(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Ekaterina Staniukovich-Denisova
Saint Petersburg State University, Russia
The report discusses the Renaissance allusions in the painting of the St. Petersburg artist Vyacheslav Mikhailov. ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... particular, a number of famous pictures by A. Rodchenko.
The other interesting characteristic of the monumental ensemble are the depicted scenes — bright, imaginative images — some derived from the ...
... followed it, revived interest in authentic old periods of Scandinavian history. To a large extent it determined the nature of artistic imagery in visual, monumental and applied arts of the “Nordic French”. ...
...
The article analyses the principles and forms of monumental and decorative ensemble of galleries and exposition organization of universal cabinets and storages, as a first step of forming exhibition ...
... on traditional elements of Roman palaces of the first half of the 15th century, it is organized along with the classical concept of forms into an unified monumental structure.
Senior ecclesiastical ...
... century. Their works have the same trends and traditions of the Ferrara court art, that’s why we explore both easel and monumental painting, and the book illumitation. With the methods of iconographic ...
... part, monumental. On the other hand, in Italy the garland was further developed in the Middle Ages. The result of the synthesis of traditions from different eras is such a bright element of the Renaissance ...
... with monumental schemes derived from Romanesque art. It seems that the basis of this sculptural decoration was a set of images that appeared on the pages of Norman Romanesque illuminated manuscripts dating ...
... glasses, canvases and monumental paintings in churches of England, France, Germany, reliefs of Dutch houses, items of mass goods and even Chinese ink painting and engraving were based on these illustrations. ...
... and thus avoid trouble.
The image of St. Christopher appeared in Russia only in the middle of the 16th century and became widespread in the monumental and icon painting. He was portrayed in a typical ...
... choice.
Our investigation illustrates, that convention pervaded from monumental sculpture into the practice of goldsmiths of the 4th century BC. We find both 5th and 4th century BC. prototypes: friezes ...
... geometrical forms and symbols into our world. Vik sometimes deliberately exaggerates the size of those figures in order to make his paintings look more monumental when it matches his original intention. ...
... Masetti, C. Dufour Bozzo, G. Wolf. Venezia, 2007, pp. 187‒208.
Falla Castelfranchi M. Pittura monumentale bizantina in Puglia. Milano, 1991.
Furlan I. Codici greci illustrati ...
... Grabar' I.E. Istoriia russkogo iskusstva: V 6 t. Moscow, Tip. I. Knebel', 1910. T. 6, pp. 5‒406. (in Russian).
Nemykina E.A. «O probleme iuzhnoslavianskikh vliianii na monumental'nuiu ...
... II.
Formigé J. Le prétendu cirque romain d’Orange. Paris, Imp. Nationale, 1917. 25 p.
Formigé J. Les fouilles d’Arles. Bulletin monumental. Paris; Caen, H. Delesques, ...
... Cambridge, Cambridge University Press, 2003. XV+325 p.
Fedak J. Monumental Tombs of the Hellenistic Age. Toronto; Buffalo; London, University of Toronto Press, 1990.XII+500 p.
Gardner ...
... Institute for Art Studies, Russia) Italian Renaissance as a Subject of Monumental Painting in Russian Neoclassicism at the Turn of the 20th Century: House of the Horserace Society and Tarasov’s Mansion ...