Ponomarenko, Ekaterina M. The Photographic Practices of the Italian Futurism. Visual Theory

Title The Photographic Practices of the Italian Futurism. Visual Theory
Author email x.cath.q@gmail.com
About author Ponomarenko, Ekaterina M. — Ph.D. student, Stroganov Moscow State University of Arts and Industry. 9 Volokolamskoie shosse, Moscow, Russian Federation, 125080.
In the section Western Art of the 20th Century and Theory of Art
Year 2014 Volume 4 Pages 333–338
Type of article RAR Index UDK 7.038.53:77;01 Index BBK 85.14
Abstract

The article examines the interconnections between the theoretic statements of the Italian futuristic manifests and their embodiment by means of the photographic medium. Besides, special attention is paid to the peculiarities of the visual perception of the photographic images and to certain aspects of the nature of medium which determined the attitude of the futuristic art towards the photographic practices. In the article the author considers particularly the ways of applying photography of the late 19th c. in the futuristic practices and also poses the question on how the old methods were radically rethought in the process of their adaptation to completely new aesthetics.
Keywords
Reference Ponomarenko, Ekaterina M. The Photographic Practices of the Italian Futurism. Visual Theory. Actual Problems of Theory and History of Art: Collection of articles. Vol. 4. Eds: Svetlana V. Maltseva, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2014, pp. 333–338. ISSN 2312-2129.
Publication Article language russian
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