(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... existed common, typical for the time visual compositions or patterns. Secondly: that the photography along with poster and applied art represented these compositions in the most coherent and perspicuous ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
Angelina Lucento
The National Research University Higher School of Economics, Russia
The well-known Hungarian artist Bela Uitz arrived in Moscow for the first time in 1921. At the time, he was ...
(2015 World Art of the 20th Century and Contemporary Art)
... approaches to illustration of fiction. In this case the matter concerns the illustration of a myth, an epic and a fairy tale — as a rule, illustrators visualize the chronotopes of Celtic and Scandinavian ...
(2015 World Art of the 20th Century and Contemporary Art)
... an aim to rediscover humanistic grounds of art, and the visual image of the human being. Gormley uses his own body as his primary subject and research instrument, as it is well familiar and always available ...
(2015 World Art of the 20th Century and Contemporary Art)
... only about purely visual sensations, the Cubists were mainly concerned with generalized forms and the relationship between surfaces and volumes, describing and analyzing them in a simplified way, omitting ...
... both verbal and visual. The subject of the writer’s creative interest is not only paintings, but also the history of their creation, as well as the artist and the broadest approach to his work. In this ...
... recover its place in history among them.
The paper offers analysis of documentary and visual materials from Russian State Historical Archive, Central State Historical Archive of St. Petersburg and periodicals ...
... dwelling upon this concept gave rise to countless visual responses. The paper examines the earliest known version of his piece known as “Walking upon the Sea” from 1849 that has been recently rediscovered ...
... this large-scale project is studied in isolation from other activities undertaken by Nicholas I in this direction. The other subject of interest is the creation of the “visual history” of the Patriotic ...
... followed it, revived interest in authentic old periods of Scandinavian history. To a large extent it determined the nature of artistic imagery in visual, monumental and applied arts of the “Nordic French”. ...