Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa2212-03-19
Title Un balcon sur l’Europe: Fin-de-siècle Art in Belgium. View from Russia
Author email elena.klyushina@gmail.com
About author Klyushina, Elena V. — Ph. D., associate professor. Russian State University for the Humanities, Miusskaya pl., 6, Moscow, Russian Federation, 125047. ORCID: 0000-0002-0006-5010
In the section European Art in the Modern Times DOI10.18688/aa2212-03-19
Year 2022 Volume 12 Pages 269280
Type of article RAR Index UDK 7.03 Index BBK 85.143(3)
Abstract

In recent years, the turn-of-the-century art and culture in Belgium have attracted increasing attention from the international scientific community. Exhibitions devoted to Belgian symbolism and its individual representatives are being opened more and more often. The usual concepts and principles of museum exhibiting of fin-de-siècle art are being revised. There is a significant increase in publication activity, aimed at a comprehensive analysis of the artistic and aesthetic features of the genesis and development of the modern Belgian painting school. However, in Russian humanities only in the past few years, there has been a certain increase in research interest in the problems of Belgian art. The aim of the article is to demythologize the usual ideas about the peripheral and provincial nature of the Belgian art school, typical for Russian historiography. For this purpose, the author outlines the main development trends of the Fin-de-Siècle Belgian art, reveals original research approaches, which in recent years have proved their effectiveness, analyzes the few scientific works by Russian art historians that were devoted to the culture of this country, and proposes cutting-edge areas of study of the fine arts of Belgium, which could possibly serve as a basis for revising the approaches taken in modern Russian humanities to the study of the art of small European countries.

Keywords
Reference Klyushina, Elena V. Un balcon sur l’Europe: Fin-de-siècle Art in Belgium. View from Russia. Actual Problems of Theory and History of Art: Collection of articles. Vol. 12. Eds A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — St. Petersburg: St. Petersburg Univ. Press, 2022, pp. 269–280. ISSN 2312-2129. http://dx.doi.org/10.18688/aa2212-03-19
Publication Article language russian
Bibliography
  • Adriaens-Pannier A. Spilliaert: le regard de l’âme. Gand, Ludion Publ., 2006. 335 p. (in French).
  • Block J. Belgium, The Golden Decades, 1880–1914. New York, Peter Lang AG, Internationaler Verlag der Wissenschaften Publ., 1993. 264 p.
  • Block J. Les XX and Belgian Avant-Gardism: 1864–1894. Ann Arbor, UMI Research Press Publ., 1984. 185 p.
  • Block J. Homage to Brussels: The Art of Belgian Posters 1895–1915. New Brunswick, NJ, Jane Voorhees Zimmerli Art Museum Publ., 1992. 122 p.
  • Block J.; Hoozee R.; Stevens M. A. Impressionism to Symbolism: The Belgian Avant-garde, 1880–1900. London, Royal Academy of Arts Publ., 1994. 296 p.
  • Block J.; Goddard St. H. (ed.). Les XX and the Belgian Avant-Garde: Prints, Drawings, and Books Ca. 1890. Lawrence, Spencer Museum of Art Publ., 1993. 400 p.
  • Clerbois S. L’Ésotérisme et le Symbolisme belge. Wijnegem, Pandora Publ., 2012. 191 p. (in French).
  • Cole B. Jean Delville: Art between Nature and the Absolute. Newcastle upon Tyne, Cambridge Scholars Publ., 2014. 520 p.
  • Cole B. L’Ecole de Platon de Jean Delville: Amour, beauté et androgynie dans la peinture fin-de-siècle. La revue des Musées de France, Octobre 2006, vol. 56, no. 4, pp. 57–63. (in French).
  • Davydova O. S. The Dynamics of Studying Symbolism: Contextualizing the Russian Contribution within the European Tradition. Zakharova A.; Maltseva S.; Staniukovich-Denisova E. (eds.). Actual Problems of Theory and History of Art: Collection of Articles, vol. 11. St. Petersburg, St. Petersburg University Press Publ., 2021, pp. 743–756. DOI: 10.18688/aa2111-06-53 (in Russian).
  • Draguet M.; Morel D. Fernand Khnopff, le maître de l’énigme. Paris, Paris-Musées Publ., 2018. 96 p. (in French).
  • Grabar I. Letters from Munich. II. Félicien Rops. Mir iskusstva (World of Art), 1899, vol. 1, no. 1–12, pp. 30–34 (in Russian).
  • Grabar I. The Answer to Jean Brochen. Mir iskusstva (World of Art), 1899, vol. 1, no. 1–12, pp. 116–117 (in Russian).
  • Klyushina E. V. The XX Society and Its Role in the Formation of the Belgian Avant-Garde. Vestnik of Saint Petersburg University. Arts, 2015, no. 4, pp. 42–54 (in Russian).
  • Klyushina E. V. The Belgian Accent of the Finnish Avant-Garde: Alfred William Finch’s Art in Finland. Zakharova A.; Maltseva S.; Staniukovich-Denisova E. (eds.). Actual Problems of Theory and History of Art: Collection of Articles, vol. 10. Lomonosov Moscow State University; St. Petersburg, NP-Print Publ., 2020, pp. 158–167. DOI: 10.18688/aa200-1-15 (in Russian).
  • Kriuchkova V. A. Simvolizm v izobrazitel’nom iskusstve. Frantsiia i Bel’giia 1870–1900 (Symbolism in the Visual Arts. France and Belgium 1870–1900). Moscow, Izobrazitel’noe iskusstvo Publ., 1994. 272 p. (in Russian).
  • L’Art en Belgique. Flandre et Wallonie au XXe siècle, un point de vue. Paris, Musée de l’Art Moderne de la Ville de Paris Publ., 1991. 527 p. (in French).
  • Madeline L.; Swinbourne A. (ed.). James (art) Ensor. Bruxelles, Fonds Mercator Publ., 2009. 272 p.
  • Ogata A. F. Art Nouveau and the Social Vision of Modern Living. Belgian Artists in a European Context. Cambridge, Cambridge University Press Publ., 2001. 256 p.
  • Roberts-Jones Ph. Bruxelles Fin de Siècle. Paris, Flammarion Publ., 1994. 282 p. (in French).
  • Roberts-Jones Ph. Histoire de la peinture en Belgique du XIVe siècle à nos jours. Bruxelles, La Renaissance du Livre Publ., 1995. 532 p. (in French).
  • S. D. Belgian Exhibition in Petersburg. Mir iskusstva (World of Art), 1899, vol. 1, no. 1–12, pp. 19–20 (in Russian).
  • Silverman D. Art Nouveau, Art of Darkness: African Lineages of Belgian Modernism, Part I. West 86th: A Journal of Decorative Arts, Design History, and Material Culture, Fall–Winter 2011, vol. 18, no. 2, pp. 139–181.
  • Silverman D. Art Nouveau, Art of Darkness: African Lineages of Belgian Modernism, Part II. West 86th: A Journal of Decorative Arts, Design History, and Material Culture, Fall–Winter 2012, vol. 19, no. 2, pp. 175–195.
  • Silverman D. Art Nouveau, Art of Darkness: African Lineages of Belgian Modernism, Part III. West 86th: A Journal of Decorative Arts, Design History, and Material Culture, Spring–Summer 2013, vol. 20, no. 1, pp. 3–61.
  • Silverman D. Boundaries: Bourgeois Belgium and “Tentacular” Modernism. Modern Intellectual History, 2018, no. 15, pp. 261–284.
  • Silverman D. “Modernité Sans Frontières”: Culture, Politics, and the Boundaries of the Avant-Garde in King Leopold’s Belgium, 1885–1910. American Imago. History, Politics, and Psychoanalysis: In Honor of Carl E. Schorske, Winter 2011, vol. 68, no. 4, pp. 707–797.
  • Simmons G. Fernand Khnopff and Ver Sacrum. The Low Counties Fin de Siècle, Fall 1988–Spring 1989, pp. 33–51.
  • Svetlov I. E. Problems of Symbolism in the Interpretation by Valentina Kryuchkova. Khudozhestvennaia kul’tura (Art & Culture Studies), 2020, no. 1 (32), pp. 29–44 (in Russian).
  • Svetlov I. E. Khnopff’s Fatal Silence. Dukh simvolizma. Russkoe i zapadnoevropeiskoe iskusstvo v kontekste jepohi konca XIX — nachala XX veka (The Spirit of Symbolism. Russian and Western European Art in the Context of the Era of the Late 19th – Early 20th Centuries). Moscow, Progress-Traditsiia Publ., 2021, pp. 517–527 (in Russian).
  • Swinbourne A. (ed.). James Ensor. New York, The Museum of Modern Art Publ., 2009. 208 p.
  • Todts H. James Ensor: From the Royal Museum of Fine Arts Antwerp and Swiss Collections. Ostfildern, Hatje Cantz Verlag Publ., 2014. 136 p.
  • Tugendhol’d Ja. Antwerp as an Art Center. Russkie vedomosti, 1914, 3 October (in Russian).
  • Tugendhol’d Ja. James Ensor. Apollon, 1915, no. 1, pp. 24–32 (in Russian).
  • Tugendhol’d Ja. Artistic Culture of Belgium. Iz istorii zapadnoevropeiskogo, russkogo i sovetskogo iskusstva: Izbrannye stat’i i ocherki (From the History of Western European, Russian and Soviet Art: Selected Articles and Essays). Moscow, Sovetskii khudozhnik Publ., 1987, pp. 86–98 (in Russian).