Search - The Actual Problems of History and Theory of Art

1. Avant-garde: the Problem of Theoretical and Cultural-Historical Identity in European and Russian Culturе: (2015 Theory of Art); Lilia Kabanova Petrozavodsk State University, Russia The subject of Russian avant-garde is one of the most unexamined today, both as far as terminology and cultural- historical identity are ...; Created on 02 January 2016
2. СОРОКИНА С.Е. Изучение автографов: (2020 Interdisciplinary Methods in the Research on Cultural Heritage); ... с использованием разработанного автором почеркового симптомокомплекса личностной самооценки. анализ автографа, личность художника, личностная самооценка, почерковедение analysis of autograph, identity ...; Created on 13 November 2020
3. I. BRUNI. “Selective memory”: (2020 Museum Studies); ... travelers between the late 19th and early 20th century and stood as little more than a makeshift shelter in the 1920s and 1940s. Between the 1950s and 1990s there’s an attempt to recover local identity ...; Created on 13 November 2020
4. ГАЛЕЕВА Т.А. «Американа» русского художника: (2020 The 20th-Century and Contemporary Art); ГАЛЕЕВА ТАМАРА АЛЕКСАНДРОВНА (Уральский федеральный университет имени первого Президента России Б.Н. Ельцина, Российская Федерация). «Американа» русского художника: Сергей Судейкин в США в 1920–1940-е ...; Created on 13 November 2020
5. КАРЕВ А.А. Проблема самобытности русского искусства XVIII века: (2020 Russian Art in the 18th–19th Centuries); ... Lomonosov Moscow State University, Russian Federation). The Problem of Identity of the 18th-Century Russian Art in the Works of the First Half of the 20th Century Определение места национальной художественной ...; Created on 13 November 2020
6. T. SIZONENKO. Inscribing Venice through Celestial Visions: (2020 Renaissance Art); ... of Venetian image-making that complemented contemporaneous humanist discourse on Venice’s cultural identity and origins. Few quattrocento paintings make stronger claims to historical fidelity than large-scale ...; Created on 12 November 2020
7. Partner Museum 2018: (Uncategorised); ... to form a Russian cultural identity, drawing the attention of society to the important role of art in general and collection in particular, and to continue the life-work of PavelTretyakov, introducing ...; Created on 07 March 2018
8. Christianity, Folklore and Moral-Aesthetic Ideals of the Russians: (2015 Artistic Culture and Cult); Vitalii Vasilev Interregional Institute of Economics and Law, Russia In the current socio-political situation it is getting more and more urgent to establish the ideals of national identity, ...; Created on 02 January 2016
9. Project Ecology of Design: (2015 Artistic Culture and Cult); ... 21st century and functionalism of the international style have led to the loss of cultural national identity. The environmental problem is multifaceted. The concept of project ecology, as defined by its ...; Created on 02 January 2016
10. Temple Art Ontology: (2015 Artistic Culture and Cult); ... to the voice of the divine Will; • the identity of the sacrifice and plastic ways of a composition (lines, colors, spots, spaces), their specifics in the post-Soviet time; • the image as a divine ...; Created on 02 January 2016
11. Siberian Avant-garde of P. G. Jakubowski and O. Jankus. The problem of Identifying Periphery Artists: (2015 Russian Art of the 20th Century and Contemporary Russian Art); ... such as P. Jakubowski and O. Jankus, which reveals a peculiar artistic worldview, enables us to perceive the national identity of the artists, with a reliable understanding of historical and artistic context ...; Created on 02 January 2016
12. The participation of Russian architects and sculptors in making Art Deco Architecture in Serbia: (2015 World Art of the 20th Century and Contemporary Art); ... identity. In this period Belgrade enrolled architects arriving from Russia, who followed local artistic demands oriented toward decorative but modern architectural form. Art Deco in Serbia was based on modernization ...; Created on 02 January 2016
13. Family Portraiture in the 18th Century Russia and the All-European Artistic Heritage: (2015 Russian Art ca. 1700–1900); ... portrait, as well as many artistic means, compositional devices, attributes, which were widely used in Western painting, was deeply spiritualized by the unique Russian identity when being adopted by Russian ...; Created on 02 January 2016
14. Renaissance Vector in the Works by Ferdinand Hodler: (2015 Western Art ca. 1600–1900); ... Art Nouveau and Symbolism. The artist appears to be a “renaissance” identity in the paradigm of art of the late 19th — early 20th centuries. Hodler’s response to the challenges of the time: the study ...; Created on 02 January 2016
15. Gillis Claeissens (1536/37–1605), Unknown Master from Brugge: Difficulties in Attributing the Northern Renaissance Portraits: (2015 Renaissance Art); ... northern Renaissance portraits. An art historian should set aside neither the sitter’s identity nor the dating of attire and materials such as the support and pictorial layers. No matter how fragmental ...; Created on 02 January 2016
16. The Icon of St. Euthymios of Suzdal from the Hilandar Monastery: (2015 Old Russian Art); ... painter in the middle of the 16th century. The work in question was already noticed by the researchers of the Hilandar icon collection, but it was not published and studied adequately, so even the identity ...; Created on 02 January 2016
17. The Sasanian Rock Relief at Darabgird: Interpretation: (2015 Ancient Art); ... scene of king Shapur I or Ardashir I over some enemy. The present paper deals with the problem of the king’s identity. It criticizes the identification of the king on the relief as Ardashir I, proposed ...; Created on 02 January 2016
18. Ethic code: (Uncategorised); ... the materials of the collection of articles published online for free in read mode; readers should be informed about the identity of authors of the published materials, their affiliation and contacts; ...; Created on 25 November 2015