Search - The Actual Problems of History and Theory of Art

1. I. BRUNI. “Selective memory”: (2020 Museum Studies); ... characteristics and propaganda as nostalgia of the past and reactivation of historical, political and anthropological phenomena. The Civic Museum was founded in 1894 and the evolution of the fittings ...; Created on 13 November 2020
2. D. JESSE.“…Making a Full and Just Estimate of the Nazi Character, Spirit and Times.”: (2020 The 20th-Century and Contemporary Art); ... in Germany avoided dealing with art that was created between 1933 and 1945 and supported by the regime. This art was characterized as propaganda or non-art and was therefore not considered an object of ...; Created on 13 November 2020
3. E. LICHMANOVA. The Development of the Quincunx Scheme: (2020 Medieval Art Studies: Academic Issues); ... coincidentally occurred from the 4th century AD onward might be due to its resemblance to the cross pattern. And, although the quincunx initially appeared in a pagan context, its spread is related to the ...; Created on 12 November 2020
4. M. CASTELLUCCIA. Iranian Rock-Reliefs: (2020 Art of the Ancient World); ... part of imperial art, used for displaying regality and supremacy. They were intended for celebrating the kingship and legitimizing power. Therefore, they were part of well-planned imperial propaganda intended ...; Created on 12 November 2020
5. ПАНТЕЛЕЕВ А.Д. О проблеме изображения распятия: (2020 Art of the Ancient World); ... (Saint Petersburg State University, Russian Federation). On the Problem of the Image of the Crucifixion in Pagan and Early Christian art (2nd–4th Centuries) Частым сюжетом для памятников римского искусства ...; Created on 12 November 2020
6. A. CORSO. When and Why Ancient Art Became Anonymous: (2020 Art of the Ancient World); ... 6. 19). Thus the real artist becomes God (even late paganism is monotheistic) and the translator of the divine beauty with human works becomes much less important. By the way he also makes mistakes. Thus ...; Created on 12 November 2020
7. Christianity, Folklore and Moral-Aesthetic Ideals of the Russians: (2015 Artistic Culture and Cult); ... pre-Petrine and Russia of the Age of Enlightment, there is some specificity of folklore in cultural of these historical periods, pagan in its nature, which contradicts basic components of official orthodox ...; Created on 02 January 2016
8. Nikolay Dmitrievich Vinogradov on Heritage Preservation Problems in the 1920–1930s in Moscow. To the 130th Anniversary of Birth: (2015 Artistic Culture and Cult); ... bureaucrats. Now his diary is especially precious as a precise historical document of the first Soviet initiatives in Moscow, such as Lenin’s Plan of Monumental Propaganda (curated by Vinogradov), activities ...; Created on 02 January 2016
9. The Avant-garde (1910–1920) within the Context of the Spiritual and Aesthetic Tradition Illustrated by the Art of K. Petrov-Vodkin: (2015 Artistic Culture and Cult); ... of the time”. The painting represents a small universe where we can see the riot of the red colour, which symbolizes pagan Rus’ and its antinomies: the symbol of sacrifice, love, the Holy Fire, passion, ...; Created on 02 January 2016
10. Renaissance Inspirations in the Polish Paintings of the 19th and 20th Centuries: (2015 Western Art ca. 1600–1900); Jerzy Malinowski, Irina Gavrash Polish Institute of World Art Studies; Nicolaus Copernicus University of Torun, Poland; University of Gdansk, Poland The roots of the inspirations with the ...; Created on 02 January 2016
11. “The Sky of Salamanca”. Spain and the Renaissance: (2015 Renaissance Art); ... technique was highly unusual in Spain at that time. The astrological theme seemed to be pagan for medieval Europe, but quite common for the art of the Renaissance. However, astronomy and astrology played ...; Created on 02 January 2016
12. At the Root: Anthropomorphic and Zoomorphic Images of Early Slavic Metal Plastic and Their Origin: (2015 Old Russian Art); ... “horses” were interpreted as a fairly realistic images of people and animals — the heroes of the epic and pagan deities (B. A. Rybakov, V. N. Vasilenko, N. Chausidis) or as participants in stadia (G. F. Korzoukhina). ...; Created on 02 January 2016
13. Symbolic and Functional Meaning of the Architectural Elements in Early Christian Sarcophagi: (2015 Eastern Christian Art); ... influenced the artistic development in many ways. New faith changed people’s worldview. In spite of that the forms were still pagan. Therefore there was a strong need to change the meaning of these forms. ...; Created on 02 January 2016
14. The Adoption of Late Roman Architectural Principles Expressing Authoritative Concepts by Early Christian Architecture: (2015 Ancient Art); ... the early Christian architecture has but a few links with late Roman pagan buildings is still vivid. However, A. Grabar proved that many motifs of late Roman art which came from the culture of the ancient ...; Created on 02 January 2016