SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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    • Archive
      • Vol. 12. 2022
        • Byzantine and Eastern Christian Art
        • Western European Medieval Art
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Oriental Art
        • Art Theory
        • Interdisciplinary Methods in the Research on Cultural Heritage
        • Collection, Exhibition, Curatorial Practices
        • Balkan Studies
      • Vol. 11. 2021
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Balkan Studies
        • Western European Medieval Art
        • Art of the Renaissance
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Museum: Collection, Exhibition, Curatorial Practices
        • Oriental Art
        • Interdisciplinary Methods in the Research on Cultural Heritage
      • Vol. 10. 2020
        • Problems of Theory and History of Art — 2018. Modern and Contemporary Studies. Borders and Horizons
        • European Art in the Modern Times
        • Russian Art in the 18th–19th Centuries
        • International Art in the 20th and 21st Centuries
        • Art Theory
        • Challenges in Displaying Modern and Contemporary Art Collections
        • Art of Africa
        • Balkan Studies
      • Vol. 9. 2019
        • Actual Problems of Theory and History of Art–2018. From Antiquity to the Renaissance. Borders and Horizons
        • Art of the Ancient World
        • Byzantine and Eastern Christian Art
        • Medieval Russian Art
        • Western European Medieval Art
        • Art of the Renaissance
        • Oriental Art
        • Art Critical Surveys and Reviews
      • Vol. 8. 2018
        • Artifact. Art-Object. Argument. An Object in Fine Arts: Acquisition of New Meanings in Modern and Contemporary Eras
        • Western European Art of the Modern Age
        • Russian Art of the 18th Century
        • Russian Art of the 19th Century
        • Russian Art of the 20th–21st Century
        • International Art of the 20th and 21st Centuries: Modernity and Contemporaneity
        • Art Theory
        • Material Culture, Applied Art and Design
        • Museum — Collection, Space, Work of Art
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 7. 2017
        • An Object in Fine Arts: Objectives, Methods, Results
        • Art and Artistic Culture of the Ancient World. Archaeological Object and a Work of Art: Their Similarities and Differences
        • Eastern Christian Art
        • Western European Mediaeval Art
        • Mediaeval Russian Art
        • Art of the Renaissance
        • Oriental Art
        • Art Theory
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Art Critical Surveys and Reviews
      • Vol. 6. 2016
        • Foreword
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Western Mediaeval Art
        • Renaissance Art
        • Western Art ca. 1600 – 1900
        • Russian Art of the 18th and 19th centuries
        • World Art of the 20th Century and Contemporary Art
        • Russian Art of the 20th Century and Contemporary Art
        • Theory of Art
        • Cult and Artistic Culture
        • Publication and Study of Sources
        • Instead of an afterword
      • Vol. 5. 2015
        • The Art of Classical Antiquity in the Mirror of the Renaissance
        • Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition
        • Western European Art of the 17th–19th Centuries. Classical Tradition’s Destiny: from Model to Interpretation
        • Art of the 20th–21st Centuries. Faces of Classical Antiquity in the Labyrinth of Modernity
        • Reviews
        • Classical Antiquity and the World around Hellas
        • Classical Legacy in the Art of Byzantine Oikoumene and Beyond
        • The Harmony of Classical Antiquity under the Vaults of Old Russ
        • Classical Antiquity on the Ribs of European Middle Ages
      • Vol. 4. 2014
        • Art of the Ancient World
        • Eastern Christian Art
        • Western Art from the Middle Ages to the 20th Century
        • Western Art of the 20th Century and Theory of Art
        • Russian Art of the 18th - Early 20th Century
        • Russian Art of the 20th Century
      • Vol. 3. 2013
        • Art of the Ancient World
        • Eastern Christian Art
        • Old Russian Art
        • Russian Art of the 18th–20th Centuries
        • Western Art of the 15th–20th Centuries
      • Vol. 2. 2012
        • Ancient and Medieval Muslim Art
        • Eastern Christian Art
        • Old Russian Art
        • Medieval and Early Modern Western Art
        • Western Art of the 19th-20th Centuries and Theory of Art
        • Russian Art of the 18th Century
        • Russian Art of the 19th and Early 20th Centuries
        • Russian Art of the 20th Century
      • Vol. 1. 2011
        • Medieval Art of the Eastern Christian World
        • Russian Art in the 18–20th Centuries
        • The East and the West, from Antiquity to the 20th Century
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Total: 50 results found.

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1. Galeev and “Prometheus”: To the History of Kazan School of Light-Music
(2015 Artistic Culture and Cult)
... for experimental aesthetics “Prometheus” in Kazan was probably the only center in the USSR and post-soviet Russia that was simultaneously engaged into theory, history and practice of “visual music”. The ...
Created on 02 January 2016
2. Renaissance into Baroque: Тhe Shift in Theological, Political and Cultural Ideals in Counter-Reformation Rome — the Church of Sant’Ignazio and its Decorative Programme
(2015 Western Art ca. 1600–1900)
... Basilica in Rome that gave rise to the sale of indulgences on an industrial scale, which in turn sparked reforming protest. A prime example of the Roman Catholic Church ‘coming off the back foot’ to return ...
Created on 02 January 2016
3. Singularity of Renaissance in Iberian Peninsula and Its Impact on Polychrome Sculpture of Spain and Portugal in the 16th Century
(2015 Renaissance Art)
... evolution of polychrome sculpture of the16th — or even — 17th centuries. The analysis of that object is very important for the correct understanding of phenomena in Spanish and Portuguese art of the 15th–16th centuries. ...
Created on 02 January 2016
4. Between Persia and Europe: Iconographic Tradition of St. Anastasius of Persia in the Tre Fontane Abbey in Rome
(2015 Western Medieval Art)
Jana Michalcakova Sapienza University of Rome, Italy; Palacky University Olomouc, Czech Republic The paper is dedicated to the relics of the head of St. Anastasius of Persia, housed, according ...
Created on 02 January 2016
5. I. BRUNI. “Selective memory”
(2020 Museum Studies)
... district of southern Latium is related to the Archaeological Civic Museum “Pio Capponi” of Terracina, city 100 kilometers south of Rome. Throughout the analysis of this Museum various aspects will be discussed, ...
Created on 13 November 2020
6. M. GIORGINI, A.M. PANZERA. Women in Art
(2020 The 20th-Century and Contemporary Art)
... и историографические проблемы. Восприятие итальянских и славянских художниц в Италии и за рубежом MARINA GIORGINI (SAPIENZA University of Rome, Italy), ANNA MARIA PANZERA (Ministry of Higher Education ...
Created on 13 November 2020
7. ДУБРОВСКАЯ Д.В. Обретение Джузеппе Кастильоне
(2020 Oriental Art)
... (Rome, 1940)», однако данные каталога Международной выставки китайского искусства, прошедшей в лондонской Академии художеств в 1935 г. показывают, что идентификация Лан Шинин = Джузеппе Кастильоне к тому ...
Created on 13 November 2020
8. КУПЦОВА З.В. «Presentation Drawings» Микеланджело как иконографический источник
(2020 Renaissance Art)
КУПЦОВА ЗОЯ ВЛАДИМИРОВНА (Государственный Эрмитаж, Российская Федерация). «Presentation Drawings» Микеланджело как иконографический источник для некоторых произведений в собрании Государственного Эрмитажа ...
Created on 12 November 2020
9. A. LICORDARI, A. PELLEGRINO. Scenes of Daily Life in the Mosaics of Ancient Ostia
(2020 Art of the Ancient World)
... most rich social classes, however, allowed themselves to be influenced by the Hellenistic figurative culture and used several times polychrome mosaics. The simplicity of execution of the mosaic technique ...
Created on 12 November 2020
10. МЕДЕННИКОВА А.Е., КАРЕЛИН Д.А. К вопросу о значениях изображений крепостной архитектуры в римском искусстве
(2020 Art of the Ancient World)
... К вопросу о значениях изображений крепостной архитектуры в римском искусстве ALEKSANDRA MEDENNIKOVA (Papal Institute for Christian Archeology, Rome, Italy), DMITRY KARELIN (Moscow Architectural Institute ...
Created on 12 November 2020
11. F. ZISA. The Impact of the Ancient “Arrotino” Model on the “Crouching Boy” Type
(2020 Art of the Ancient World)
... Ancient “Arrotino” Model on the “Crouching Boy” Type The so-called “Arrotino”(knife sharpener) at the Uffizi, a Roman copy in marble after a Hellenistic original, discovered in Rome before 1519, depicts ...
Created on 12 November 2020
12. About the Conference of 2018
(Uncategorised)
... Armenia); Antonio Iacobini, La Sapienza University (Rome, Italy); Nadia Jijina, State Hermitage Museum (Saint Petersburg, Russia); Andrey Karev, Lomonosov Moscow State University (Moscow, Russia); ...
Created on 26 March 2018
13. Call for papers for the Conference of 2018
(News)
... (Yerevan, Armenia); Antonio Iacobini, La Sapienza University (Rome, Italy); Nadia Jijina, State Hermitage Museum (Saint Petersburg, Russia); Andrey Karev, Lomonosov Moscow State University (Moscow, ...
Created on 26 March 2018
14. Actual Problems of Theory and History of Art: Vol. 7. 2017
(Archive)
... Iacobini (Sapienza University of Rome, Italy), Ilya Antipov (St. Petersburg State University), Nadia Jijina (The State Hermitage Museum), Evgeny Khodakovsky (St. Petersburg State University), Marina Lopukhova ...
Created on 29 December 2017
15. Actual Problems of Theory and History of Art: Vol. 8. 2018
(Archive)
... Efimova (Lomonosov Moscow State University), Svetlana Gracheva (Repin State Academy Institute of Painting, Sculpture and Architecture), Antonio Iacobini (Sapienza University of Rome, Italy), Nadia Jijina ...
Created on 29 December 2017
16. Actual Problems of Theory and History of Art: Vol. 9. 2019
(Archive)
... University, Armenia), Antonio Iacobini (Sapienza University of Rome, Italy), Maria Konstantoudaki (National Kapodistrian University of Athens, Greece), Robert Nelson (Yale University, USA), Ivan Stevović ...
Created on 29 December 2017
17. Actual Problems of Theory and History of Art: Vol. 10. 2020
(Archive)
... University, Armenia), Antonio Iacobini (Sapienza University of Rome, Italy), Maria Konstantoudaki (National Kapodistrian University of Athens, Greece), Robert Nelson (Yale University, USA), Ivan Stevović ...
Created on 29 December 2017
18. Actual Problems of Theory and History of Art: Vol. 11. 2021
(Archive)
... (J. W. Goethe University in Frankfurt am Main, Germany), Jelena Erdeljan (Belgrade University, Serbia), Zaruhi Hakobian (Yerevan State University, Armenia), Antonio Iacobini (Sapienza University of Rome, ...
Created on 29 December 2017
19. Actual Problems of Theory and History of Art: Vol. 12. 2022
(Archive)
... W. Goethe University in Frankfurt am Main, Germany), Jelena Erdeljan (Belgrade University, Serbia), Zaruhi Hakobian (Yerevan State University, Armenia), Antonio Iacobini (Sapienza University of Rome, Italy), ...
Created on 29 December 2017
20. Poster presentation 2014
(Uncategorised)
... Trajan’s and Marcus Aurelius’s Triumphal Columns in Rome Aleksandra E. Medennikova. Decorative Ensemble of San Marco Villa in Stabiae Petr A. Samoilov. Forum Traiani Russian Art of the 18th Century. ...
Created on 11 February 2017
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Publications

  • Vol. 1. 2011
  • Vol. 2. 2012
  • Vol. 3. 2013
  • Vol. 4. 2014
  • Vol. 5. 2015
  • Vol. 6. 2016
  • Vol. 7. 2017
  • Vol. 8. 2018
  • Vol. 9. 2019

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