Search - The Actual Problems of History and Theory of Art

1. A. LICORDARI, A. PELLEGRINO. Scenes of Daily Life in the Mosaics of Ancient Ostia: (2020 Art of the Ancient World); ... Archeologico di Ostia Antica, Italy), ANGELO PELLEGRINO (Parco Archeologico di Ostia Antica, Italy). Scenes of Daily Life in the Mosaics of Ancient Ostia In the period of greatest flowering of the mosaic ...; Created on 12 November 2020
2. Alexander Deineka’s Mosaics at Mayakovskaya Metro Station and Soviet Photography of the 1920s–1930s: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... from A. Deineka’s sketches was opened on September 11, 1938. In 1939, the design of the station received the Grand Prix at the New York World’s Fair. 34 mosaics survived (out of 35 which existed originally). ...; Created on 02 January 2016
3. Mosaics of the Church of the Holy Apostles in Thessaloniki: Problems of Iconography and Style: (2015 Eastern Christian Art); ... I in 1310–1314. Mosaics adorn the upper part of the naos above the cornice, except the semidome of the apse and the east barrel-vault which remained undecorated because of the Niphon’s removal from the ...; Created on 02 January 2016
4. The Iconography of the Last Supper in the Light of Christian Ontology and Anthropology: (2015 Artistic Culture and Cult); ... is the Body of Christ”. In Byzantine mosaics, such as Communion of the Apostles, and in the ancient Russian icon — “The Last Supper” the perfection of forms is intended to indicate the imperishable ...; Created on 02 January 2016
5. The link of times. Byzantine in contemporary art. On the example of Maksimov’s work: (2015 Artistic Culture and Cult); ... in revival of centuries-old traditions of frescoes, mosaics and other classical techniques of monumental art in the 1990s. In his work E. N. Maksimov is rethinking the legacy of Byzantine and old Russian ...; Created on 02 January 2016
6. The Omphalion in Floor Decoration of Churches in Pre-Mongol Rus’: (2015 Old Russian Art); ... with large figurative compositions in the centre. These two variants belong to two different traditions. The monuments of the first group are directly linked to the tradition of Byzantine mosaics. The ...; Created on 02 January 2016
7. At the Root: Anthropomorphic and Zoomorphic Images of Early Slavic Metal Plastic and Their Origin: (2015 Old Russian Art); ... represented in Byzantine mosaics, embroideries and casting. Additionally, evidences of the original Byzantine impulse are decorative elements such as etched palm branches, peacock and the camel head in the ...; Created on 02 January 2016
8. Old and new Questions on the Mosaic of the Main Porch of San Marco in Venice: (2015 Eastern Christian Art); ... the mosaics in the Venetian lagoon and the mosaic decoration of the Katholikon of Hosios Loukas, in Greece. In the third part I will talk about the new possibilities offered by the technical analysis ...; Created on 02 January 2016
9. The Theme of “Grape Harvest” in the Artistic Traditions of Late Antiquity, Early Christianity and in the Art of Sasanian Iran: (2015 Eastern Christian Art); ... and were connected with the cult of Dionysus. In the Late Antique and Early Christian periods similar scenes were often depicted on the pavement and wall mosaics of Rome and East Roman provinces, as well ...; Created on 02 January 2016
10. Armenian Monumental Painting of the 7th Century in the Context of East Christian Tradition: (2015 Eastern Christian Art); ... Cathedrals of Echmiadzin and Dvin — had mosaics, while others were decorated with frescoes, and only in the church of Zvartnots (the church of St. Gregory) mosaics were combined with frescoes. The surviving ...; Created on 02 January 2016
11. From an Ancient Way to Create a Spatial Effect to the Christian Symbol of Holiness. The Evolution of an Artistic Device: (2015 Eastern Christian Art); ... effect, and which transformed into a symbolic form of the halo used to underline the spiritual power of the saints in the 5th century Christian mosaics. We shall demonstrate this process on certain examples. ...; Created on 02 January 2016
12. To Excavate or Not? Case of the Discovery of an Early Christian Baptistery and Church at Ulpiana/Kosovo: (2015 Eastern Christian Art); ... yielded enormous results for Ulpiana within three years between 2012–2014 . Discovery of the large Early Christian church (approximately 20 × 40 metres) with floor mosaics and baptistery were the biggest ...; Created on 02 January 2016
13. The Iconography of the “Gesture of Blessing” in the Hellenistic, Roman and Byzantine Periods in the Near East: (2015 Eastern Christian Art); ... Stone sculpture and reliefs, sarcophagi, mosaics and wall paintings, clay and bronze figurines, cosmetic containers and coins will be presented and discussed. Male and female divinities, their worshipers, ...; Created on 02 January 2016
14. Swinging Thuribles in Early Byzantine Churches in the Holy Land: (2015 Eastern Christian Art); ... Mosaics of contemporaneous churches depict a thurifer holding in his right hand a thurible similar to those found in excavations of churches. There are a few variants in shape but they all consist of a small ...; Created on 02 January 2016
15. Yakovleva, Maria I. The Icon of Christ Emmanuel from the State Historical Museum — a Micromosaic of Early Palaiologan Period: (Eastern Christian Art); ... in order to specify the place of the object in the context of Early Palaiologan art. The article covers an issue of parallels with other Byzantine micromosaics, which were created at the end of 13th– first ...; Created on 02 March 2015
16. Jevtic, Ivana. Narrative Mode in Late Byzantine Painting: Questions it Raises about Sacred Images: (Eastern Christian Art); ... and “Refi nements”: Aspects of Architecture, Space and Narrative in the Mosaics of Kariye Camii. Interaction and Isolation in Late Byzantine Culture, ed. J.O. Rosenqvist. Istanbul, 2004, pp. 27‒43. Jevtic ...; Created on 02 March 2015
17. October 28, 2014 (Tuesday): (Uncategorised); ... Russia) Ancient Greek Parody Convivium Atticum and Mosaics in the Style of “Asarotos Oikos” (“Unswept Floor”) 2.1.3. Andrei I. Larionov (St. Petersburg State Art and Industry Academy named after A. ...; Created on 18 September 2014