... and fatal crisis of the modernism. Christian Norberg-Schulz, one of world leading theoretician of his days (but today his theories seem to be mostly abandoned), proposes in his theories new basis for modern ...
ТОРБИК ВЛАДИМИР СЕРГЕЕВИЧ (Санкт-Петербургский государственный университет, Российская Федерация). Некоторые работы фабрики Ф. Мельцера в особняках Санкт-Петербурга
VLADIMIR TORBIK (Saint Petersburg ...
...
Капители-сполии находятся как в западной части храма, которая представляет собою укороченную в плане ротонду, так и в восточной части храма, укороченной базилике (Corbo, 1981–1982; Pringle, 2007). В ...
ДОБРИЦЫНА ИРИНА АЛЕКСАНДРОВНА (Научно-исследовательский институт теории и истории архитектуры и градостроительства, Российская Федерация). Феноменологическая инициатива в проектной программе современного ...
ЧИКЕ ОЛИВЬЕ (Парижский университет Сорбонна, Франция). Осмысляя категория «уродливого» в искусстве Ренессанса: от дисгармонии к красивому уродству
OLIVIER CHIQUET (University of Paris Sorbonne, France). ...
ДУБАРД ДЕ ГАЙАРБУА ФРЕДЕРИК (Парижский университет Сорбонна, Франция). Бенедетто Варки, Аньоло Бронзино. Ut pictura poësis sub specie mortis
FRÉDÉRIQUE DUBARD DE GAILLARBOIS (University of Paris Sorbonne, ...
... new generation has grown absorbing the traditions both of Russian and foreign art studies. The situation occurs, when critics are stronger thinkers than presented artists, but the reviews of exhibitions ...
(2015 Russian Art of the 20th Century and Contemporary Russian Art)
... the Russian sculptor Alexandre Archipenko, who at the time was living in Paris. Archipenko had a considerable impact on Van Doesburg and other artists within the orbit of the magazine. In 1920, Van Doesburg ...
... by both direct observations and theoretical knowledge. This explains a special, truly represented spatial-light environment of the early Biedermeier paintings where people, being self-absorbed, listen ...
Alexandra Zvereva
Centre Roland Mousnier, University Paris-Sorbonne, France
The Claeissens family of painters in Bruges is apparently well known and studied, thanks mainly to a few extant ...
... as in Venetian-ruled areas of the former Byzantine Empire, such as the islands of Crete and Cyprus, were directly exposed to Venetian art and they absorbed its influence at various levels. During the 16th ...
... tradition but enriched by stylistic and iconographic elements taken from the Italian Renaissance. The paper examines the channels by which Italian features were absorbed by Cretan painters, the importance ...
... characterized by their constructive and unique artistic solutions.
The lords of Syunik region — Orbelian princes — patronized and sponsored master Momik, which was a new phenomenon in the culture of medieval ...
... different (economic reasons and the “rennaissance of antiquity”). As far as the synogagues are concerned, the situation was different: the use of spolia was forbidden, with the exception of the deserted ...
... Finland
Helsinki University
University of Turku
France
Centre Roland Mousnier, Paris Sorbonne University
Musée national d’art moderne Centre national d’art et de culture Georges ...
... libres (College de France–Sorbonne, 19‒25 Août, 2001), Paris, 2001. p. 99.
Beck H.G. Kirche und theologische Literatur im byzantinischen Reich. München, 1959.
Belli D’Elia ...
... grekov. St.Petersburg, Izd-vo O.N. Popovoi, 1900. p 683 p. (in Russian).
Gorbunova K.S. Atticheskie vazy v forme chelovecheskikh golov v sobranii Ermitazha. Trudy Gosudarstvennogo Ermitazha. ...
... Russia) Antiquity in Art Collection of K.G. Razumovsky
2.3.14. Vladimir S. Torbik (St. Petersburg State University, Russia) Restoration of Neoclassical Furniture’s Burnishing: Myths and Reality
2.3.15. Ol’ga K. ...
... United Kingdom; Paris Sorbonne University, France; Bulgarian Academy of Sciences, Bulgaria; University of Durham, United Kingdom; Institute for Byzantine and Modern Greek Studies, Austria; Albert Ludwig ...