Please use this identifier to cite or link to this item: http://dx.doi.org/ 10.18688/aa177-5-54
Title Una storia di figure piccole, condotte con tanta arte e diligenza: “The Story of Orpheus” by Jacopo del Sellaio and Some Drawings from Filippino Lippi’s Workshop in the Uffizi Collection
Author email marina.lopukhova@gmail.com
About author Lopukhova, Marina Aleksandrovna — Ph. D., head lecturer. Lomonosov Moscow State University, Leninskie Gory, 1, 119991 Moscow, Russian Federation.
In the section Art of the Renaissance DOI 10.18688/aa177-5-54
Year 2017 Volume 7 Pages 532541
Type of article RAR Index UDK 7.034(450)4;75.021.2 Index BBK 85.103(4)
Abstract

A drawing by Filippino Lippi, which represents an old man singing and playing a lira da braccio (Florence, Uffizi Gallery, Gabinetto Disegni e Stampe, inv. 249E), evidently relates to the drawn images of musicians well known in Early Renaissance Florence. But the distinctive look and the ecstatic state of the man depicted make us search for a narrative in the drawing. Bernard Berenson interpreted it as an image of the King David. However, from the iconographical point of view, the model largely looks like Orpheus in the series of spalliera paintings by Jacopo del Sellaio which depict Angelo Poliziano’s Favola d’Orfeo (ca. 1490, separate partsare stored in museums of Rotterdam, Kiev, and Krakow). Stylistically, our drawing could be dated between the mid-1480s and the mid-1490s, close to the painted series, which are also similar to the drawings 232E and 1249E of the same collection made by other draughtsmen in the manner of Filippino. It is possible that these drawings from Filippino’s workshop could be free studies from the Sellaio’s paintings or, otherwise, two preparatory drawings for the series of panels on Orpheus’ story, which were finally commissioned to another master.

Keywords
Reference Lopukhova, Marina A. Una storia di figure piccole, condotte con tanta arte e diligenza: “The Story of Orpheus” by Jacopo del Sellaio and Some Drawings from Filippino Lippi’s Workshop in the Uffizi Collection. Actual Problems of Theory and History of Art: Collection of articles. Vol. 7. Ed. S. V. Mal’tseva, E. Iu. Staniukovich-Denisova, A. V. Zakharova. — St. Petersburg: St. Petersburg Univ. Press, 2017, pp. 532–541. ISSN 2312-2129. http://dx.doi.org/ 10.18688/aa177-5-54
Publication Article language russian
Bibliography
  • Ames-Lewis F. Drawing in the Italian Renaissance Workshop: Exhibition Catalogue. London, Victoria and Albert Museum Publ., 1983. 283 р.
  • Berenson B. The Drawings of the Florentine Painters, 3 vols. Chicago, University of Chicago Press, 1938. 1764 р.
  • Blumenröder S. Das Orpheus-Bild im 15. Jahrhundert: musische Männer und wilde Frauen. Ursprungsmythen und Künstlerselbstverständnis in der Malerei. Der Orpheus-Mythos von der Antike bis zur Gegenwart. C. Maurer Zenck (ed.). Frankfurt am Main, Peter Lang GmbH, Internationaler Verlag der Wissenschaften Publ., 2003, pp. 205–228 (in German).
  • Bodemann S. Der musizierende und tanzende David in der italienischen Malerei des 16. und 17. Jahrhunderts. Münster, Rhema Publ., 2015. 299 p. (in German).
  • Callmann E. Jacopo del Sellaio, the Orpheus Myth and Painting for the Private Citizen. Folia Historiae, 1998, vol. 4, pp. 143–158.
  • Carl D. Das Inventar der Werkstatt von Filippino Lippi aus dem Jahre 1504. Mitteilungen des Kunsthistorischen Institutes in Florenz, 1987, vol. 31, pp. 373–391 (in German).
  • Cecchi A. (ed.). Filippino Lippi e Sandro Botticelli nella Firenze del ’400. Catalogo della mostra. Pero (Milano), 24 Ore Cultura Publ., 2011. 231 p. (in Italian).
  • Goldner G. R.; Bambach C. C.; Cecchi A. (eds.). The Drawings of Filippino Lippi and His Circle. Exhibition Catalogue. New York, Abrams Publ., 1997. 406 p.
  • Gregori M. (ed.). Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Catalogo della mostra. Cinisello Balsamo, Silvana Ed. Publ., 1992. 309 p. (in Italian).
  • Mackowsky H. Jacopo del Sellaio. Jahrbuch der Preußischen Kunstsammlungen, 1899, vol. 20, pp. 192–202, 271–284 (in German).
  • McGee T. J. Filippino Lippi and Music. Renaissance and Reformation, 2006, vol. 30, pp. 5–28.
  • Meucci R. Re David “violista da gamba” nell’iconografia musicale del primo Cinquecento italiano. Les figures de David à la Renaissance. Genève, Droz Publ., 2015, pp. 269–289 (in Italian).
  • Miziołek J. “Orpheus and Eurydice”: Three “Spalliera” Panels by Jacopo del Sellaio. I Tatti studies, 2009, vol. 12, pp. 117–148.
  • Miziołek J. Botticelli’s Masterpieces Reflected: Jacopo del Sellaio’s Domestic Panels with the Fable of Cupid and Psyche. Center / National Gallery of Art, Center for Advanced Study in the Visual Arts, 2001, vol. 22, pp. 128–132.
  • Nelson J. K. An Inventory of Drawings by Filippino Lippi and His Circle (with Two Additions). New Studies on Old Masters. Essays in Renaissance Art in Honour of Colin Eisler. Toronto, Centre for Reformation and Renaissance Studies Publ., 2011, pp. 193–220.
  • Paolini C.; Parenti D.; Sebregondi L. (eds.). Virtù d’amore: pittura nuziale nel Quattrocento fiorentino. Catalogo della mostra. Firenze, Giunti Publ., 2010. 287 p. (in Italian).
  • Petrioli Tofani A. Gabinetto disegni e stampe degli Uffizi. Disegni esposti, 2 vols. Firenze, Olschki Ed. Publ., 1987. 774 p. (in Italian).
  • Poliziano A. The Fable of Orpheus. Philadelphia, Pirandello Society Publ., 1957. 58 p.
  • Pons N. Jacopo del Sellaio. In the Light of Apollo: Italian Renaissance and Greece, vol. 2. Cinisello Balsamo (Milano), Silvana; Athens, Hellenic Culture Organization Publ., 2003, pp. 291–292.
  • San Juan R. M. Mythology, Women and Renaissance Private Life: The Myth of Eurydice in Italian Furniture Painting. Art History, 1992, vol. 15, pp. 127–145.
  • Scavizzi G. The Myth of Orpheus in Italian Renaissance art, 1400–1600. Orpheus: The Metamorphoses of a Myth. Toronto, University of Toronto Press Publ., 1982, pp. 111–162.
  • Scharf A. Filippino Lippi. Wien, Schroll Publ., 1935. 156 p. (in German).
  • Schröter E. Orpheus in der Kunst des Mittelalters und der Renaissance: eine vorläufige Untersuchung. Blick auf Orpheus. 2500 Jahre europäischer Rezeptionsgeschichte eines antiken Mythos. Tübingen, Francke Publ., 2003, pp. 109–157 (in German).
  • Semmelrath H. Der Orpheus-Mythos in der Kunst der italienischen Renaissance: eine Studie zur Interpretationsgeschichte und zur Ikonologie (Diss.). Köln, Köln University Publ., 1994. 198 p. (in German).
  • Shoemaker I. H. Filippino Lippi as a Draughtsman (Ph. D. Diss.). New York, Columbia University Publ., 1975. 575 p.
  • Van Os H. W.; Prakken M. The Florentine Paintings in Holland: 1300–1500. Maarssen, Schwartz Publ., 1974. 120 p.
  • Vasari G. Le vite de’ più eccellenti architetti, pittori, et scultori italiani, vol. 3. Firenze, Sansoni Publ., 1878. 714 p. (in Italian).
  • Markova V.; Sadkov V. (eds.). Vosvraschenie sviatogo Luki. Zapadnoevropeiskaia zhivopis’ VI–XVIII vekov iz muzeev Ukrainy. Katalog vystavki (Homecoming of St. Luke. European Paintings of the 6th–18th Centuries from the Ukrainian Museums. Exhibition Catalogue). Moscow, ScanRus Publ., 2012. 223 p. (in Russian).
  • Winternitz E. Instruments de musique étranges chez Filippino Lippi, Piero di Cosimo et Lorenzo Costa. Les fêtes de la Renaissance, vol. 1. Paris, Éditions du Centre National de la Recherche Scientifique Publ., 1956, pp. 379–395 (in French).
  • Zambrano P.; Nelson J. K. Filippino Lippi. Milano, Electa Publ., 2004. 671 p.
  • Zeri F.; Natale M.; Mottola Molfino A. Dipinti toscani e oggetti d’arte dalla collezione Vittorio Cini. Vicenza, Pozza Publ., 1984. 86 p. (in Italian).