Search - The Actual Problems of History and Theory of Art

1. Russian Icon Painting at the Turn of the 20th Century and the Modern Style: (2015 Russian Art ca. 1700–1900); Alexandra Radushevskaya Saint Petersburg State University, Russia Russian icon painting of the modern era has not been researched for a long time because of historical and economic reasons, ...; Created on 02 January 2016
2. КРАСНОВА Е.С. Северные резные иконы Чуда Георгия о змие: (2020 Old Russian Art); КРАСНОВА ЕЛИЗАВЕТА СЕРГЕЕВНА (Московский государственный университет имени М.В. Ломоносова, Российская Федерация). Северные резные иконы Чуда Георгия о змие рубежа XVI–XVII веков ELIZAVETA KRASNOVA (Lomonosov ...; Created on 12 November 2020
3. БОБРОВА Н.Н. Об особенностях живописной манеры мастера иконы «Рождество Христово»: (2020 Eastern Christian Art); ... Лазаря, стиль позднепалеологовской живописи Byzantine icon painting of the 14th century, icon of the late Palaiologan period, reflection of the ideas of hesychasm in art, individual manner of the artist, ...; Created on 12 November 2020
4. Poster presentation 2015: (Uncategorised); ... by N. S. Leskov Anastasia Dolgova. Architect Pavel Alyoshin’s Artistic Method Alexandra Radushevskaya. Russian Icon Painting at the Turn of the 20th Century and the Modern Natalia Drobysheva. Artistic ...; Created on 11 February 2017
5. Marina Tsvetayeva (St. Petersburg State university): (Organizing Committee); ... and religious meanings in Russian art: from icon painting to avant-garde”. Research interests Christian ontology and anthropology Religious studies Art ...; Created on 03 January 2016
6. The Theory of Composition of Alexey Parshkov As Poetics of the Universal: Its Origins and Parallels: (2015 Artistic Culture and Cult); ... for such poetics are theories of Vladimir Favorsky, Pavel Florensky, as well as Russian icon painting seen through the prism of their view. In the context of the epoch the theory of Alexey Parshkov could ...; Created on 02 January 2016
7. The Veneration and Iconographic Features of St. Christopher in the Russian Art of the Late Middle Ages: (2015 Old Russian Art); ... and thus avoid trouble. The image of St. Christopher appeared in Russia only in the middle of the 16th century and became widespread in the monumental and icon painting. He was portrayed in a typical ...; Created on 02 January 2016
8. The Western European Sources and the Meaning of the Iconography “Christ the Great Hierarch with the Crucifix”: On the Problem of the Multiple Images of Christ: (2015 Old Russian Art); Polina Maier The University of Wurzburg, Germany This paper explores the problem of the iconographical borrowings in the late Russian icon painting. The study intends to reveal the sources ...; Created on 02 January 2016
9. Emblem: (Uncategorised); ... of one upon another in percent. For example, icon painting definitely possesses Greek features, whereas academic painting is totally Roman. Mozart, indeed, belongs to Greece, but Beethoven is a harder ...; Created on 16 March 2015