|Title||Bronzino’s Letter about Sculpture and Painting|
|Author||Aleshin, Pavel A.||email@example.com|
|About author||Aleshin, Pavel A. — Ph.D. student, Lomonosov Moscow State University. 27-4 Lomonosovsky prospect, Moscow, Russian Federation, 119991.|
|In the section||Western Art from the Middle Ages to the 20th Century|
|Type of article||RAR||Index UDK||7.034...6||Index BBK||85.14|
This article is an annotated translation of the letter of Florentine painter Agnolo Bronzino to Benedetto Varchi about sculpture and painting. Though incomplete, Bronzino’s letter is an important document for the scholars not only as the evidence of the increased interest of artists to self-reflection and comprehension of their work from a philosophical point of view, but also as a valuable source on the Cinquecento Art Theory. The purpose of the article is to publish the Russian translation of the letter along with its analysis in the context of paragon — Renaissance dispute of different arts on their advantages and disadvantages.
|Reference||Aleshin, Pavel A. Bronzino’s Letter about Sculpture and Painting. Actual Problems of Theory and History of Art: Collection of articles. Vol. 4. Eds: Svetlana V. Maltseva, Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2014, pp. 230–237. ISSN 2312-2129.|
|Full text version of the article||Article language||russian|