Maria Dunina
Lomonosov Moscow State University, Russia
The typology of Renaissance palazzo arises and develops in the 15th century in various cities throughout Italy and has some unique features ...
... painting is proved by the fact of their participation in the decoration of the Hall of Months in the Schifanoia Palace, the most important pictorial cycle of the 2nd half of the 15th century. Also, several ...
... in Eastern Christian art of the early 15th century in order to define more precisely by whom and when they were executed.
The researchers agree that the frescoes of the Skovorodka church might have ...
ТРУШНИКОВА АЛЕКСАНДРА ВАДИМОВНА (Санкт-Петербургский государственный университет, Российская Федерация), КОСТЫРЯ МАКСИМ АЛЕКСЕЕВИЧ (Научно-исследовательский музей при Российской академии художеств, Российская ...
... день брюссельской скульптурной мастерской, деятельность которой приходилась на период между 1440 и 1470 годами.
Нидерланды XV века, история рисунка
Netherlandish art of 15th century, history of drawing ...
... мастерская Гольбейнов, Германия, эпоха Возрождения, XVI в., Зигмунд Гольбейн, атрибуция, XV в.
Holbein, Holbein’s workshop, Germany, Renaissance, 16th century, Sigmund Holbein, attribution, 15th century ...
... LOPUKHOVA (Lomonosov Moscow State University, Russian Federation). The Grotesque in Italy at the Turn of the 15th Century: Historiography and History
Гротеск – излюбленная форма орнамента эпохи Возрождения, ...
... University for the Humanities, Russian Federation). The Pictures Chronicle Manuscripts in 15th Century: Problems of Research and Interpretations
До наших дней дошел ряд ренессансных манускриптов, содержащих ...
КОЛПАШНИКОВА ДАРЬЯ ДМИТРИЕВНА (Государственный музей-заповедник «Царицыно», Российская Федерация). Богородичные образы в творчестве Сассетты: некоторые иконографические особенности
DARIA KOLPASHNIKOVA ...
... at the same time of the decoration paintings, in the following centuries other figures were added.
The crèche is stylistic close to the Neapolitan sculpture of the end of the 15th century-beginning of ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... to realize the depicted ideal.
Alpatov’s interpretation of the 15th century artist reflected Soviet men’s image of the positive hero, formulated in the 1930s and actual up to the end of the 1980s. It is ...
... manufactory. In order to endow the service with exceptional decorative qualities, the rich experience of German goldsmiths of the 15th century could have been used.
The main motif in the design of the ...
Olga Makho
The State Hermitage Museum; Saint Petersburg University of Film and Television, Russia
Muses appear to be pictured in art of the Renaissance from the mid-15th century, possibly ...
... interest. It manifests a close link to the archaeological studies of the 15th century, as well as antiquarian and humanistic tradition of the mid 16th century, in particular with Pirro Ligorio. Here, unfortunately, ...
... similarity in style with miniatures of Upper German workshops in South Germany of the first quarter of the 15th century. Both the historical context of the creation of the manuscript during the third anti-Hussite ...
... Passion of Christ — figures of worshipping angels with Instruments of the Passion. This iconographic variant was actualized in the Italo-Cretan tradition of the 15th century, primarily in the works of Andreas ...
... concerning architecture were taking place in the end of the 15th century and in the first quarter of the 16th century. It was the time when Italian architects were invited by Ivan III and Vassiliy III ...
... of Radonezh tomb pall, 1420s (Sergiev Posad museum-reserve).
In the mid-15th century, the vita cyclus of St. Sergius of Radonezh appears in the wall paintings of St. Sergius church (1459 or 1463) in Novgorod. ...
... last flourishing in the late 14th — first half of the 15th century Serbian architecture always combined Byzantine and Western European elements with the local ideological concepts which marked the originality ...
... However, the correctness and high quality of the verse allow us to link it with a large cultural centre.
A small 15th century turquoise gem with the Crucifixion (inv. no МР–6076) bears a reminiscence ...