Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa177-10-72
Title The Aegina of Gleb Bogomolov: Painting as an Artifact
Author email e.stanyukovich-denisova@spbu.ru
About author Staniukovich-Denisova, Ekaterina Iur’evna — head lecturer. Saint Petersburg State University.Universitetskaia nab., 7/9, 199034 St. Petersburg, Russian Federation. e.stanyukovich-denisova@spbu.ru Baryshnikova, Elizaveta Vladimirovna — B. A., post-graduate student. Saint Petersburg State University.Universitetskaia nab., 7/9, 199034 St. Petersburg, Russian Federation. e.baryshnikova@spbu.ru
In the section Art Critical Surveys and Reviews DOI10.18688/aa177-10-72
Year 2017 Volume 7 Pages 703710
Type of article RAR Index UDK 7.03 Index BBK 85.149
Abstract

 In 2016 the International Conference “Actual Problems of Theory and History of Art VII” withthe discussion focusing on “Artifact, Art-object, Argument. An object in Visual Arts: Tasks, Methods, Results” chose as its emblem the painting “Aegina” by the St. Petersburg artist Gleb Bogomolov. This large-scale paintingbecomes the starting point for analyzing the final period of the master’s work in the context of the classical tradition in contemporary art interpretation. Bogomolov’s multi-channeled creativity allowed choosing his work as an emblem, in which, as in cultural code, one can read many meanings, associated with the problems of contemporary art history and museology discussed at the conference.

Keywords
Reference Staniukovich-Denisova, Ekaterina Iu.; Baryshnikova, Elizaveta V. The Aegina of Gleb Bogomolov: Painting as an Artifact. Actual Problems of Theory and History of Art: Collection of articles. Vol. 7. Ed. S. V. Mal’tseva, E. Iu. Staniukovich-Denisova, A. V. Zakharova. — St. Petersburg: St. Petersburg Univ. Press, 2017, pp. 703–710. ISSN 2312-2129. http://dx.doi.org/10.18688/aa177-10-72
Publication Article language english
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