Search - The Actual Problems of History and Theory of Art

1. “The Mill and the Cross” (2011): a Modern View on the Artist of the 16th Century: (2015 World Art of the 20th Century and Contemporary Art); Elena Kashchenko Saint Petersburg State University, Russia “The Mill and the Cross”, a film directed by Lech Majewski, is dedicated to the episode from life of the great Dutch painter Pieter ...; Created on 02 January 2016
2. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context: (2015 Old Russian Art); ... book culture. The Instruments of the Passion of Christ in different iconographic versions become usual elements of different objects (for example, metal crosses), in fine art (portrait engravings), and ...; Created on 02 January 2016
3. Cross Reliefs in Rock-Hewn Churches of Ethiopia: (2015 Eastern Christian Art); Sergey Klyuev Research Institute of Theory and History of Architecture and Urban Planning, Russia The theme of a cross takes a special place in interior decoration of the rock-hewn churches ...; Created on 02 January 2016
4. Jijina, Nadia C. On the Crossroads of Knowledge or Th e Age of Topicality: Problems of Greek and Roman Art as Part of General Classical Studies: (Art of the Ancient World); Title of the article On the Crossroads of Knowledge or Th e Age of Topicality: Problems of Greek and Roman Art as Part of General Classical Studies Authors ...; Created on 23 January 2015
5. МАТВЕЕВ В.Н. Выкладные плинфяные кресты: (2020 Old Russian Art); ... The Plinth Laid Crosses in the Church’ Décor of Premongolic Rus Одной из форм керамопластического декора фасадов древнерусских храмов были плинфяные выкладные кресты. На данный момент известны 11 памятников ...; Created on 12 November 2020
6. M. D’ATTANASIO. The Nativity Chapel in the Church of Santa Maria dei Martiri: (2020 Renaissance Art); ... rectangular plan, at about half of its height it is divided horizontally by a barrel vault that simulate a cave; the two floors are connected by stairs on the left. In the cross vault of the upper level ...; Created on 12 November 2020
7. E. LICHMANOVA. The Development of the Quincunx Scheme: (2020 Medieval Art Studies: Academic Issues); ... of a cross pattern. The latter formally connects the quincunx with the most recognizable and powerful image of Christian faith. Thus, we suggest that the wider dissemination of the quincunx scheme that ...; Created on 12 November 2020
8. Emblem of 2020 Conference: (Uncategorised); ... widely experimenting across different art forms. He participated multiple high-status Russian and international projects and exhibitions, including MANIFESTA 10 (2014) and 56th Venice Biennale (2015). ...; Created on 29 March 2020
9. Armen Kazaryan (State Art Institute of the Ministry of Culture of Russian Federation): (Organizing Committee); ... Christian architecture in the neighbouring countries // Byzantine annual, Moscow, 2001 Triple-concha cross-domed churches in Caucasian contries and Byzantine // Byzantine world: art in ...; Created on 03 January 2016
10. Svetlana Maltseva (St. Petersburg State university): (Organizing Committee); ... Department of history, St. Petersburg State university, Russia, 2012. Domed basilica and cross-in-square church in the east and the west: research problems on the example of early Croatian and Medieval ...; Created on 03 January 2016
11. Manufactory as a Public Space in the City Nowdays: (2015 Russian Art ca. 1700–1900); ... economy, was given the name — “industrial revolution”. Indeed, textile, food and metallurgical industries began to evolve rapidly across the country. Every factory developed thanks to the work of generations ...; Created on 02 January 2016
12. Art of Polish Painters in Siberia in the 19th Century: (2015 Russian Art ca. 1700–1900); ... albums with views of cities, depictions of the monuments and citizens. In contrast to the expeditions across Europe, those to the Asian continent, in particular to Siberia, were dangerous and rare. The ...; Created on 02 January 2016
13. Painting of the Italian Renaissance in the Collection of Stroganoffs. New Facts about the Destiny of the Masterpieces from the Collection: (2015 Renaissance Art); ... included “Adoration of the Christ Child” by Lippi, “Descent from the Cross” by Cima da Conegliano, also the works of Palma the Younger, Sebastiano del Piombo, D. Maineri. Today about 100 canvases are in ...; Created on 02 January 2016
14. The Interaction of Cultural Traditions in the Architecture of Crimea: (2015 Renaissance Art); ... South, East and West. The peninsula was a crossroad of trade routes and cultural contacts. Close ties between the Crimean peoples and the countries that had various diplomatic interests in the Peninsula ...; Created on 02 January 2016
15. Relics in Cortona between Byzantium and the West: The case of the church of St. Francis: (2015 Western Medieval Art); ... of the Holy Cross, kept in the well-known Byzantine ivory staurotheke (10th century) that he later settled in the church of St. Francis, built immediately after (1245). Willing to create in Cortona a franciscan ...; Created on 02 January 2016
16. Romanesque Wall Painting of the 12th century: The Loir Valley: (2015 Western Medieval Art); ... than 20 churches. Such a high concentration of art in the region was caused by the many routes of pilgrimage from the north crossing the Loir river. The subject of this research are the little-known ...; Created on 02 January 2016
17. Master Momik: Architect, Sculptor and Miniaturist: (2015 Eastern Christian Art); Inesa Danielyan Yerevan State University, Armenia One of the most remarkable names of Armenian medieval art is Momik. He was an architect, sculptor, miniaturist and created carved cross-stones, ...; Created on 02 January 2016
18. Greek Metrical Epigrams on Byzantine Works of Applied Art in the Context of Byzantine Ekphrasis: (2015 Eastern Christian Art); ... four of them belong to the mid-Byzantine period, one comes from the late-Byzantine time. The so-called Staurotheke of Philotheus is dated to the 11th–12th centuries (inv. no МЗ–1141). Crossed sequence ...; Created on 02 January 2016
19. The Theme of “Grape Harvest” in the Artistic Traditions of Late Antiquity, Early Christianity and in the Art of Sasanian Iran: (2015 Eastern Christian Art); ... on the facade of the temple of Zvartnots (7th century), and later on the facade of the church of St. Cross in Akhtamar (10th century). In the art of Sasanian Iran the scene of “grape harvest” is widely ...; Created on 02 January 2016
20. Celtic Art: (2015 Ancient Art); Manfred Nawroth Prussian Cultural Heritage Foundation, Berlin, Germany Celtic art of the La Tene period was developed under influence of the Etruscan, Greek and Scythian art crafts in the ...; Created on 02 January 2016