as the Moscow Prize in the arts (2002), Russian Federation ...
... art. Another actual problem is interpretation of art text. It is necessary to discuss such questions as freedom of creation, responsibility of painter, word sense, spiritual and personal philosophy. A significant ...
... of human consciousness. Such an approach to an icon changes notions about the tasks of art as seen by a medieval icon painter. It is not a problem of dematerialization of a created icon-painting image ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... main purpose of our report is to present the artistic world of the painter, to highlight the system of his spiritual values and his means of artistic expression. Icon-painting and nude art contrast in his ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... A. A. Mylnikov, the greatest representative of St. Petersburg painters, turned repeatedly to the interpretation of Renaissance images, deriving from the painting by Giorgione, Titian, El Greco. Today ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... “art advances life” (O. Jankus “Manifesto of synthetical dynamism”, 1920, Tomsk, p. 3).
Thus, having no academic education or opportunity to acquaint themselves with works of European artists, the painters ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... Studious), and worked with V. Mayakovsky. In the early twenties together with G. Ryazhsky, the artist founded the “NOZH” group (New Association of Painters) (1921–1924); in the late 1930s S. Adlivankin ...