Yulia Arutyunyan
Saint Petersburg Academy of Arts, Russia
There is a common place that the Renaissance had strictly negative attitude to the Gothic style due to its barbarous origin, rejection ...
БАТЮК ГАЛИНА МИХАЙЛОВНА (Национальный исследовательский университет «Высшая школа экономики», Российская Федерация). Фигуративные мотивы в творчестве Петра Дика
GALINA BATYUK (The National Research University ...
ОЛЕЙНИК МАРИЯ СЕРГЕЕВНА (Центральный военно-морской музей, Российская Федерация). Художественная практика во время вооруженных действий
MARIA OLEYNIK (Central Naval Museum, Russian Federation). Artistic ...
СКОВОРОДНИКОВ ПЕТР ЮРЬЕВИЧ (Национальный исследовательский университет «Высшая школа экономики», Российская Федерация), СТАРУСЕВА-ПЕРШЕЕВА АЛЕКСАНДРА ДМИТРИЕВНА (Национальный исследовательский университет ...
... об Онти Косиро
MARIA YASHKINA (The National Research University Higher School of Economics, Russian Federation). Japanese Avant-Garde Graphics of the 20th Century through the Eyes of a Soviet Researcher. ...
... искусство картографии,визуальные исследования
history of art history, 17th-century printed graphics, interdisciplinary approaches in art history, 17th-century treatises on art, methodology of art history, ...
Requirements for poster design
Poster size for 2016 conference: 594 x 841 mm (A1 format)
Page layout vertical or horizontal.
Using Microsoft Office Publisher or any graphics editor program ...
... including ones organised by the International Study Group on Eighteenth-Century Russia.
Teaching
Graphics of the 18thcentury as a source of iconography
Arts education ...
... 1970 he was appointed curator of banners and military graphics.
In 1971 he graduated from Faculty of History, Leningrad State University. In August 1992 he was appointed Deputy Director for research. ...
... in representation of the world of objects. In our case study we will examine the world of objects in satiric graphics by William Hogarth, both in the context of Rococo and British Enlightenment.
PDF ...
... the history of graphics and paintings, but for the history of art, because engraving in the 16th to 17th century Europe is the most significant tool to duplicate and spread visual information, which therefore ...
... in book graphics and designed more than 10 books. In cooperation with V. Nozdrin he designed an emblem an a model for a series of “The Antiquity in Hermitage”. He had several personal exhibitions and was ...