Search - The Actual Problems of History and Theory of Art

1. The Water Color Series “The Russian Alphabet. Gift to Russian Children in the Memory of the French Invasion of Russia in 1812”: (2015 Russian Art ca. 1700–1900); Anna Kustova State Literary museum, Russia This article is devoted to the water color series “The Russian Alphabet. Gift to Russian children in memory of the French invasion of Russia in 1812”. ...; Created on 02 January 2016
2. Emblem of 2024 Conference: (Uncategorised); ... was to create a colorful representation of the Northern Capital City that was particularly cherished by the participants. It was a challenging task for the jury, which had to evaluate the works of 65 ...; Created on 08 April 2022
3. САБЛИН И.Д. Проблема колоризма: (2020 Art Theory); ... Штраус IVAN SABLIN (Saint Petersburg State University, Russian Federation). The Problem of Colorism in the Western European Modern Art Studies. Theodor Hetzer vs. Ernst Strauss Генрих Вельфлин настоятельно ...; Created on 13 November 2020
4. БУЧКА А.М. Композиционные архетипы: (2020 The 20th-Century and Contemporary Art); ... color and form, color, flat geometric composition, pastiche, compositional archetype, emotional state of composition, painting of the Russian avant-garde, pictorial and expressive elements of painting ...; Created on 13 November 2020
5. КОЛГАНОВА О.В. Г. Гидони: (2020 The 20th-Century and Contemporary Art); КОЛГАНОВА ОЛЬГА ВИКТОРОВНА (Российский институт истории искусств, Российская Федерация). Г. Гидони: экслибрис К. Малевича (1926 г.). OLGA KOLGANOVA (Russian Institute of History of Arts, Russian Federation). ...; Created on 13 November 2020
6. Emblem of 2020 Conference: (Uncategorised); ... that binds the primed canvas with ribbons cut from canvas, woven into a complex floral pattern. Painting, therefore, turns out not to be a narrative of colors, but a story of canvas on canvas, where ...; Created on 29 March 2020
7. School of Sidlin and Temple Wall School: Continuity of Philosophical, Aesthetic and Artistic Traditions: (2015 Theory of Art); ... Severity, force and tension were replaced by restraint and tranquility. The works of Sidlin’s students reflect the finesse of wall painting, make apparent the weightless and unearthly beautiful colors ...; Created on 02 January 2016
8. Galeev and “Prometheus”: To the History of Kazan School of Light-Music: (2015 Artistic Culture and Cult); ... center developed and created some new “light-musical” devices, arranged scientific work on studying a phenomenon of synesthesia and “color hearing”, and collected all available information on history and ...; Created on 02 January 2016
9. The Оld European Synagogues in G. K. Lukomski’s Drawings: (2015 Artistic Culture and Cult); ... of the pre-revolutionary period and of the period of emigration. The artist often traveled to Europe capturing in his drawings and watercolors ancient monuments of Kiev, Warsaw, Prague, Krakow, Cologne, ...; Created on 02 January 2016
10. Project Ecology of Design: (2015 Artistic Culture and Cult); ... which had been formed in the bowels of realistic and ethnic art for centuries. New approaches to shape, color and design were expressed in the concepts of suprematism, constructivism, rationalism. The ...; Created on 02 January 2016
11. Temple Art Ontology: (2015 Artistic Culture and Cult); ... to the voice of the divine Will; • the identity of the sacrifice and plastic ways of a composition (lines, colors, spots, spaces), their specifics in the post-Soviet time; • the image as a divine ...; Created on 02 January 2016
12. Tondo of Vyacheslav Mikhailov: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... of the conference focused on the idea of Renaissance in art. Explicit and implicit connotations are produced by the very circular shape and color composition. Diversity and elaborateness of texture creates ...; Created on 02 January 2016
13. In Search of Harmony. The Artist Raisa Kotovich-Borisyak: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... complemented each other. Their contents, in the phrase of I. Pearce, are what the work discloses involuntarily, but never parades. The artist giving a lot of attention both to color and to drawing has ...; Created on 02 January 2016
14. Representation of Traditional Cultures in the Painting of the First Half of the 20th Century on the Example of Grigory Ivanovich Choros-Gurkin and Albert Namatjira: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... European tradition of watercolor painting and was known world-wide as a watercolor artist. Both artists are members of small ethnic communities grounded in traditional culture. Similar destinies, genre ...; Created on 02 January 2016
15. New Discoveries in Archives about Gustav Klutsis’ Creative Work: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... Moscow architectural institute unknown documents and the artist’s works were found. In 1924–1930 Klutsis was a professor of color theory in VKhUTEMAS. This period is not researched enough. His students ...; Created on 02 January 2016
16. Remaking the New Perspective from Old Methods: Bela Uitz and Renaissance Aesthetics in Soviet Monumental Art: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... of these works covered with flying squares and circles and painted with bright colors are similar to the surfaces of the pre-revolutionary futurist paintings. The first part of this presentation demonstrates ...; Created on 02 January 2016
17. Cubism as a Method: (2015 World Art of the 20th Century and Contemporary Art); ... the color and the accidental attributes of the objects that served as models. Inspired by Cezanne, they aspired to define structure of things which inevitably remain under the accidents of momentary appearance, ...; Created on 02 January 2016
18. Renaissance Vector in the Works by Ferdinand Hodler: (2015 Western Art ca. 1600–1900); ... concerning the use of line, color and light by the artist in relation to the Renaissance aspirations are discussed. Hodler’s diversifying study of a person that can be observed in a number of compositions ...; Created on 02 January 2016
19. J. M. W. Turner’s Art in the Context of I. Goethe and M. Faraday’s Views: (2015 Western Art ca. 1600–1900); ... on translation of Goethe’s tractate, which was focused on the issue of color perception in art. Inspired by these theories Turner experimented with colours, also he decided that visual impressions that ...; Created on 02 January 2016
20. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov: (2015 Western Art ca. 1600–1900); ... watercolor on paper, Wallace Collection, London). These compositions of Delaroche have drawn my attention for the following reasons: • They are interesting examples of the representation of history ...; Created on 02 January 2016