Search - The Actual Problems of History and Theory of Art

1. БЕРЕЗИНА А.С. Комплексный подход: (2020 Interdisciplinary Methods in the Research on Cultural Heritage); ... картины «Мадонна в кресле» XIX века ANASTASIIA BEREZINA (The Saint Petersburg Stieglitz State Academy of Art and Design, Russian Federation). A Complex Method of Research of an Easel Oil Painting on ...; Created on 13 November 2020
2. O. CHIQUET. Thinking Ugliness in Italian Renaissance Art: (2020 Renaissance Art); ... progressive historical process spanning the 16th century to the Baroque movement. The conceptualisation of ugliness in these works cannot be boiled down to a mere voluntary (transgression) or involuntary ...; Created on 12 November 2020
3. Emblem of 2020 Conference: (Uncategorised); ... critics about Vitaly Pushnitsky Stanislav Savitsky: The visual story unfolds like an organic ornament growing on top of the layer of paint on the surface of the canvas. Oil is the bonding principle ...; Created on 29 March 2020
4. Poster presentation 2014: (Uncategorised); ... Trajan’s and Marcus Aurelius’s Triumphal Columns in Rome Aleksandra E. Medennikova. Decorative Ensemble of San Marco Villa in Stabiae Petr A. Samoilov. Forum Traiani Russian Art of the 18th Century. ...; Created on 11 February 2017
5. Project Ecology of Design: (2015 Artistic Culture and Cult); ... and new pronounced social and cultural layers, so as to turn the soil from conditions of existence into a symbol for the spiritual life. The perception of numerous areas in Russia today is an echo of distant ...; Created on 02 January 2016
6. Artistic Word Born from the Painting: The Role of Ceremonial Portrait in the Chronicle “Zahudaliy Rod” by N. S. Leskov: (2015 Russian Art ca. 1700–1900); ... intent. These are portraits of “Empress Catherine II with allegorical figures and the Fortress of Truth” (1793) and “The Countess E. D. Samoilova” (1792–1796) by I. B. Lampi the Elder, “Portrait of Countess ...; Created on 02 January 2016
7. The Theory of Sculpture Restoration in Russia of the Second Half of the 18th and Early 19th Century: (2015 Russian Art ca. 1700–1900); ... issues of sculpture restoration to be published in Russia was “The Thesis on the Influence of Anatomy on Sculpture and Oil Painting” by I. I. Vien. It provides theoretic explanation of the necessity of using ...; Created on 02 January 2016
8. The Art of the Renaissance and Russian Porcelain Sets of the Classical Period of the Second Half of the 18th Century: (2015 Russian Art ca. 1700–1900); ... of daughter of Paul I, 1795–1802, “Yusupovsky”, 1798, Toiletries Set of Maria Feodorovna, 1801–1803) have certain traits of “Cameo Service”. “Cameo Service” was an outstanding ensemble even for Sèvres ...; Created on 02 January 2016
9. Renaissance Vector in the Works by Ferdinand Hodler: (2015 Western Art ca. 1600–1900); ... as a scientific approach and art expression, the search of beauty and the conscious combinatorics of figures, fresco allusions and update of the oil technology is considered in the context of the European ...; Created on 02 January 2016
10. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov: (2015 Western Art ca. 1600–1900); ... Demidov, a first Russian collector of the new historical painting: “The Execution of Lady Jane Grey” (1833, oil on canvas, National Gallery, London) and “The Assassination of the Duke of Guise” (1832, ...; Created on 02 January 2016
11. Battle Scene of Jan van Huchtenburg: (2015 Western Art ca. 1600–1900); Natalia Makhnovskaya Chelyabinsk State Museum of Fine Arts, Russia Battle Scene (oil on canvas, 43 × 58 cm) became an addition to the collection of Chelyabinsk State Museum of Fine Arts arriving ...; Created on 02 January 2016
12. T. P. Znamerovskaya’s Contribution to the Study of Italian Renaissance Art: (2015 Renaissance Art); ... A. S. Samoilo) and foreign experts is of particular interest. The range of issues examined by T. P. Znamerovskaya in her studies is diverse. The particular attention is paid to theoretical understanding ...; Created on 02 January 2016
13. Emblem: (Uncategorised); ... critics about Vitaly Pushnitsky Stanislav Savitsky: The visual story unfolds like an organic ornament growing on top of the layer of paint on the surface of the canvas. Oil is the bonding principle ...; Created on 16 March 2015
14. Kisbali, Tamás Péter. Sculptural Program of the Mausoleum at Halicarnassus: (Art of the Ancient World); ... dynastic aspect of the sculptural program of Mausoleum at Halicarnassus. In the political turmoil of the 4th c. BC this monument became an important tool for the Hecatomnids, who wanted to show the legitimacy ...; Created on 02 March 2015
15. October 28, 2014 (Tuesday): (Uncategorised); ... E. Medennikova (Lomonosov Moscow State University, Russia) Decorative Ensemble of San Marco Villa in Stabiae 2.1.13. Petr A. Samoilov (Lomonosov Moscow State University, Russia) Forum Traiani 13:00–14:00 ...; Created on 18 September 2014