Search - The Actual Problems of History and Theory of Art

1. The Renaissance Paintings from the Gotzkowsky’s Collection as the First Hermitage Collection. Review of Attribution and the Newly Discovered Masterpieces: (2015 Renaissance Art); ... of Gotzkowsky brought to Catherine II included the works of the great masters of the European Renaissance: Raphael, Titian, Veronese, Tintoretto, Holbein. Today part of attributions is not confirmed. Scholars ...; Created on 02 January 2016
2. ДУБРОВСКАЯ М.В. Первоисточники скульптуры фарфоровых заводов: (2020 Applied Art); ДУБРОВСКАЯ МАРИНА ВЛАДИМИРОВНА (независимый исследователь, Российская Федерация). Первоисточники скульптуры фарфоровых заводов Российской империи. История открытий MARINA DUBROVSKAYA (art critic, Russian ...; Created on 13 November 2020
3. A. MCQUEEN. Opportunities for Female Artists at Sèvres: (2020 Applied Art); ... how, through its conventional focus on issues of “authenticity” and “attribution,” the historiography of Sèvres’ porcelain has been structured to valorize male producers. I critique the field’s dominant ...; Created on 13 November 2020
4. ТИМОФЕЕВА Р.А., КАЛИСТРАТОВ А.В. О методике работы с архивными данными: (2020 Museum Studies); ТИМОФЕЕВА РИММА АЛЕКСАНДРОВНА (Санкт-Петербургский государственный университет промышленных технологий и дизайна, Российская Федерация), КАЛИСТРАТОВ АЛЕКСЕЙ ВАЛЕРЬЕВИЧ (независимый исследователь, Российская ...; Created on 13 November 2020
5. КЛИМЕНКО Ю.Г. Архитектурные конструкции: (2020 Issues of World Architecture); ... Russian Federation). Architectural Construction and the Attribution Issues of Russian Classicism Monuments В совокупности признаков, определяющих архитектурную атрибуцию, немаловажную роль играют конструктивные ...; Created on 13 November 2020
6. ЕФИМОВА Е.А. Жак Андруэ-Дюсерсо в зеркале искусствоведческой критики: (2020 Renaissance Art); ЕФИМОВА ЕЛЕНА АНАТОЛЬЕВНА (Московский государственный университет имени М.В. Ломоносова, Российская Федерация). Жак Андруэ-Дюсерсо в зеркале искусствоведческой критики ELENA EFIMOVA (Lomonosov Moscow ...; Created on 12 November 2020
7. ВОЛОСОВА Д.В. Зигмунд Гольбейн в мастерской брата: (2020 Renaissance Art); ... мастерская Гольбейнов, Германия, эпоха Возрождения, XVI в., Зигмунд Гольбейн, атрибуция, XV в. Holbein, Holbein’s workshop, Germany, Renaissance, 16th century, Sigmund Holbein, attribution, 15th century ...; Created on 12 November 2020
8. ДМИТРИЕВА Е.Н. К вопросу об атрибуции и провенансе трех сердоликовых инталий: (2020 Art of the Ancient World); ... Hermitage Museum, Russian Federation). On the Attribution and Provenance of the Three Cornelian Intaglios from the Collection of the State Hermitage Museum Весной 1787 года императрица Екатерина II подтвердила ...; Created on 12 November 2020
9. Partner Museum 2018: (Uncategorised); ... are the study of the museum collection (works of art, archive documents, antique books) and academic publications (books, articles, dissertations). The outcomes of this research are new attributions of ...; Created on 07 March 2018
10. Alexander Preobrazhensky (Lomonosov State university): (Organizing Committee); ... understanding of the world: impact in art Correlation between various iconographies Problems of attribution in Russian art of the 11–15thcenturies, in Medieval painting ...; Created on 03 January 2016
11. Russian Icon Painting at the Turn of the 20th Century and the Modern Style: (2015 Russian Art ca. 1700–1900); ... but today it becomes interesting for scholars. Nevertheless, interaction between icon painting and the Art Nouveau style is still unexplored. This impedes attribution of many icons, a substantial number ...; Created on 02 January 2016
12. Battle Scene of Jan van Huchtenburg: (2015 Western Art ca. 1600–1900); ... of Rijksmuseum (Amsterdam), whose theme, composition, details of depicting the horses and horsemen combined with other works by this artist make for straightforward attribution of the Chelyabinsk piece ...; Created on 02 January 2016
13. Painting of the Italian Renaissance in the Collection of Stroganoffs. New Facts about the Destiny of the Masterpieces from the Collection: (2015 Renaissance Art); ... attribution and contained 87 canvases. In 1800 it included the descriptions of 116 paintings, and 16 of them were the creations of the Renaissance masters with Andrea del Sarto, Bronzino, Correggio, Carracci ...; Created on 02 January 2016
14. Gillis Claeissens (1536/37–1605), Unknown Master from Brugge: Difficulties in Attributing the Northern Renaissance Portraits: (2015 Renaissance Art); ... son, Gillis, recurs fairly frequently and his career seems to be more successful than those of his brothers, the absence of signed paintings has complicated attributions. In 2009, Brecht Dewilde found ...; Created on 02 January 2016
15. A New Narcissus Code-Named “Lygdamus”: Poetical 16th Century Sources for a Different Interpretation of Michelangelo’s “Crouching Youth” at the Hermitage: (2015 Renaissance Art); ... fix the wavering attribution of the statue and remove the work from its alleged context in the funeral monument for Pope Julius II, hinting to a private destination instead, possibly in relation to the ...; Created on 02 January 2016
16. Compagnie della Calza in the Venetian Art of the 15th–16th Centuries: (2015 Renaissance Art); ... Concert” whose attribution to Giorgione or Titian is still disputable we see that the man who holds an instrument in his hands is also dressed in striped hoses. The stripes are clearly seen as the light ...; Created on 02 January 2016
17. Minor Artists of the Officina Ferrarese in the 15th Century: (2015 Renaissance Art); ... conventional names “Maestro dagli occhi spalancati” and “Maestro dagli occhi ammicanti”, which remind the Morellian terminology and method of attribution. Their contribution to the formation of the Ferrarese ...; Created on 02 January 2016
18. Speculum Humanae Salvationis: Miniatures from the Collection of N. Ugodina: (2015 Western Medieval Art); ... 2015, were introduced and analysed as an object of art history. This paper is devoted to their attribution as sister leaves of the Bavarian translation of Speculum humanae salvationis (Spiegel menschlicher ...; Created on 02 January 2016
19. The Iconostasis of the Dormition Cathedral of the Holy Trinity — St. Sergius Lavra: History of the study, Problems and Discoveries: (2015 Old Russian Art); ... found out or documentarily certified. They are still in the area of assumptions. The same problem concerns the attribution of both separate icons and the iconostasis in general. Only some of the icons ...; Created on 02 January 2016
20. Doric Frieze in the Architecture of Ancient Greece. Regional Differences and Their Localization: (2015 Ancient Art); Vladimir Kolosov The State Hermitage Museum, Russia The attribution of architectural fragments, which were found during the archaeological researches of antique monuments of the Northern Black ...; Created on 02 January 2016