Search - The Actual Problems of History and Theory of Art

1. M. CASTELLUCCIA. Iranian Rock-Reliefs: (2020 Art of the Ancient World); КАСТЕЛЛУЧЧА МАНУЭЛЬ (Университет Востока, Неаполь, Италия). Скальные рельефы и родственные связи в древнем Иране сквозь призму современности — наука, политика и национальный вопрос MANUEL CASTELLUCCIA ...; Created on 12 November 2020
2. E.D. CASTRIZIO. Ancient Greek Bronze Statue of the “Porticello Philosopher”: (2020 Art of the Ancient World); КАСТРИЦИО ЭЛИДЖИО ДАНИЭЛЕ (Мессинский университет, Италия). Древнегреческая бронзовая статуя «Философа из Портичелло»: варианты интерпретации ELIGIO DANIELE CASTRIZIO (University of Messina, Italy). ...; Created on 12 November 2020
3. Nalimova, Nadezhda A. Casts from Baia: between the Original and Copy (Researching Greek Bronze Sculpture of the Classical Period): (Art of the Ancient World); Title of the article Casts from Baia: between the Original and Copy (Researching Greek Bronze Sculpture of the Classical Period) Authors ...; Created on 02 March 2015
4. СВИСТУНОВ В.М. Формирование модельного ряда: (2020 Applied Art); ... Ural State University, Russian Federation). Formation of a Range of Architectural Castings of the Kasli Plant (1853–1914) Каслинское художественное литье, изначально развиваясь, как отрасль художественной ...; Created on 13 November 2020
5. ДУБРОВСКАЯ Д.В. Обретение Джузеппе Кастильоне: (2020 Oriental Art); ... Studies of the Russian Academy of Sciences, Russian Federation). The Return of Giuseppe Castiglione: Lang Shining (1688–1766) Becomes an Italian Artist Again Признанный лидер европейских художников и ...; Created on 13 November 2020
6. КУЗНЕЦОВ С.О. Архитектурно-пространственная метафора «корабль-государство»: (2020 Russian Art in the 18th–19th Centuries); ... и картина К. Д. Фридриха «На паруснике», связывающая Коттедж с современными ему художественными явлениями. Михайловский замок, неоготика, Николай I, Петр Великий St. Michail castle, Neogothic, Nicolay ...; Created on 13 November 2020
7. The Conference IX is held October 26–31, 2020: (News); ... and online formats. Foreign participants are kindly invited to present their reports in online format.The connection to the online broadcast will be provided by the St. Petersburg State University, and ...; Created on 29 March 2020
8. Actual Problems of Theory and History of Art IX: (Uncategorised); ... their reports in online format.The connection to the online broadcast was provided by the St. Petersburg State University. The schedule is based on Moscow time. Dear colleagues, we ask you to pay ...; Created on 29 March 2020
9. Elena Efimova (Lomonosov State university): (Organizing Committee); ... in the Northern Europe. Moscow, 1997 Leonardo da Vinci’s architectural ideas in France // Leonardo da Vinci and Renaissance. Moscow, 2004 Castle and the Renaissance villa ...; Created on 03 January 2016
10. Ivan Tuchkov (Lomonosov State university): (Organizing Committee); ... – St. Petersburg 1800–1830. When Russia spoke French... Exhibition catalogue. Moscow, 2003. Painting of Sala delle Asse at Castello Sforzesco in Milan // Leonardo da Vinci and Renaissance ...; Created on 03 January 2016
11. The Phantom Pain. On the Reception of Renaissance Art in the Modernist Epoch: (2015 Theory of Art); ... true labels as “Raphael”, “Leonardo”, etc. Eminent art historians, Lionello Venturi and G. C. Argan, A. Chastel and P. Francastel, M. Dvorak and H. Sedlmayr created new forms of reception according ...; Created on 02 January 2016
12. The Iconography of Securitas in Chartres Cathedral: (2015 Artistic Culture and Cult); ... a depiction of a castle. Since the statue is a part of a Christian church, it can be assumed that a chateau symbolizes New Jerusalem. In the Bible the Holy City is described as an impregnable fortress ...; Created on 02 January 2016
13. Antony Gormley: Reinventing the Classics and Bringing the Body Back to Sculpture: (2015 World Art of the 20th Century and Contemporary Art); ... to him. He has developed a special sculptural technology that involves casts from living models. However, achieving naturalistic accuracy is not his main goal; Gormley prefers to generalize his forms, ...; Created on 02 January 2016
14. German Stoneware Decorative Jugs: L. Folts’s Model and Its “Interpretations” in the 1880s (Drawing on Radishchev Art Museum Exhibits Material): (2015 Western Art ca. 1600–1900); ... is made of gray-blue stoneware (decoration is made by cobalt oxides), by plaster cast method. Its basic lines of form and decor remain, but through a number of methods the gothic “component” is accentuated. ...; Created on 02 January 2016
15. The Origin of the Landscape Garden and the Birth of Modern Environment: (2015 Western Art ca. 1600–1900); ... book of Stefan Switzer “Iconographia Rustica… Containing Directions for the General Planning of a Country House…”, 1718, Robert Castell “The Villas of the Ancients Illustrated…”, 1728; Batty Langley “New ...; Created on 02 January 2016
16. Singularity of Renaissance in Iberian Peninsula and Its Impact on Polychrome Sculpture of Spain and Portugal in the 16th Century: (2015 Renaissance Art); ... also Juan de Castillo, Diego de Siloe, Alonso Berruguete. The artworks of these sculptores and architects are rich material for analysis and reflections on the evolution of national art in Spain and Portugal, ...; Created on 02 January 2016
17. On Italian Borrowings, Their Absorption and Transformation in the Spanish Secular Architecture of the Renaissance: (2015 Renaissance Art); ... family were the first to build palaces and castles, basing themselves on new features of the Italian Renaissance. For Spain they were like Medici for Italy but they were closely connected not with the ...; Created on 02 January 2016
18. At the Root: Anthropomorphic and Zoomorphic Images of Early Slavic Metal Plastic and Their Origin: (2015 Old Russian Art); ... Today the number of known casting flat metal figures of Martynovka type and templates greatly increased. They are distributed over the entire periphery of the Byzantine Empire including the Balkans, ...; Created on 02 January 2016
19. The Problem of “Provincial Style” in the Art of Bosporus in Early Ages CE: (2015 Ancient Art); ... cultures like seen from the history of graeco-barbarian contacts in the North Pontic region? In the author’s opinion, the analysis of some plaster-cast applique used to decorate Bosporan wooden sarcophagi ...; Created on 02 January 2016
20. Lost Wax Technique in the Sculpture of Sub-Saharan Africa. The Bronzes of Nigeria in the Museum Collections of Europe: (2015 Ancient Art); ... together with wooden carved sculpture. West Africa, Nigeria in particular, has been the centre of bronze sculpture production for centuries. Local masters cast sculptures of high quality using the complex ...; Created on 02 January 2016