The Christian art of such neighbouring countries as Armenia and Georgia had common traits in the cultural development, especially in their border territories — Gugark (Northern Armenia) and Kartli (South-East Georgia). Early medieval sculpture of these regions is notable for common iconographic programs and artistic style. We appeal to such monuments as: the reliefs of churches of Djvari and Odzun, the reliefs of Akori, Kachaghani and Koghb, stelas of Odzun, Khandisi, Brdadzor and etc. The artistic design of the Guogark and Kartli monuments is distinguished by its laconism of style and expressiveness, the images, especially the faces, has much in common in their typology, a certain details of the reliefs are repeated many times. That means that we can insist on the generated traditions within the workshops. It was French scholar N. Thierry who for the first time paid attention to these peculiarities in sculpture of the two mentioned regions and advanced the problem of the “Gogarene sculpture workshop”.