... Moscow, with the State Tretyakov Gallery as partner museum.
The conference is dedicated to a wide range of issues related to history and theory of visual arts and architecture, conservation and interpretation ...
... creative project in a visually engaging way. It usually has the same chapters as your research paper:
Introduction
The purpose of your research
Methods of your research
Results ...
... by C. Smith, prints by J. Atkinson: visual language specifics // St. Petersburg State university bulletin, number 2 (“History, linguistic, literature criticism”), St. Petersburg, 2011
J. ...
... during the Middle Ages // Muqarnas. An Annual on the Visual Culture of the Islamic World. Vol. 18. Leiden, Brill, 2001.
La «Sala con cuґpola» de la iglesia Armenia de Arutch (s. VII) y sus ...
... St. Petersburg, 2005
Time in visual arts // St. Petersburg State university bulletin, 2006
From cubism to neo-expressionism . Theoretical aspects of Western figurative art ...
... of the selection criteria. The main types of the scientific reconstructions are defined: the recreation of the original look of a rebuilt object, reconstruction of lost monuments, 3D-visualisation of not ...
... of the earliest interpretations of “fine” (by H. Poincaré) as a result of harmonious and complete internal structure of any integral unit provides intellectual content for visual perception of architectural ...
... line in the development of visual art in the 20th century — beginning of the 21st century. Its origin is the oeuvre of Osip Abramovich Sidlin (1909–1972). Sidlin was a remarkable pedagogue and philosopher ...
Maria Sarabyanova
Lomonosov Moscow State University, Russia
This paper deals with titles in visual art, the subject mostly overlooked in Russian art studies, where titles are sometimes examined ...
Daria Grigoryeva
Lomonosov Moscow State University, Russia
The world of objects in visual art as subject of semiotics can be regarded as integral system, with its own structure, hierarchy, ...
Michele Di Monte
National Gallery of Old Art Palazzo Barberini, Rome, Italy
The paper aims at critically assessing two main connected topics. On the one hand, the theoretical, philosophical ...
... or models of the spatial relations, or could be used as an instrument of organisation of visual experience and visualisation of concepts. Such schematism is based on a toroidal structure which is, according ...
... for experimental aesthetics “Prometheus” in Kazan was probably the only center in the USSR and post-soviet Russia that was simultaneously engaged into theory, history and practice of “visual music”.
The ...
... avant-garde determined the vector of development of visual culture of the next century. The digital revolution has become a new milestone in the project technologies. United communicative space of the ...
Oksana Gubareva
Jewelry company «Akimov», Russia
An icon shows metaphorical forms of thinking. A metaphor is an ontologic basis of creation of a meaning, the process which is initiated in depths ...
... art form visual information can be viewed as a text whose meanings are apophatic and “read” on the basis of interpreting enigmatic images with the help of cultural and artistic associations.
At first ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... not associated with the specific visual sources, because the concept of “primitive” was largely due to the perception of a particular author. This leads to the assertion of primitivism within the classical ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... a technique of imposing visual care, rationalization of sensation and perception management. These disciplinary techniques requested creation of an idea of a visual experience as something instrumental, ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... in the Russian art studies, the problem of the correlation between existentialism and visual arts in the post-war Soviet Union is not explored enough. Underestimated influence of existentialism in the ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... portraits by R. Kotovich-Borisyak. Self-portraits and portraits creatively implemented the synthesis of classical, iconic and avant-garde elements. Visual impression and intellectual perception harmoniously ...