Please use this identifier to cite or link to this item: http://dx.doi.org/10.18688/aa200-3-48
Title Continuity in 20th-Century Architecture: Post-Painting Abstraction and Form Creation in the Work of Ricardo Legorreta
Author email pana00@mail.ru
About author Panova, Natalya Gennad’evna — Ph. D., professor. Moscow Institute of Architecture (State Academy — MARCHI), Rozhdestvenka ul., 11/4, 1–4, 107031 Moscow, Russian Federation.
In the section International Art in the 20th and 21st Centuries DOI10.18688/aa200-3-48
Year 2020 Volume 10 Pages 545557
Type of article RAR Index UDK 7.036 Index BBK 85.1
Abstract

In the context of the cultural globalisation the search for the dialogue between the principles of contemporary architectural forms, artistic and plastic experiments and the painting and sculpture of the 20th –21st centuries is most relevant. This link is considered as the unified artistic process. Since the early 20th century, plastic arts seek to make the connection. So, this is the reason to create new methodology of plastic thinking and forms creation in artists’ and architects’ works. The article is dedicated to perception of minimalistic and original architecture of Ricardo Legorreta — the most significant Mexican architect of the 20th century. The appearance of his buildings is considered as ideas of post-painterly abstraction localized in space. The publication based on illustrations shows how color-plastic principles of post-painterly abstraction works can find their expression in Ricardo Legorreta’s architectural career. This work fills the gap in the dialogue between domestic and foreign researches.

Keywords
Reference Panova, Natalya G. Continuity in 20th-Century Architecture: Post-Painting Abstraction and Form Creation in the Work of Ricardo Legorreta. Actual Problems of Theory and History of Art: Collection of articles. Vol. 10. Ed: A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — Lomonosov Moscow State University / St. Petersburg: NP-Print, 2020, pp. 545–557. ISSN 2312-2129. http://dx.doi.org/10.18688/aa200-3-48
Publication Article language russian
Bibliography
  • Albers J. Interaction of Color: Grundlegung einer Didaktik des Sehens. Köln, M. DuMont Schauberg Publ., 1970. 121 p. (in German).
  • Albers J. A Retrospective. New York, Solomon Guggenheim Museum Publ., 1988. 304 p.
  • Brinkman A. E. Plastika i prostranstvo kak osnovnye formy khudozhestvennogo vyrazheniia (Plastic and Space as the Main Forms of Artistic Expression). M. V. Alpatov (ed.). Moscow, All-Union Academy of Architecture Publ., 1935. 175 p. (in Russian).
  • Campbel A.; Nesin K.; Blalock L. Frank Stella. London, Phaidon Press Limited Publ., 2018. 160 p.
  • Chunikhin K. A. Clement Greenberg’s “Modern and Postmodern”: the Apology of Modernism in the Postmodern Era. Maltseva S. V.; Stanyukovich-Denisova E. Yu. (eds.). Actual Problems of Theory and History of Art: Collection of Articles, vol. 3. St. Petersburg, NP-Print Publ., 2013, pp. 515–520 (in Russian).
  • Danilova E. V. Ot izobrazheniia k konstruktsii. Razvitie formoobrazuiushchikh metodov kubizma i futurizma v arkhitekture XX veka (From Picture to Design. Development of Formative Methods of Cubism and Futurism in the Architecture of the 20th Century). Samara, Samarskii gosudarstvennyi arkhitekturno-stroitel’nyi universitet Publ., 2004. 160 p. (in Russian).
  • Dutsev M. V. Kontseptsiia khudozhestvennoi integratsii v noveishei arkhitekture (The Concept of Artistic Integration in Modern Architecture). Nizhnii Novgorod, Nizhegorodskii Gosudarstvennyi arkhitekturnostroitel’nyi universitet Publ., 2013. 388 p. (in Russian).
  • Efimov A. V. World Art Trends and Architectural Creativity. Parts 1–4. Arkhitektura i sovremennye informatsionnye tekhnologii (Architecture and Modern Information Technologies, 2017, no. 3 (40). pp. 252–274. Available at: http://marhi.ru/AMIT/2017/3kvart17/19_efimov/index.php (accessed 12 December 2018).
  • Efimov A. V.; Panova N. G. Arkhitekturnaia koloristika i plasticheskie iskusstva (Architectural Color and Plastic Arts). Moscow, BuksMArt Publ., 2019. 424 p. (in Russian).
  • Egorov B. F. (ed.). Ritm, prostranstvo i vremia v literature i iskusstve (Rhythm, Space and Time in Literature and Art). Leningrad, Nauka Publ., 1974. 299 p. (in Russian).
  • Marquis A. G. Art Czar: The Rise and Fall of Clement Greenberg. Boston, MFA Publ., 2006. 322 p.
  • Murina E. B. Problemy sinteza prostranstvennykh iskusstv (Problems of Synthesis of Spatial Arts). Moscow, Iskusstvo Publ., 1982. 192 p. (in Russian).
  • Mutlow J. V. Ricardo Legorreta Arquitectos. Italy, Rizzoli Publ., 1997. 240 p.
  • Panova N. G. Color-Plastic Techniques of Space Formation in Architecture and Art of the 20th Century: Frank Gehry. Arkhitektura i sovremennye informatsionnye tekhnologii (Architecture and Modern Information Technologies), 2017, no. 3 (40), pp. 113–131. Available at: http://marhi.ru/AMIT/2017/3kvart17/09_panova/index.php (accessed 17 December 2018).
  • Panova N. G. The Artistic Language of Architecture of Ricardo Legorreta. Plane and Color as Forming Elements. Arkhitektura i sovremennye informatsionnye tekhnologii (Architecture and Modern Information Technologies), 2017, no. 4 (41), pp. 272–287. Available at: http://marhi.ru/AMIT/2017/4kvart17/20_panova/index.php (accessed 21 November 2018)
  • Panova N. G. Architecture of Silence. Color Spaces of Luis Barragán and Ricardo Legorreta. Arkhitektura i sovremennye informatsionnye tekhnologii (Architecture and Modern Information Technologies), 2018, no. 3 (44), pp. 346–361. Available at: http://marhi.ru/AMIT/2018/3kvart18/21_panova/index.php (accessed 08 December 2018)
  • Rouz B. Amerikanskaia zhivopis’ XX veka (American Painting of the 20th Century). Paris. Bookking International Publ.; Milano, Skira Publ., 1995. 175 p. (in Russian).
  • Rykov A. V. Clement Greenberg and the American Theory of Modern Art of the 1960s. Iskusstvoznanie (Art Studies), 2007, 1–2/07, pp. 538–563 (in Russian).
  • Sandler I. Al Held. United States, Hudson Hills Press Publ., 1985. 192 p.
  • Shvidkovskii O. A. Garmoniia vzaimodeistviia. Arkhitektura i monumental’noe iskusstvo (Harmony of Interaction. Architecture and Monumental Art). Moscow, Stroiizdat Publ., 1984. 280 p. (in Russian).
  • Steele J. Architecture Today. London, Phaidon Press Limited Publ., 1997. 511 p.
  • Stepanov G. P. Vzaimodeistvie iskusstv (The Interaction of Arts). Leningrad, Khudozhnik RSFSR Publ., 1973, 184 p. (in Russian).
  • Strigalev A. A. Plastic Arts and Architectural Form. Arkhitekturnaia kompozitsiia: Sovremennye problemy (Architectural Composition: Contemporary Issues). Moscow, Stroiizdat Publ., 1970, pp. 180–183 (in Russian).
  • Strigalev A. A. Vzaimodeistvie arkhitektury s drugimi iskusstvami (Interaction of Architecture with Other Arts). Moscow, Tsentral’nyi nauchno-issledovatel’skii institut teorii i istorii arkhitektury Publ., 1974. 75 p. (in Russian).
  • Terán A. Tras los Pasos de Ricardo Legorreta. Dime por dónde andas y te diré que ver. México, Aeditores Publ., 2012. 269 p. (in Spanish).
  • Tits A. A.; Vorob’eva E. V. Plasticheskii iazyk arkhitektury (Plastic Language of Architecture). Moscow, Stroiizdat Publ., 1986. 310 p. (in Russian).
  • Vanslov V. V. Obrazy iskusstva. Ocherki (Images of Art. Essays). Moscow, Znanie Publ., 2006. 448 p. (in Russian).