Search - The Actual Problems of History and Theory of Art

1. ВОЛОДИНА А.В. Вернакулярное в искусстве: (2020 Art Theory); ВОЛОДИНА АЛЕКСАНДРА ВЛАДИМИРОВНА (Институт философии РАН, Российская Федерация). Вернакулярное в искусстве: общий язык локального опыта ALEXANDRA VOLODINA (Institute of Philosophy, Russian Academy of ...; Created on 13 November 2020
2. АРОНСОН О.В. Античность как способ понимания искусства: (2020 Art Theory); АРОНСОН ОЛЕГ ВЛАДИМИРОВИЧ (Институт философии РАН, Российская Федерация). Античность как способ понимания искусства в мире медиа-образов OLEG ARONSON (Institute of Philosophy, Russian Academy of Sciences, ...; Created on 13 November 2020
3. Aesthetics of Part and Whole in Creative Process and Conservation Practice: (2015 Theory of Art); ... he may take, it inevitably affects not just the material of the work of art, but the very artistic “text” as well. In other words, conservation is an interpretation in any case, due at least to the fact ...; Created on 02 January 2016
4. The Cultural Mission as a Form of Humanitarian Diplomacy: (2015 Artistic Culture and Cult); ... (France), the British Council (UK), Goethe Institute (Germany), Instituto Cervantes (Spain), Rossotrudnichestvo (Russian). Problems in international relations affect business relations and the economy; ...; Created on 02 January 2016
5. Project Ecology of Design: (2015 Artistic Culture and Cult); ... and endless quoting of museums’ classical samples without searching for new meanings and forms of design leads to the absence of self-identity and interest, and as a result abscence of love and affection ...; Created on 02 January 2016
6. Utopias in Russian Art of the First Quarter of the 20th Century: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... painting not only as a presentation of material objects, but also as a life building practice, based on the functioning of artistic values in the society and totally affecting its formation. Among them, ...; Created on 02 January 2016
7. Renaissance Line in the Neoclassical Architecture of Mansions in Moscow During 1910s: Some Aspects of Style in the Work of D. V. Adamovich: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... in the era of eclecticism and Art Nouveau. The purpose of the report is not only to indicate the ability of the neoclassical style to affect the ordering of the plan and the spatial composition of the ...; Created on 02 January 2016
8. The Concept of Pictorial Language in Jean Dubuffet’s Theory and Practice: (2015 World Art of the 20th Century and Contemporary Art); ... he sees in antiquity, and to the written language in particular. So, on the one hand, affecting this subject, the artist joins the great debate on the crisis of Western culture, which transformed its language ...; Created on 02 January 2016
9. Moscow Versions of the French Opera in the Late 18th Century: Features of Production and Perception: (2015 Russian Art ca. 1700–1900); ... dinner, dancing and fireworks alternating and affecting vision, hearing and imagination of a viewer. The perception of the performance by Moscow audience was sometimes very different from the perception ...; Created on 02 January 2016
10. The Image of the Last Judgment in the Gothic Monumental Sculpture of the 13th Century: Evolution of the Theme and Regional Specificity of Iconographical Interpretation: (2015 Western Medieval Art); ... context influences the interpretation of the theme; • Characterize the factors affecting the formation of iconographic programmes and stylistic features of the studied monuments; • Explore the nature ...; Created on 02 January 2016
11. Ways and Forms of Western Influences in Architecture of Serbia in the 14th–15th Centuries: (2015 Eastern Christian Art); ... influences manifested themselves in some particular elements, mainly decorative. At the same time, there are some monuments of particular importance where Western influence penetrated much deeper and affected ...; Created on 02 January 2016
12. Ethic code: (Uncategorised); ... Code, chapter 70 “Intellectual property rights”. Editors commit themselves to be guided by the principles of objectivity and validity. The editorial decisions should not be affected by the origins of ...; Created on 25 November 2015