SPbSU

Saint Petersburg State University

Actual Problems of Theory and History of Art

СПбГУ

Actual Problems of Theory and History of Art

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  • 2024
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      • Vol. 14. 2024
      • Vol. 13. 2023
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Total: 9 results found.

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      1. СТРЕЛЬЦОВА А.К. Community-based подход
      (2020 The Art of Space)
      ... чтобы развить взаимное чувство эмпатии у новых и старых берлинцев. community-base art, перформанс, Берлин, современное искусство Германии community-based art, performance, Berlin, contemporary art ...
      Created on 13 November 2020
      2. P. SANVITO. The Progress of Spatial Acoustics in the Theaters
      (2020 Renaissance Art)
      ... several years, together with numerous colleagues, primarily of the Technical University Berlin, on questions concerning the understanding of sophisticated acoustics in performance spaces. Later on, in ...
      Created on 12 November 2020
      3. The Cultural Mission as a Form of Humanitarian Diplomacy
      (2015 Artistic Culture and Cult)
      Irina Dashevskaia Interregional Institute of Economics and Law, Russia A distinctive feature of the present stage of development of human society is a close link between cultural and political ...
      Created on 02 January 2016
      4. Temple Art Ontology
      (2015 Artistic Culture and Cult)
      ... grace of God, which can be used as a method of art to reveal human divinity expression in the world. Artistry in the performance of the universal moral law in Christianity aspires to connect a human ...
      Created on 02 January 2016
      5. Moscow Versions of the French Opera in the Late 18th Century: Features of Production and Perception
      (2015 Russian Art ca. 1700–1900)
      ... original features of the transformation of works of French art in Russia. First of all, the performances on various stages of Sheremeteff’s theatre are discussed: André Grétry’s operas with dialogues “l’amitié ...
      Created on 02 January 2016
      6. Towards the Analysis of the Renaissance Dance Images: Аn Example of the Kinemic Approach
      (2015 Renaissance Art)
      ... i.e. to interpret the meaning of the scene. On the contrary, absence of kinemic knowledge may lead to misunderstanding. Analyzing images of dance, professional and non-professional theatre performances ...
      Created on 02 January 2016
      7. Artistic and Technological Features of North Caucasus Nations Carpet Waving
      (2015 Russian Art ca. 1700–1900)
      ... consists for the most part of smooth bilateral rugs, mats and felts. Quality and beauty of these rugs is achieved by a high performance technique. Carpets of Achtin and Micrah’s group have the highest ...
      Created on 28 December 2015
      8. Actual Problems of Theory and History of Art: Vol. 4. 2014
      (Archive)
      ... and art lovers. On the cover: Igor Gurovich, poster for Pyotr Fomenko’s performance “An Absolutely Happy Village”, 2012. Art of the Ancient World Eastern Christian ...
      Created on 03 December 2015
      9. Emblem
      (Uncategorised)
      ... Rebellious spirit and fascination with the Decadent movement were the distinguishable features of their works. Lyagachev was always a part of Chemiakin’s masquerade performances, but in time, he developed ...
      Created on 16 March 2015
       
       
       

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      Actual Problems of Theory and History of Art.
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      • 2024
        • News
        • Program
        • Emblem
        • How to apply
        • Guestbook
      • About
        • Organizing Committee
        • Participants
        • Sponsors
        • Archive
          • 2022
            • About
            • Program
            • Emblem
          • 2020
            • About
            • Program
            • Αbstracts of communications
            • Online streaming
            • Emblem
          • 2018
            • About
            • Partner Museum
            • Emblem
            • Program
            • Αbstracts of communications
          • 2016
            • About
            • Programme
          • 2015
            • About
            • Programme
          • 2014
            • About
            • Programme
        • Gallery
        • Previous Emblems
        • Newsletters
      • Publications
        • Archive
          • Vol. 14. 2024
          • Vol. 13. 2023
          • Vol. 12. 2022
          • Vol. 11. 2021
          • Vol. 10. 2020
          • Vol. 9. 2019
          • Vol. 8. 2018
          • Vol. 7. 2017
          • Vol. 6. 2016
          • Vol. 5. 2015
          • Vol. 4. 2014
          • Vol. 3. 2013
          • Vol. 2. 2012
          • Vol. 1. 2011
        • Ethic code
        • For Authors
          • Guidelines
          • Publication process
          • License agreement
        • Editors
        • Theses
          • Theses 2020
          • Theses 2015
      • Contacts
      • Account