Search - The Actual Problems of History and Theory of Art

1. A. MCQUEEN. Opportunities for Female Artists at Sèvres: (2020 Applied Art); ... (1826–1920) became empress of the French in 1853, the female artist hired to produce porcelain replicas of her portrait became the best paid of all of Sèvres’ employees, thus a woman finally reached the ...; Created on 13 November 2020
2. F. ZISA. The Impact of the Ancient “Arrotino” Model on the “Crouching Boy” Type: (2020 Art of the Ancient World); ... Uffizi”. This replica has been recently discovered in 2000 by this writer, and published on scientific literature since than. Alessandro Parronchi, one of the most distinguished scholars on Michelangelo, ...; Created on 12 November 2020
3. Alexander Deineka’s Mosaics at Mayakovskaya Metro Station and Soviet Photography of the 1920s–1930s: (2015 Russian Art of the 20th Century and Contemporary Russian Art); Igor Volkov Lomonosov Moscow State University; Multimedia Art Museum, Moscow, Russia The metro station “Mayakovskaya” designed by architect A. Dushkin and decorated with mosaic panels made ...; Created on 02 January 2016
4. Gillis Claeissens (1536/37–1605), Unknown Master from Brugge: Difficulties in Attributing the Northern Renaissance Portraits: (2015 Renaissance Art); Alexandra Zvereva Centre Roland Mousnier, University Paris-Sorbonne, France The Claeissens family of painters in Bruges is apparently well known and studied, thanks mainly to a few extant ...; Created on 02 January 2016
5. The Virgin of Passion in Russian Tradition: Actualization of Iconography in Cross-Cultural Context: (2015 Old Russian Art); ... replica of the icon resulted in well-known legend about the miraculous image from Nizhny Novgorod transfered to Moscow in 1641. After that a church was built and Strastnoy (Virgin of the Passion) monastery ...; Created on 02 January 2016
6. Figurative Images and Their Iconographic Prototypes in Decoration of Scabbard and Gorytoi Overlays from Scythian Tombs of the 4th Century BC (Chertomlyc and Vergina Groups): (2015 Ancient Art); ... after familiar iconography pretty exactly. For instance, it’s noticeable that the author of the Vergina gorytos’ matrix closely replicates figure postures and drapery folds of the frieze from Bassae; whereas ...; Created on 02 January 2016
7. Ethic code: (Uncategorised); ... readers should be informed about who has funded research and on the role of the funders in the research; copying, replication and extensive verbal quotation of articles is not permitted. Relations ...; Created on 25 November 2015
8. Nalimova, Nadezhda A. Casts from Baia: between the Original and Copy (Researching Greek Bronze Sculpture of the Classical Period): (Art of the Ancient World); ... castle, museum and archaeological sites. Naples, Sama; Quarto, 2006, pp. 7–16. Napoli M. Una nuova replica della Sosandra di Calamide. Bollettino d`Arte. 1954, no 39, pp. 11–24. Richter ...; Created on 02 March 2015
9. Jijina, Nadia C. On the Crossroads of Knowledge or Th e Age of Topicality: Problems of Greek and Roman Art as Part of General Classical Studies: (Art of the Ancient World); ... and replicating settled statuary types and schemes once worked out in Classical antiquity, as well as their usage by the artists of the Early modern history and later, reconstructing compositions that ...; Created on 23 January 2015
10. The 5th International Annual Conference “Actual Problems of Theory and History of Art”: (Uncategorised); ... as a whole, as well as in formation of various national cultures. The problem of forming, figurative way of thinking, creation, reproduction and replication of the consistent compositional schemes, statuary ...; Created on 26 February 2014