Title | Pierre-Henri de Valencienne: Theorist and Painter | ||||||||
Author | Ivasyutina, Marina A. | marina_ivasyutina@mail.ru | |||||||
About author | Ivasyutina, Marina A. — Ph.D. student, Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture. 17 Universitetskaja embankment, St. Petersburg, Russian Federation, 199034. | ||||||||
In the section | Western Art from the Middle Ages to the 20th Century | ||||||||
Year | 2014 | Volume | 4 | Pages | 318–324 | ||||
Type of article | RAR | Index UDK | 7.035(4-191)2; 7.047(21) | Index BBK | 85.14 | ||||
Abstract |
Pierre-Henri de Valencienne is one of the most prominent painters of Neo-Classicism, who integrated the principles of the historical landscape painting into one theoretical system. His landscape paintings, the specimen of ideal and beautiful Nature, are constructed in accordance with the strict rules of Classicism and are rooted in the art of Claude Lorrain. But Valencienne is also the author of the openair studies, in which one can notice the early signs of spontaneity and freshness of the Impressionistic works. The article deals with the problem of contradiction between Valencienne’s theoretical heritage and his creative work |
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Reference | Ivasyutina, Marina A. Pierre-Henri de Valencienne: Theorist and Painter. Actual Problems of Theory and History of Art: Collection of articles. Vol. 4. Eds: Svetlana V. Maltseva, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2014, pp. 318–324. ISSN 2312-2129. | ||||||||
Full text version of the article | Article language | russian | |||||||
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