Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa155-6-62
Title Antique Motifs in Family Subjects of Russian Portraiture in mid-18th — Early 19th Century
Author email katherine2409@mail.ru
About author Kolmogorova, Ekaterina Evgen’evna — Ph. D. student. Lomonosov Moscow State University, Lomonosovskii prospect, 27–4, GSP–1, 119991 Moscow, Russian Federation
In the section Russian Art of the 18th–19th Centuries. Russian View of Classical Tradition DOI10.18688/aa155-6-62
Year 2015 Volume 5 Pages 574580
Type of article RAR Index UDK 75.041.5-055.5/.7(470)»1750/1850» Index BBK 85.14
Abstract

The article considers antique reminiscences in Russian family portraiture of the 1750s – early 19th century. Benevolence, veneration of ancestors, and love to people around as presented in sentimental literature and painting of this period formed a general concept of “happy family”. Painters used to portray an entire family, or mother and child, or a virtuous spouse surrounded by allegorical environment with symbols of fertility, hearth, and fidelity known from Classical antiquity. Representation of a missing or an untimely deceased relative, or a beloved one as a sublime ideal also served to refer to ancient tradition implied in busts, sculpted medallions, and cameos. Tendency to present “antique” air as a model of inartificial mode of life was also evident in costumes and accessories. Thus it can be concluded that antique motifs are traced in composition, narration, style and symbolism of Russian family portraiture of 1750s – early 19th century.

Keywords
Reference Ekaterina Kolmogorova. Antique Motifs in Family Subjects of Russian Portraiture in mid-18th — Early 19th Century. Actual Problems of Theory and History of Art: Collection of articles. Vol. 5. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2015, pp. 574–580. ISSN 2312-2129. http://dx.doi.org/10.18688/aa155-6-62
Publication Article language russian
Bibliography
  • Allenov M. M. The Images of Antiquity in Russian Painting. Antichnost’ v Evropeiskoi zhivopisi XV – nachala XX vekov (The Antiquity in the European Painting of the 15th – early 20th centuries). Moscow, Sovetskii khudozhnik Publ., 1984, pp. 24–32 (in Russian).
  • Derzhavin G. R. Poems. Moscow, Pravda Publ., 1983. 224 p. (in Russian).
  • Iovleva L. (ed.). Ekaterina Velikaia i Moskva. Katalog vystavki. 850-letiiu Moskvy posviashchaetsia. 1997. Gosudarstvennaia Tretiakovskaia Galereia (Catherine the Great and Moscow: Exhibition catalogue to the 850th anniversary of Moscow). Moscow, The State Tretiakov Gallery Publ., 1997. 191 p. (in Russian).
  • Karev A. A. About Interaction of Word and Image in the Cultural Space of the Derzhavin–L’vov Circle. Russkoe iskusstvo Novogo vremeni. Issledovaniia i materialy (Russian Art of the Modern Age. Studies and Materials), 2008, vol. 11, pp. 125–137 (in Russian).
  • Kirsanova R. M. Russkii kostium i byt XVIII–XIX vekov (The Russian Costume and Mode of Life of the 18th–19th Centuries). Moscow, Slovo Publ., 2002. 224 p. (in Russian).
  • Knabe G. S. Russkaia antichnost’. Soderzhanie, rol’ i sud’ba antichnogo naslediia v kul’ture Rossii (The Russian antiquity. Content, Role and Fate of the Antique Heritage in the Culture of Russia). Moscow, Rossiiskii Gosudarstvennyi Gumanitarnyi Universitet Publ., 2000. 238 p. (in Russian).
  • Kuznetsova I. A. The Appeal to Antiquity in the Second Half of the 18th Century. Antichnost’ v Evropeiskoi zhivopisi XV – nachala XX vekov (Antiquity in European painting of the 15th – early 20th cc.). Moscow, Sovetskii khudozhnik Publ., 1984, pp. 18–23 (in Russian).
  • Losev A. F. (ed.). Antichnost’ kak tip kul’tury (Antiquity as a Type of Culture). Moscow, Nauka Publ., 1988. 335 p. (in Russian).
  • Merzliakov A. F. Theory of Fine Arts. Russkie esteticheskie traktaty pervoi treti XIX veka (Russian Aesthetic Treatises of the First Third of the 19th century). Moscow, Iskusstvo Publ., 1974, vol. 2, pp. 73–193 (in Russian).
  • Mikhailov A. V. Antiquity as an Ideal and Cultural Reality of 18th – 19th Centuries. Antichnost’ kak tip kul’tury (Antiquity as a Type of Culture). Moscow, Nauka Publ., 1988, pp. 308–324 (in Russian).
  • Sidorova N. A. Antichnye motivy v russkoi kul’ture vtoroi poloviny XVIII veka (Antique Motifs in Russian Culture of the Second Half of the 18th Century), Ph. D. thesis. Saint Petersburg, 1997. 137 p. (in Russian).
  • Sladkov V. A. (ed.). Zrimyi obraz i skrytyi smysl : allegorii i emblematiki v zhivopisi Flandrii i Gollandii vtoroi poloviny XVI–XVII vv.: katalog vystavki (Visible Image and Its Implicit Meaning: Allegories and Emblems in Flemish and Dutch Painting of the Second Half of the 16th–17th cc. Exhibition catalogue). Moscow, Al’fa-Print Publ., 2004, 115 p. (in Russian).
  • Malinovskii K. V. (ed.). Stäehlin J. von. Zapiski Iakoba Shtelina ob iziashchnykh iskusstvakh v Rossii (Memoires of Jacob Stäehlin on Fine Arts in Russia), vol. 2. Moscow, Iskusstvo Publ., 1990. 248 p. (in Russian).
  • Vainshtein O. B. Dendi. Moda, kul’tura, stil’ zhizni (Dandy, Fashion, Culture, Life Style). Moscow, Novoe literaturnoe obozrenie Publ., 2005. 640 p. (in Russian).
  • Zakharzhevskaia R. V. Istoriia kostiuma: Ot antichnosti do sovremennosti (History of Costume: From Antiquity to the Present). Moscow, RIPOL klassik Publ., 2005. 306 p. (in Russian).
  • Zhivov V. M.; Uspenskii B. A. Metamorphosis of Ancient Paganism in the History of Russian Culture of the 17th– 18th centuries Razyskaniia v oblasti istorii i predystorii russkoi kul’tury (Research in the History and Prehistory of Russian Culture). Moscow, Iazyki slavianskoi kul’tury Publ., 2002, pp. 467–472 (in Russian).