Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa2313-5-44
Title Artistic Features of The Book of the Triumph of Fortitude and Prudence (a Manuscript from The National Library of Russia)
Author email soshnikova_ks@mail.ru
About author Soshnikova, Kseniia V. — Ph. D., researcher. National Library of Russia, Department of Manuscripts, Sadovaya ul., 18, 191069 St. Petersburg, Russian Federation; SPIN-code: 5999-0244; ORCID: 0000-0001-6243-0012
In the section Art of the Renaissance DOI10.18688/aa2313-5-44
Year 2023 Volume 13 Pages 560569
Type of article RAR Index UDK 7.034(44) Index BBK 85.153(3)
Abstract

The article examines a set of miniatures from a French manuscript dating to the first quarter of the 16th century (Fr.F.v.XV.1) held in the National Library of Russia (NLR), a vast deposit of medieval European documents. This codex is a humanist treatise Le livre du triomphe de la force et de la prudence (The Book of the Triumph of Fortitude and Prudence) written by Jean Thenaud, a French writer, traveler, and the confessor of Francis of Angoulême (Valois), the future King Francis I (1515–1547).

Le Triomphe des vertuz (The Triumph of the Virtues) is a cycle of moral treatises by Jean Thenaud. The manuscript copies of these works are gathered in several codices, one of which is in the Manuscripts Department of the National Library of Russia (Fr.F.v.XV.1) while the others are in France (Fr. 144, Fr. 443 in the National Library of France and Ms. 3358 in the Arsenal library).

The codex from the National Library of Russia is a presentation copy for Louise of Savoy, the mother of the King of France Francis I. Her children were to be taught morals through these treatises: The Triumph of Prudence for Marguerite Valois, and The Triumph of Fortitude for Francis Valois. Prior to its acquisition and removal from the Saint-Germain-des-Prés Abbey by the Russian diplomat and bibliophile P.P. Dubrovsky, the manuscript belonged to Bibliothèque du Roi (the Library of the Kings of France). The National Library of France holds a manuscript (Fr. 144) that continues the St. Petersburg codex.

In each Triumph, its author, Jean Thenaud, presents an imaginary pilgrimage journey to the Holy Land, filled with allegories and metaphors. The codex Fr.F.v.XV.1 from the National Library of Russia includes 19 miniatures depicting his journey, painted by two anonymous artists. The stylistic contrast of the codex kept in St. Petersburg makes it a peculiarly interesting piece of art. The miniatures of the first master are influenced by the Rouen school of painting, whereas those of the second one are inspired by Italian artists invited to France and by Antwerp Mannerism.

Keywords
Reference Soshnikova, Kseniia V. Artistic Features of The Book of the Triumph of Fortitude and Prudence (a Manuscript from The National Library of Russia). Actual Problems of Theory and History of Art: Collection of articles. Vol. 13. Eds A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — Lomonosov Moscow State University / St. Petersburg: NP-Print, 2023, pp. 560–569. ISSN 2312-2129. http://dx.doi.org/10.18688/aa2313-5-44
Publication Article language english
Bibliography
  • 1. Avril F.; Reynaud N. Les manuscrits à peinture en France 1440–1520. Paris, Bibliothéque Nationale Publ., 1994. 439 p.
  • 2. Avril F.; Reynaud N.; Cordellier D. (eds.). Les Enluminures du Louvre, Moyen Âge et Renaissance. Paris, Hazan Publ.; Louvre éditions Publ., 2011. 383 p. (in French).
  • 3. Chenu R. Le Maître de Bayeux, émule du Maître de l’Échevinage de Rouen. Memini. Travaux et documents, 2018, no. 24. Available at: https://journals.openedition.org/memini/1142 (accessed 11 January 2023) (in French).
  • 4. Christie-Miller I. 72 in His name: Reuchlin, Luther, Thenaud, Wolff, and the Names of Seventy-Two Angels. Boston, Academic studies press Publ., 2019. 82 p.
  • 5. Demidova M. A. Ideal’naia rezidentsiia renessansnogo pravitelia: dvorets Fontenblo epokhi Frantsiska I (The Ideal Residence of a Renaissance Ruler. The Palace of Fontainebleau in the Age of Francis I). Moscow, Progress-Traditsiia Publ., 2010. 351 p. (in Russian).
  • 6. Février P.-A. Les quatre fleuves du Paradis. Rivista di Archeologia Cristiana, 1956, vol. 32, pp. 179–199 (in French).
  • 7. Hermant M., Laffitte M.-P. (éd.). Trésors royaux: la bibliothèque de François Ier: Château royal de Blois. Blois; Paris; Rennes, Château royal de Blois Publ.; Bibliothèque nationale de France Publ.; Presses universitaires de Rennes Publ., 2015. 319 p. (in French).
  • 8. Laborde A. de. Les principaux manuscrits à peintures conservés dans l’ancienne Bibliothèque Impériale Publique de Saint-Pétersbourg, vol. 2. Paris, Société française de reproductions de manuscrits à peintures Publ., 1936–1938. 100 p., 45 pl. (in French).
  • 9. Lecoq A.-M. François Ier imaginaire: symbolique et politique à l’aube de la Renaissance française. Paris, Macula Publ., 1987. 565 p. (in French).
  • 10. Marrou H.-I. L’inscription des quatre fleuves du Paradis dans la basilique d’Ostie. Publications de l’École Française de Rome, 1978, no. 35, pp. 111–114 (in French).
  • 11. Orth M. D. French Renaissance Manuscripts and L’Histoire du Livre. Viator: Medieval and Renaissance Studies, 2001, vol. 32, no. 32, pp. 245–278.
  • 12. Orth M. D. Renaissance Manuscripts: The Sixteenth Century, vol. 2. London, Harvey Miller Publ., 2015. 383 p.
  • 13. Perret N.-L.; Péquignot S. A Critical Companion to the ‘Mirrors for Princes’ Literature. Leiden; Boston, Brill Publ., 2022. 562 p.
  • 14. Plummer J.; Clark G. The Last Flowering: French Painting in Manuscripts 1420–1530 from American Collections. New York, Pierpont Morgan Library Publ., Oxford University Press Publ., 1982. XIV, 123 p.
  • 15. Ritter G.; Lafond J. (eds.). Manuscrits à peintures de l’école de Rouen: livres d’heures normands. Rouen, A. Lestringant Publ., 1913. 60 p., 81 pl. (in French).
  • 16. Scailliérez C. (ed.). François Ier et l’art des Pays-Bas. Paris, Louvre éditions Publ.; Somogy éditions d’art Publ., 2017. 479 p. (in French).
  • 17. Schuurs-Janssen T. J. (ed.). Le triumphe de prudence: ms. Ars. 3358, ff. 1-148. Genève, Droz Publ., 1996. clxviii, 423 p. (in French).
  • 18. Schuurs-Janssen T. J. (ed.). Le Triumphe des vertuz. Troisième traité: Le Triumphe de Justice (ms. BNF, fr. 144). Genève, Droz Publ., 2007. lxxxv, 500 p. (in French).
  • 19. Voronova T. P.; Sterligov A. Western European Illuminated Manuscripts, 8th to 16th Centuries. London, Sirocco Publ., 1996. 255 p.
  • 20. Voronova T. P. P. P. Dubrovskii and Saint-Germain Manuscripts. Knigi. Arkhivy. Avtografy. (Books. Archives. Autographs). Moscow, Kniga Publ., 1973, pp. 101–114. (in Russian).
  • 21. Zöhl C. Jean Pichore: Buchmaler, Graphiker und Verleger in Paris um 1500. Turnhout, Brepols Publ., 2004. 346 p. (in German).