КОРСО АНТОНИО (Университет Падуи, Италия). Когда и почему античное искусство стало анонимным
ANTONIO CORSO (University of Padua, Italy). When and Why Ancient Art Became Anonymous
Ancient Greek art ...
... After the fourth crusade the situation changes when icons by Greek artists begin to appear in Tuscany. Around the second quarter of the century Byzantine icons begin to be copied in great numbers, but ...
... 5th century BC. Motives like palmettos and lotos flowers were derived from the Etruscan and Greek art, zoomorph motives were developed unter Scythian influence. In the Celtic art these motives were developed ...
... N. Greek Art. Byzantine Mosaics. Athens, Ekdotikē Athēnōn, 1994. 269 p.
Demus O. An unknown mosaic icon of the Palaeologan epoch, 1946. Studies in Bizantium, Venice and the West. London, ...
... F.B. Centauromachy and Amazonomachy in Greek Art: The Reasons for Their Popularity. American Journal of Archeology. 1920, vol. 24, no. 3, pp. 226‒231.
Walker S., Matthews K.J. The marbles ...
... and poetry. Edel'son E. transl. Kuznetsova N. ed. Lessing G.E. Selected Works. Moscow, Khudozhestvennaia literatura, 1953, pp. 385–516. (in Russian).
Sparkes B. Greek Art. 2d ed. Cambridge ...
... Italy) The Birth and the Development of the Idealized Concept of Arcadia in Classical Greek Art
1.1.10. Felix I. Ter-Martirosov (National Academy of Sciences of Armenia, The Erevan State University, ...