Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa188-5-50
Title On the Specificity of an Artistic Language: Plasticity and Space in Ben Nicolson’s Creative Work
Author email pana00@mail.ru
About author Panova, Natalya Gennad’evna — Ph. D., associate professor. Moscow Institute of Architecture (State Academy — MARCHI), Rozhdestvenka ul., 11/4, 1-4, 107031 Moscow, Russian Federation.
In the section International Art of the 20th and 21st Centuries: Modernity and Contemporaneity DOI10.18688/aa188-5-50
Year 2018 Volume 8 Pages 516526
Type of article RAR Index UDK 7 .038; 7.038.1; 7.04.017 Index BBK 7.036
Abstract

The article is devoted to the works of Ben Nicholson, a 20th-century British artist, executed at different points in his career. Nicholson’s paintings, reliefs, and sculpture have been analyzed in the context of the development of European art in the 20th — early 21st century. An attempt has been made to consider the pictorial system of the artist from the point of view of its plastic, chromatic, and composite features. Certain parallels have been drawn with the works by other artists who influenced Nicholson’s creative method. The artist was a key figure in the development of Western abstract art. The article focuses on the formation of Nicholson’s special creative approach which expresses his philosophical outlook. The artist sought strict, logical, and organized forms. Ben Nicholson can safely be called an innovative artist and experimenter. His quest in the field of composition, color, shape, and painting technique resulted in an individual abstract style. As a result, the artist managed to create a coherent pictorial system — a set of various expressive means and methods, in which attention is paid to self-value of plane, line, rhythm, and perfection of texture. The combination of different expressive means and techniques in Ben Nicholson’s works has enriched the artistic language of our time.

Keywords
Reference Panova, Natalya G. On the Specificity of an Artistic Language: Plasticity and Space in Ben Nicolson’s Creative Work. Actual Problems of Theory and History of Art: Collection of articles. Vol. 8. Ed. S. V. Mal’tseva, E. Iu. Staniukovich-Denisova, A. V. Zakharova. — St. Petersburg: St. Petersburg Univ. Press, 2018, pp. 516–526. ISSN 2312-2129. http://dx.doi.org/10.18688/aa188-5-50
Publication Article language russian
Bibliography
  • Braem G. Psihologiia tsveta (Color Psychology). Moscow, ACT Astrel Publ., 2009. 158 p. (in Russian). Button V. Ben Nicholson. St. Ives Artists. London, Tate Publ., 2007. 80 p.
  • Checkland S. Ben Nicholson. London, John Murray Publ., 2000. 486 p.
  • Efimov A. V. Tsvet + Forma. Iskusstvo XX-XXI vekov (zhivopis’, skul’ptura, installiatsiia, lend-art, digital-art) (Color + Form. The Art of 20th-21st Centuries (Painting, Sculpture, Installation, Land Art, Digital-Art). Moscow, BuksMart Publ., 2014. 616 p. (in Russian).
  • Efimov A. V.; Panova N. G. Arhitekturnaia koloristika (Architectural Coloring). Moscow, BuksMArt Publ., 2016. 136 p. (in Russian).
  • Farsing S. (ed.). Iskusstvo. Vsemirnaia istoriia (Art. World History). Moscow, Magma Publ., 2014. 576 p. (in Russian).
  • German M. Iu. Modernizm. Iskusstvo pervoi poloviny XX veka (Modernism. The Art of First Half of 20th Century). Saint Petersburg, Azbuka-klassika Publ., 2003. 480 p. (in Russian).
  • Gooding M. Abstract Art. Movements in Modern Art. London, Tate Publ., 2008. 96 p.
  • Harrison Ch. Ben Nicholson. London, The Tate Gallery Publ., 1969. 72 p.
  • Harrod T. (ed.). Ben Nicholson: Between Art and Craft. Obscure Objects of Desire: Reviewing the Crafts in the 20th Century. London, Crafts Council Publ., 1997. 416 p.
  • Hofman V. Osnovy sovremennogo iskusstva. Vvedenie v ego simvolicheskie formy (The Foundations of Modern Art. Introduction in Its Symbolic Form). Saint Petersburg, Akademicheskii proekt Publ., 2004. 560 p. (in Russian).
  • Ingo W.; Honnef K. Art of the 20th Century. Köln, Taschen Publ., 2005. 840 p.
  • Khoroche P. Ben Nicholson: Drawings and Painted Reliefs. Farnham, Lund Humphries Publ., 2002. 159 p.
  • Lewison J. Ben Nicholson: The Years of Experiment 1919-39. Cambridge, Kettle’s Yard Gallery Publ., 1983. 80 p.
  • Lewison J. Ben Nicholson. London, Phaidon Publ., 1991. 66 p.
  • Lewison J. Ben Nicholson. London, The Tate Gallery Publ., 1993. 212 p.
  • Liusher M. The Psychological Impact of Color. Promyshlennoe stroitelstvo (Industrial Construction), 1965, no. 11, pp. 25-27 (in Russian).
  • Lynton N. Ben Nicholson. New York, Phaidon Press Limited Publ., 1993. 252 p.
  • Mironova L. N. Uchenie o tsvete (The Theory of Color). Minsk, Vysshaia shkola Publ., 1993. 463 p. (in Russian).
  • Nicholson J. Art and Life: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis, William Staite Murray, Art and Life 1920-1931. London, Philip Wilson Publ., 2013. 192 p.
  • Pallasmaa Ju. Mysliashhaia ruka: arhitektura i ekzistentsialnaia mudrost’ bytiia (The Thinking Hand: Existential Architecture and the Wisdom of Life). Moscow, Klassika-XXI Publ., 2013. 176 p. (in Russian).
  • Panova N. G. Color-and-Shape Modeling through the Study of Works of Major Artistic Movements of 20th- 21st Centuries. Dekorativnoe iskusstvo i predmetno-prostranstvennaja sreda (Decorative Arts and Object-Spatial Environment), 2015, no. 2, pp. 351-361 (in Russian).
  • Panova N. G. Osvoenie tsveto-plasticheskih printsipov masterov XX veka (Mastering Color-Plastic Principles of the Masters of the 20th Century), Tutorial. Moscow, BuksMart Publ., 2016. 240 p. (in Russian).
  • Rappaport A. G. 99 pisem o zhivopisi (99 Letters about Painting). Moscow, Novoe literaturnoe obozrenie Publ., 2004. 344 p. (in Russian).
  • Raushenbah B. V. Prostranstvennye postroeniia v zhivopisi (Spatial Construction in Painting). Moscow, Nauka Publ., 1980. 288 p. (in Russian).
  • Raushenbah B. A. Geometriia kartiny i zritelnoe vospriiatie (The Geometry of the Painting and Visual Perception). Moscow, Azbuka-klassika Publ., 2002. 162 p. (in Russian).
  • Read H. (ed.). Ben Nicholson. A Retrospective Exhibition: Catalogue. London, Tate Gallery Publ., 1955. 76 p.
  • Read H. Notes on ‘Abstract” Art. Ben Nicholson: Paintings, Reliefs, Drawings, vol. 1. London, Lund Humphries Publ., 1955. 32 p.
  • Read H. Ben Nicholson. Paintings, Reliefs, Drawings, vol. 1. London, Lund Humphries, 1948. 182 p. (reprint 1955).
  • Rid G. Kratkaia istoriia sovremennoi zhivopisi (A Brief History of Modern Painting). Moscow, Iskusstvo XXI vek Publ., 2006. 320 p. (in Russian).
  • Rothenstein J. Modern English Painters. London, Sickert-Moore, Eyre & Spottiswoode Publ., 1957. 508 p.
  • Ruhrberg K. (ed.). ART of the 20th Century: Painting, Sculpture, New Media, Photography. Vol. 1: Painting. Köln, Taschen Publ., 2005. 440 p.
  • Russel J. Ben Nicholson: Drawings, Painting and Reliefs 1911-1968. London, Thames & Hudson Ltd Publ., 1969. 325 p.
  • Schneckenburger M.; Fricke C.; Honnef K. (eds.). ART of the 20th Century: Painting, Sculpture, New Media, Photography. Vol. 2: Sculpture, New Media, Photography. Köln, Taschen Publ., 2005. 399 p.
  • Seuphor M. Piet Mondrian. Life and Work. New York, Harry N. Abrams Publ., 1957. 443 p.
  • Stephens C. A Continuous Line. Ben Nicholson in England. London, The Tate Publ., 2008. 126 p.
  • Strigal’ov A. A. Plastic Arts and Architectural Form. Arhitekturnaia kompozitsiia: Sovremennye problemy (Architectural Composition: Current Issues). Moscow, Stroiizdat Publ., 1970, pp. 180-183 (in Russian).
  • Tarabukin N. The Problem of Space in Painting. Voprosy iskusstvoznaniia (Art Studies), 1993, no. 4, pp. 334¬366 (in Russian).