Search - The Actual Problems of History and Theory of Art

1. Semiotic Approach to the Study of the World of Objects in Art: (2015 Theory of Art); Daria Grigoryeva Lomonosov Moscow State University, Russia The world of objects in visual art as subject of semiotics can be regarded as integral system, with its own structure, hierarchy, ...; Created on 02 January 2016
2. I. BRUNI. “Selective memory”: (2020 Museum Studies); ... social value; “the unrepresentative” – evidence of the archaeological past of little monumental importance, such as material classes containing objects of everyday use, deemed unworthy of display or narration, ...; Created on 13 November 2020
3. D. JESSE.“…Making a Full and Just Estimate of the Nazi Character, Spirit and Times.”: (2020 The 20th-Century and Contemporary Art); ... prominent artists supported by the regime, while others were rather unknown. Today, most of GWAC’s artworks (approx. 8,000 objects) are part of the Deutsches Historisches Museum’s (German Historical ...; Created on 13 November 2020
4. ВАНЕЯН Е.С. «Живые образы» против «обмирщения»: (2020 Oriental Art); ... Modern Japan. New York, 2007 Rambelli F. Buddhist Materiality: A Cultural History of Objects in Japanese Buddhism. Stanford University Press, Stanford, 2007 Wang M.C. Early Chinese Buddhist Sculptures ...; Created on 13 November 2020
5. Marina Tsvetayeva (St. Petersburg State university): (Organizing Committee); ... of love in culture Teaching St. Petersburg: culturalhistory Russian art History of world culture Representing religious objects ...; Created on 03 January 2016
6. Media and Aesthetic Project of Contemporaneity at the Museum: (2015 Theory of Art); Antonina Nikonova Saint Petersburg State University, Russia Understanding media as objects and technologies which provide transfer of experience in culture and other spaces of material world ...; Created on 02 January 2016
7. Project Ecology of Design: (2015 Artistic Culture and Cult); ... and cultural heritage into a correlation system and creation of new design objects on their basis. According to O. I. Genisaretskij, while forming the space of life, it is necessary to include in it new ...; Created on 02 January 2016
8. Utopias in Russian Art of the First Quarter of the 20th Century: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... painting not only as a presentation of material objects, but also as a life building practice, based on the functioning of artistic values in the society and totally affecting its formation. Among them, ...; Created on 02 January 2016
9. A Junk Collector and Archivist: Two Images of the Contemporary Artist: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... of this non-discriminating consciousness)”. To drop out of circulation of the market inauthenticity of the seen objects helps the distance, which can be created as a total archive of meanings “walking” ...; Created on 02 January 2016
10. Russian Pavilions at the World Exhibitions at the Turn of the 19th–20th Centuries. The Problems of Architecture and Exhibition: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... have received increased public attention. The exhibits themselves, mainly art and technical objects, as a festive atmosphere in a host сity for an exhibition were of special interest. Organisation of such ...; Created on 02 January 2016
11. Cubism as a Method: (2015 World Art of the 20th Century and Contemporary Art); ... the color and the accidental attributes of the objects that served as models. Inspired by Cezanne, they aspired to define structure of things which inevitably remain under the accidents of momentary appearance, ...; Created on 02 January 2016
12. Manufactory as a Public Space in the City Nowdays: (2015 Russian Art ca. 1700–1900); ... ensemble. As a rule, courtyards on the territory of factory, which were used for different purposes, including working and social life, were formed. Unfortunately, many of the objects that have undergone ...; Created on 02 January 2016
13. “Il Rinascimento” at no 9, Povarskaya: The Transformation of an Old-Moscow Mansion into “il Palazzo Delle Arti” at the Turn of 19th–20th Centuries: (2015 Russian Art ca. 1700–1900); ... of the progressive accretion of cultural potential in local material objects of urban space. In fact, it is this accumulation process that converts an architectural site into a ‘cultural nest’, a bearer ...; Created on 02 January 2016
14. Temples in Classicism Style in Saratov Province of the First Half of the 19th Century: (2015 Russian Art ca. 1700–1900); ... such as RGIA, GASO, GAVO, as well as field investigations of the objects, measurements and photographic images made by the author. New evidence has been put into scientific use which will help create a more ...; Created on 02 January 2016
15. German Stoneware Decorative Jugs: L. Folts’s Model and Its “Interpretations” in the 1880s (Drawing on Radishchev Art Museum Exhibits Material): (2015 Western Art ca. 1600–1900); Tatyana Savitskaya Radishchev Art Museum in Saratov, Russia Modern science addresses the works of decorative and fine arts not only as objects of culture, but also as carriers of historical ...; Created on 02 January 2016
16. The Engravings of Albrecht Dürer and Hendrick Goltzius: From Renaissance to Baroque: (2015 Western Art ca. 1600–1900); ... art objects. By examining the works of Dürer and Goltzius, we can clearly see the changes that happened during two centuries and also features that Mannerism retained without changing since Renaissance. ...; Created on 02 January 2016
17. What is Renaissance? Interpreting an Artistic Epoch in Estonia in the 19th and 20th Centuries: (2015 Renaissance Art); ... the artist, art and the world/society, and how and why these change. Therefore the discourse should be understood as a practice which systematically shapes the objects it discusses. My paper addresses ...; Created on 02 January 2016
18. Garland in the Renaissance Religious Painting: (2015 Renaissance Art); ... Christian symbols, represented in the fruit garlands. First and foremost attention is paid to big apples and grapes, combining decorativeness and great depth of meaning of depicted objects. The interpretation ...; Created on 02 January 2016
19. Relics in Cortona between Byzantium and the West: The case of the church of St. Francis: (2015 Western Medieval Art); ... also proving its founder’s contacts with the East: these objects are actual documents telling us both about the role of Elias as intermediate between Byzantium and Cortona and his deep and intimate connection ...; Created on 02 January 2016
20. Illuminated ABC-book by Karion Istomin and West European Tradition of Illuminated Alphabets: Entertaining, Teaching, and Edifying: (2015 Old Russian Art); ... poetic texts, but also multiple depictions of objects having the same first letter in their name and examples of various forms of writing this letter plus its phonetic analogues in other languages. While ...; Created on 02 January 2016