Search - The Actual Problems of History and Theory of Art

1. New Facts about Western Models of Russian Art in the 17th Century: (2015 Old Russian Art); ... and Jesuits, which is directly reflected in the figurative and plastic language of illustrations. These publications were actively used as models not only in Western Europe but also in Asia. Stained ...; Created on 02 January 2016
2. C. BARANDONI. Researching Ancient Colours: (2020 Museum Studies); ... from chemical and physical surveys on selected sculptures belonging to the Farnese Collection, all the works of art analysed will be transformed into 3D models using photogrammetry. All collected data ...; Created on 13 November 2020
3. СЫЧЕВА Ю.А. Два маасских листа с ветхозаветными композициями: (2020 Medieval Art Studies: Academic Issues); ... искусстве IULIIA SYCHEVA (Lomonosov Moscow State University, Russian Federation). Two Mosan Leaves with the Old Testament Scenes in the Context of Current Studies of Models and Copying Processes in Romanesque ...; Created on 12 November 2020
4. МЕДЕННИКОВА А.Е., КАРЕЛИН Д.А. К вопросу о значениях изображений крепостной архитектуры в римском искусстве: (2020 Art of the Ancient World); МЕДЕННИКОВА АЛЕКСАНДРА ЕВГЕНЬЕВНА (Папский Институт Христианской Археологии, Рим, Италия), КАРЕЛИН ДМИТРИЙ АЛЕКСЕЕВИЧ (Московский архитектурный институт (Государственная академия), Российская Федерация). ...; Created on 12 November 2020
5. Scientific 3D-Reconstructions of the Architectural Monuments: Experience of the Moscow Institute of Architecture: (2015 Theory of Art); ... of such analysis. The traditional instruments for these reconstructions are hand drawings and paper models. However, during the last 15 years the role of digital technologies for this scientific area has ...; Created on 02 January 2016
6. The Theory of Composition of Alexey Parshkov As Poetics of the Universal: Its Origins and Parallels: (2015 Artistic Culture and Cult); ... or models of the spatial relations, or could be used as an instrument of organisation of visual experience and visualisation of concepts. Such schematism is based on a toroidal structure which is, according ...; Created on 02 January 2016
7. Antique and Renaissance Reminiscences in the Monumental Russian Neoclassical Painting of the early 20th Century: Favourite Themes: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... the compositions which were the models for rethinking in the works of the Russian masters of the neoclassical movement are revealed. These sketches allow us to trace the geography of their travelling in Italy. ...; Created on 02 January 2016
8. Antony Gormley: Reinventing the Classics and Bringing the Body Back to Sculpture: (2015 World Art of the 20th Century and Contemporary Art); ... to him. He has developed a special sculptural technology that involves casts from living models. However, achieving naturalistic accuracy is not his main goal; Gormley prefers to generalize his forms, ...; Created on 02 January 2016
9. Back to the “Primitive”(the Italian Experience): (2015 World Art of the 20th Century and Contemporary Art); ... formed inside it with imaginative models of classic eras. The situation changed in the early 20th century, when the Europeans discovered a layer of cultural formations that had previously seemed primitive, ...; Created on 02 January 2016
10. Cubism as a Method: (2015 World Art of the 20th Century and Contemporary Art); ... the color and the accidental attributes of the objects that served as models. Inspired by Cezanne, they aspired to define structure of things which inevitably remain under the accidents of momentary appearance, ...; Created on 02 January 2016
11. Artistic Word Born from the Painting: The Role of Ceremonial Portrait in the Chronicle “Zahudaliy Rod” by N. S. Leskov: (2015 Russian Art ca. 1700–1900); ... report is the aesthetic phenomenon of ekphrasis in Leskov’s text. The paper examines how painting models verbal expression and aesthetic impression from paintings creates the meaning, on the example of “Zahudaliy ...; Created on 02 January 2016
12. Renaissance Aspects in the Works of Alexey Venetsianov in the Context of “Russian Biedermeier”: (2015 Russian Art ca. 1700–1900); ... and human-oriented classicism. The artist took interest in individuals rather than in environment or in interiors, as the representatives of the Western Biedermeier did. He treated his models as a part ...; Created on 02 January 2016
13. The Art of the Renaissance and Russian Porcelain Sets of the Classical Period of the Second Half of the 18th Century: (2015 Russian Art ca. 1700–1900); ... faience and products from precious metals). Borrowing occurred indirectly through imitation of European models. Experts believe that decor of most of the Russian porcelain sets of the end of the 18th ...; Created on 02 January 2016
14. Renaissance Themes in the 19th Century Historical Painting. Works by Paul Delaroche from the Collection of Anatoly Demidov: (2015 Western Art ca. 1600–1900); ... art works as the historical evidences rather than as artistic models. • Finally, these compositions of Delaroche became widely known, and found an echo in the work of other artists, including Russian ...; Created on 02 January 2016
15. New Tools and Institutional Model of French Art at the Turn of the Middle Ages and Early Modern Times (end of 15th–16th Centuries): Theoretical and Methodological Aspects and Political and Diplomatic ...: (2015 Renaissance Art); ... or educational establishments. Institutionalization and implementation of new models of relations between art, science and society as a constant of Early Modern Period occurs exactly during the Renaissance ...; Created on 02 January 2016
16. Different Types of Western European Prints’ Reminiscences in Illustrative Cycles of Russian 16th Century Apocalypse Manuscripts. Problem Statement: (2015 Old Russian Art); ... is based primarily on Russian, then on Western European and only in general terms on Byzantine and post-Byzantine sources. Western models for the Russian 17th century mural cycles of Apocalypse are widely ...; Created on 02 January 2016
17. The Old Testament Iconography of the South Door of the Nativity of the Virgin Cathedral in Suzdal and Literary Tradition of the Pre-Mongol Rus’: (2015 Old Russian Art); ... iconography of particular scenes generally following Byzantine models is rather unconventional, as many details do not conform to orthodox Biblical narrative and have no parallels in Christian art of that ...; Created on 02 January 2016
18. At the Root: Anthropomorphic and Zoomorphic Images of Early Slavic Metal Plastic and Their Origin: (2015 Old Russian Art); ... to common in early medieval European arts and crafts plot “The prophet Daniel in the lion’s den”, which in turn goes back to the Eastern Christian models. Composition “Daniel with lions” was perceived ...; Created on 02 January 2016
19. From an Ancient Way to Create a Spatial Effect to the Christian Symbol of Holiness. The Evolution of an Artistic Device: (2015 Eastern Christian Art); ... the normal and habitual for them ancient models, to find and adopt the new symbolic forms immediately. This report focuses on one special technical device, which the ancient artists used to create a spatial ...; Created on 02 January 2016
20. Libraries of the Hellenistic and Roman Period on the Territory of Asia Minor: (2015 Ancient Art); ... Antiquity not only by rejecting Gothic forms and reviving the order system, but also by returning to Classical proportional harmony. An example of the Renaissance architecture recalling models of Classical ...; Created on 02 January 2016