Kovalenko, Natalya A. The Sienese school of painting in 1260-1300. On the problem of studying the images of Our Lady

Title The Sienese school of painting in 1260-1300. On the problem of studying the images of Our Lady
Author email sicego.tali@gmail.com
About author Kovalenko, Natalya A. Sts. Cyril and Methodius Post-Graduate and Doctorate School of the Russian Orthodox Church, Ph.D. student
In the section Medieval and Early Modern Western Art
Year 2012 Volume 2 Pages 223–229
Type of article RAR Index UDK 7.034(450)3 Index BBK 85.03
Abstract

The article is devoted to the Early Sienese school of painting and especially to the works of those artists who were closely connected with the Byzantine tradition. Most of these works are the icons of the Virgin. The special veneration of the Mother of God in Siena called to life some new variants of the iconography in the works of Sienese artists (Guido da Siena, Guido di Graziano, Dietisalvi di Speme) and some others (Coppo di Marcovaldo). Some iconographic themes resulted out of special ceremonies and feasts in honor of the Virgin.
 
Keywords
Reference Kovalenko, Natalya A. The Sienese school of painting in 1260-1300. On the problem of studying the images of Our Lady. Actual Problems of Theory and History of Art: Collection of articles. Vol. 2. Eds: Anna V. Zakharova. St. Petersburg, NP-Print Publ., 2012, pp. 223–229. ISSN 2312-2129.
Publication Article language russian
Bibliography
  • Van Os H., Sienese Altarpieces 1215–1460. Form, content, function. Vol. I: 1215–1344. 1988. P. 11–12; Norman D. Siena and the Virgin. Art and politics in a late medieval city state. Yale University Press, 1999. P. 28–29.
  • Carli E. La Pittura Senese. Milano, 1955. P. 11.
  • Stubblebine J.H. Guido da Siena. Princeton, 1964. P. 72–75.
  • Manzke H. Der Rekonstruktion der usprÜnglichen Gestalt des Altarretabels mit der Madonna del Voto, der Marienkrönung und zwölf Szenen aus dem Leben Christi // Claritas. Das Hauptaltarbild im Dom zu Siena nach 1260.Die rekonstruktion. Lindenau, 2001. S. 11–45.
  • Schmidt V.M. Tipologie e funzioni della pittura senese su tavola // Duccio. Siena fra tradizione bisantina e mondo gotico. Milano, 2003. P. 545.
  • Giorgi S. Dietisalvi di Speme. Madonna col Bambino e angeli // Duccio... P. 36; Bellosi L., Per un contesto cimabuesco senese: a) Guido da Siena e il probabile Dietisalvi di Speme // “Prospettiva”. 1991. N. 61., P. 6–20.
  • Norman D. Painting in Late Medieval and Renaissance Siena. Yale University Press, 2009. P. 43.
  • Бельтинг Х. Образ и культ. История образа до эпохи искусства. М., 2002. C. 434.
  • Norman D. Siena and the Virgin... P. 3.
  • Bellosi L. Precedenti e contemporanei senesi di Duccio // Duccio... P. 23.
  • Bellosi L. Duccio di Buoninsegna. Firenze, 2003.
  • Norman D. Painting in Late Medieval and Renaissance Siena... P. 52.
  • The Great Italian Painters. From the Gothic to Renaissance. Florence, 2003. P. 18.