Search - The Actual Problems of History and Theory of Art

1. Symbolism and Antiquity: Perception through the Lens of Subjective “avant-garde” Aesthetics: (2015 Western Art ca. 1600–1900); ... doesn’t understand where the novelty is. The works of Puvis de Chavannes(1824–1898) are at the origins of symbolism. The ancient stories (“Orpheus”) the artist turned to linked him with the writers — symbolists, ...; Created on 02 January 2016
2. ДАВЫДОВА О.С. Динамика изучения символизма: (2020 Western Art of the Modern Times); ... в контексте европейской традиции OLGA DAVYDOVA (Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Russian Federation). The Dynamics of the Study of Symbolism: Russian ...; Created on 12 November 2020
3. СПИРГИС Р.В. Растительный орнамент ливских овальных фибул конца XII–XIII вв.: (2020 Medieval Art Studies: Academic Issues); СПИРГИС РОБЕРТ ВАЛТЕРОВИЧ (Институт истории Латвии при Латвийском Университете, Латвия). Растительный орнамент ливских овальных фибул конца XII–XIII вв. в контексте средневекового христианского искусства ...; Created on 12 November 2020
4. Armen Kazaryan (State Art Institute of the Ministry of Culture of Russian Federation): (Organizing Committee); ... and liturgical space of the Zvartnots // iconostasis: origins - development – symbolism. Moscow, 2000 Muqarnas drawing from the 13thcentury Armenia and the use of architectural drawings ...; Created on 03 January 2016
5. Inner Alchemy. On the Philosophy of the Materials in Works by Anselm Kiefer and Joseph Beuys: (2015 World Art of the 20th Century and Contemporary Art); Anna Borodkina Saint Petersburg State University, Russia Symbolism of the materials, as a part of alchemy, was an important element of the Middle Ages’, and later on, of the Renaissance philosophical ...; Created on 02 January 2016
6. Ornament and Its Interpretation in the Monumental Painting of Russian and Polish Artists of the Late 19th Century: (2015 Russian Art ca. 1700–1900); ... Jan Matejko and V. M. Vasnetsov, which become a sort of link between the 19th century and time of Secession — Symbolism and early modernism. As the critic S. K. Makovsky wrote: “Vasnetsov created a style. ...; Created on 02 January 2016
7. Renaissance Vector in the Works by Ferdinand Hodler: (2015 Western Art ca. 1600–1900); ... Art Nouveau and Symbolism. The artist appears to be a “renaissance” identity in the paradigm of art of the late 19th — early 20th centuries. Hodler’s response to the challenges of the time: the study ...; Created on 02 January 2016
8. Fernand Khnopff’s Logogriphic Method: A Case Study of “I Lock the Door upon Myself”: (2015 Western Art ca. 1600–1900); Elena Klyushina Saint Petersburg State University, Russia Fernand Khnopff’s art, like the Belgian symbolism as a whole, has been little studied in Russia. Except for some modest references ...; Created on 02 January 2016
9. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context: (2015 Old Russian Art); ... was founded (1654). In Western European tradition the cycles of Christ’s Passion and symbolism of the Instruments of the Passion were by that time very popular. The actualization of the Passion scenes ...; Created on 02 January 2016
10. October 28, 2014 (Tuesday): (Uncategorised); ... in the Renaissance Iconography of Deceit 3.4.10. Liudmila V. Vashchuk (Taras Shevchenko Kyiv National University, Ukraine) Paintings of Francis I’s Gallery: Stories and Symbolism of Images 3.4.11. Elena N. ...; Created on 18 September 2014