|Title||Ben Nicholson and Patrick Heron: British Abstract Painting before and after the World War II|
|Author||Aleshina, Dina N.||firstname.lastname@example.org|
|About author||Aleshina, Dina N. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, Russia, Ph.D. student|
|In the section||Western Art of the 15th-20th Centuries|
|Type of article||RAR||Index UDK||75.038(410)||Index BBK||85.03|
This article researches the difference between the forms of the British non-figurative painting of the prewar and postwar periods. It considers the ideas of constructivism and existentialism that were dear to British abstract artists before and after the World War II. This article recounts the contemporary artistic activity of the town St. Ives — the famous center of the British avant-garde.
|Reference||Aleshina, Dina N. Ben Nicholson and Patrick Heron: British Abstract Painting before and after the World War II. Actual Problems of Theory and History of Art: Collection of articles. Vol. 3. Eds: Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova. St. Petersburg, NP-Print Publ., 2013, pp. 486–491. ISSN 2312-2129.|
|Full text version of the article||Article language||russian|