Irina Kulakova
Lomonosov Moscow State University, Russia
The paper examines one of the revered in Orthodoxy types of icons of the Virgin — the Virgin of Passion. The theme of the Arma Christi ...
Anna Manukian
The private cultural institution “The Museum of the Russian Icon”, Russia
The figurative cycle of the south door of the Nativity of the Virgin Cathedral in Suzdal, created between ...
... articulate the core semantic points of compositions in the Palaeologan era. The architectural settings are notably picturesque in the paintings of the church of the Virgin Pantanassa in Mistra (1428). ...
Natalia Bobrova
State Russian Museum, Russia
Several Byzantine images of the Virgin with the inscription “Н ПЕРΙВΛЕПТОС” survive from the 14th century. The view on the images of the Virgin ...
... country. Sakhalin became a place where people who left their home settled and constructed a complex society, similar with the other Soviet Virgin Lands. Artists, too, arrived from rather remote places ...
... the Virgin” in the Wall-Painting of the Savvino-Storozhevsky Monastery Cathedral 1649–1650: The Role in the Programme and Features of Iconography
В состав существующей росписи Рождественского собора ...
... of the chapel is completed by a crèche with twenty-seven terracotta sculptures.
In the lower floor of the chapel there are: baby Jesus, The Holy Virgin, St. Joseph, the ox and the donkey and two Prophets: ...
...
Feast of the Presentation of the Blessed Virgin. St. Petersburg, 1997 (with N. Maltsev and A. Prokofyev)
Church of the nativity of St. John the Baptist in Kamennye polyany: ...
... Tambov Picture Gallery.
In a prominent Roman private gallery of G. S. Stroganoff (who lived in Rome since 1878) there were such masterpieces as “The Virgin and Child” by Pintoricchio, “The Virgin” by Duccio, ...
... this paper deals with a particular case: a signed and dated painting (1487) wich does not fit this date.
New hypothesis will be suggested regarding the subject (Virgin and Child with Saint Sebastian ...
... Italy during the 15th and 16th centuries. The basic compositional scheme comprises the enthroned Virgin holding the Christ Child and flanked on either side by saints. The figures coexist in a unified space ...
... type of so-called “Quinitas”, which was created for the altar in the Church of Assumption of the Blessed Virgin Mary in Torun about 1390, exercised a significant influence on Russian icons with the multiple ...
... 1400, and on the sanctuary screen in the Nativity of the Virgin church of Savvino-Storozhevskiy monastery, 1420s, both in Zvenigorod). Image of the holy monk is especially deep and touching in St. Sergius ...
... wall paintings which can be related to an elegant stylistic trend deriving from Constantinople and dated to around 1400.
The church in question, dedicated to the Virgin, is a single-nave building, measuring ...
Olga Shashina
Moscow Kremlin Museums, Russia
Metrical ekphrastic epigrams are a bright phaenomenon of Byzantine art. They are known to be written in the dodecasyllabic verse. This equivalent ...
... of iconographic solutions. We can see the Ascension of Christ, Christ giving the law (Traditio legis), Hetoimasia, Communion of the Apostles, as well as the image of the Virgin. In spite of the great loss ...
... of the Second Half of the 14th Century
3.2.23. Elizaveta S. Semenova (State Institute for Art Studies, Russia) Classical Elements in the Painting of Exonarthex of the Virgin Levishka Church in Prizren ...