|Title||The Phenomenon of an Empty Frame in the Art of the Modern Times|
|Author||Khachaturov, Sergey V.||email@example.com|
|About author||Khachaturov, Sergey V. — Ph.D., professor, Lomonosov Moscow State University. 27–4 Lomonosovsky prospect, Moscow, Russian Federation, 119991.|
|In the section||Western Art of the 20th Century and Theory of Art|
|Type of article||RAR||Index UDK||7 (01)||Index BBK||85.14|
The article is devoted to the phenomenon of “inclusion in the frame” in the art of the modern times. Making a retrospective journey into the depths of centuries, the author tries to prove that frame is included into the design of an artwork not as a decoration or an addition, but as the essential part of it. The paper focuses on the theme of an empty frame which releases to the greatest degree creative energy and activity of the audience as a full-fl edged participant of an art event.
|Reference||Khachaturov, Sergey V. The Phenomenon of an Empty Frame in the Art of the Modern Times. Actual Problems of Theory and History of Art: Collection of articles. Vol. 4. Eds: Svetlana V. Maltseva, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2014, pp. 392–399. ISSN 2312-2129.|
|Full text version of the article||Article language||russian|